COMMISSION STAFF WORKING DOCUMENT Background documents to the Communication from the Commission to the European parliament, the Council, the European economic and social committee and the Committee of the regions Seventh communication on the application of articles 4 and 5 of directive 89/552/eec "television without frontiers", as amended by directive 97/36/ec, for the period 2003-2004" {COM(2006) 459 final}

1.

Kerngegevens

Document­datum 30-08-2006
Publicatie­datum 12-08-2009
Kenmerk 12348/06 ADD 1
Van Secretary-General of the European Commission, signed by Mr Jordi AYET PUIGARNAU, Director
Aan Mr Javier SOLANA, Secretary-General/High Representative
Externe link originele PDF
Originele document in PDF

2.

Tekst

COUNCIL OF Brussels, 30 August 2006

THE EUROPEAN UNION

12348/06 ADD 1

AUDIO 35 TELECOM 71 CONSOM 69 CODEC 852

ADDENDUM TO THE COVER NOTE

from: Secretary-General of the European Commission,

signed by Mr Jordi AYET PUIGARNAU, Director date of receipt: 16 August 2006

to: Mr Javier SOLANA, Secretary-General/High Representative

Subject: COMMISSION STAFF WORKING DOCUMENT

Background documents

to the Communication from the Commission to the European parliament, the Council, the European economic and social committee and the Committee of

the regions Seventh communication on the application of articles 4 and 5 of directive 89/552 i/eec "television without frontiers", as amended by directive 97/36 i/ec, for the period 2003-2004"

{COM(2006) 459 final i}

Delegations will find attached Commission document SEC(2006) 1073.

________________________

Encl.: SEC(2006) 1073

COMMISSION OF THE EUROPEAN COMMUNITIES

Brussels, 14.8.2006 SEC(2006) 1073

COMMISSION STAFF WORKING DOCUMENT

Background documents to the

COMMUNICATION FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL

COMMITTEE AND THE COMMITTEE OF THE REGIONS

Seventh communication on the application of Articles 4 and 5 of Directive 89/552/EEC i "Television without Frontiers", as amended by Directive 97/36/EC i,

for the period 2003-2004

{COM(2006) 459 final i}

EN EN

TABLE OF CONTENTS

BACKGROUND DOCUMENT 1 – Performance indicators.................................................... 3

BACKGROUND DOCUMENT 2 – Charts and Tables on the application of Articles 4 and 5.............................................................................................. 6

BACKGROUND DOCUMENT 3 – Application of

Articles 4 and 5 in each Member State.. .................................................................................. 16

BACKGROUND DOCUMENT 4 - Summary of the reports from the Member States ......................................................................................... 45

BACKGROUND DOCUMENT 5 - Summary of the reports from the Member States of the European Free Trade Association participating in the European Economic Area............................................................................................. 164

BACKGROUND DOCUMENT 6 - List of television channels in the European Union Member States which failed to achieve the majority proportion according to Article 4 ........................................................................................... 167

BACKGROUND DOCUMENT 7 average transmission time* of european works by primary channels (“de-minimis-criterion”) ........................................ 180

BACKGROUND DOCUMENT 8 – List of television channels in the European Union Member States which failed to achieve the minimum proportion according to article 5 ............................................................................................ 187 BACKGROUND DOCUMENT 1 – Performance indicators

The following indicators facilitate the evaluation of the television programmes’ achievement of the proportions referred to in Article 4 and 5 of the Directive. Indicators 2 – 5 are based on criteria which are set out in Articles 4 and 5. All performance indicators allow assessing achievements at Member State and at Community level.

General indicator

• Indicator 1: number of reported channels covered by Articles 4 and 5. 1

Indicator 1 was calculated for each Member State and for all Member States taken together.

These figures were obtained by determining the total number of channels reported by Member States less the number of non-operative channels (NO) and the number of channels which were exempted (EXC) due to the nature of their programmes (news, sports events, games, advertising, teletext services or teleshopping) or due to legal exceptions:

  • Article 9 of the Directive: television broadcasts that are intended for local audiences and do not form part of a national network;
  • Article 2(6) of the Directive: broadcasts intended exclusively for reception in third countries, and which are not received directly or indirectly by the public in one or more Member States;
  • Recital 29 of

Directive 97/36/EC i: channels broadcasting entirely in a language other than those of the Member States should not be covered by the provisions of Articles 4 and 5.

Channels for which Member States failed to communicate data relating to Article 4 or 5 (NC) were included.

Indicators concerning Article 4 (European works) 2

• Indicator 2: average transmission time reserved for European works.

Indicator 2 is presented as average proportion for each individual channel, for each Member State and for all Member States taken together.

It is obtained by determining the average transmission time reserved by each reported channel covered by Article 4 (cf. Indicator 1) for European works in the meaning of Article 6 and by

applying that figure to the total qualifying transmission time. 3

The Member States’ averages are based on the average proportions of all covered channels reported by the Member State concerned.

1 Cf. Chart 1 and Table 1 in Annex 2.

2 Cf. Table 2 in Annex 2.

3 I.e. total transmission time excluding the time appointed to news, sports events, games, advertising,

teletext services and teleshopping.

The EU-averages are based on the Member States’ averages.

• Indicator 3: compliance rate of all channels achieving or exceeding the majority

proportion.

Indicator 3 is presented for each Member State and for all Member States taken together.

It is obtained by determining the number of channels achieving the majority proportion of more than 50% under Article 4 and applying that figure to the total number of reported channels covered by Article 4 (Indicator 1).

The EU-averages are based on the Member States’ averages.

Indicators concerning Article 5 (European works made by independent producers) 4

• Indicator 4: average transmission time, or alternatively, depending on the choice made by

the Member State when transposing the Directive, the average proportion of the programming budget allocated to European works by independent producers (independent productions).

Indicator 4 is presented as average proportion for each individual channel, for each Member State and for all Member States taken together.

It is obtained by determining the average transmission time, or programming budget, reserved by each reported channel covered by Article 5 (cf. Indicator 1) for European works by independent producers and by applying that figure to the total qualifying transmission time.

The Member States’ averages are based on the average proportions of all covered channels reported by the Member State concerned.

The EU-averages are based on the Member States’ averages.

• Indicator 5: compliance rate of channels achieving or exceeding the minimum proportion.

Indicator 5 is presented for each Member State and for all Member States taken together.

It is obtained by determining the number of channels achieving or exceeding the minimum proportion of at least 10% under Article 5 and applying that figure to the total number of reported channels covered by Article 5 (Indicator 1).

The EU-averages are based on the Member States’ averages.

• Indicator 6: average transmission time allocated to recent European works by independent

producers (recent works).

Indicator 6 is presented as average proportion for each individual channel, for each Member State and for all Member States taken together.

EN 4 EN

It is obtained by determining the average transmission time reserved by each reported channel covered by Article 5 (cf. Indicator 1) for recent European works by independent producers and by applying that figure to the transmission time reserved for all independent productions.

The Member States’ averages are based on the average proportions of all covered channels reported by the Member State concerned.

The EU-averages are based on the Member States’ averages. In order to better evaluate the actual development in the broadcasting of recent works, the EU-averages figures for recent works were also applied to the total qualifying transmission time.

BACKGROUND DOCUMENT 2: Charts and Tables on the application of Articles 4 and 5

Chart 1 Indicator 1: Reported channels covered by Articles 4 and 5 (Community level)

900

800 767

700 654

n el

s

600

an 584 584

ch 500 472 472 503 503

 o f 400

b er

300

N u

m

200

100

0 2001 2002 2003 2004

2001 2002 2003 2004

EU-25 (2004) 472 503 584 767

EU-15 472 503 584 654

EU-25 (2004) EU-15

Table 1

Indicator 1:

Reported channels covered 5 by Articles 4 and 5 (Member State-level)

Table 1 Indicator 1 IND 1

Number of reported channels covered

year 2001 2002 2003 2004 growth MS

BE 15 19 22 33 18 BE

CY 7 n.a. CY

CZ 12 n.a. CZ

DK 6 6 15 16 10 DK

DE 26 26 26 28 2 DE

EE 3 n.a. EE

GR 33 35 12 12 -21 GR

ES 48 51 45 46 -2 ES

FR 70 75 84 89 19 FR

IE 4 4 4 4 0 IE

IT 53 69 95 87 34 IT

LV 10 n.a. LV

LT (4) 4 0 LT

LU 10 10 10 10 0 LU

HU 15 n.a. HU

MT (5) 5 0 MT

NL 41 41 49 55 14 NL

5 Cf. Indicator 1, Annex 1

Not covered are the following broadcasts: television broadcasts that are intended for local audiences and

do not form part of a national network (Article 9 of the Directive; broadcasts intended exclusively for

reception in third countries, and which are not received directly or indirectly by the public in one or

more Member States (Article 2(6) of the Directive), channels broadcasting entirely in a language other

than those of the Member States should not be covered by the provisions of Articles 4 and 5 (Recital 29

of Directive 97/36/EC i).

Table 1 Indicator 1 IND 1

Number of reported channels covered

year 2001 2002 2003 2004 growth MS

AT 7 7 8 11 4 AT

PL 44 n.a. PL

PT 12 12 12 15 3 PT

SI (9) 9 0 SI

SK 4 n.a. SK

FI 4 4 6 7 3 FI

SE 18 21 11 16 -2 SE

UK 125 123 185 225 100 UK

472 503 584 654 182 EU-15

Total 113 EU-10

472 503 584 767 295 EU-25 Chart 2

Development of main indicators from 2001-2004 (Community-level)

e ) 80

n t

im 70 71,66

66,95 69,09 66,10 65,18 s io 60 61,78 61,96 63,32

is

50

n s

m

40 37,75

g t

ra

34,03

in 30 31,39 31,50

li fy 23,32 20 21,09 22,50 21,77

l q u a

10

ta

f to 0

 o 2001 2002 2003 2004 %

2001 2002 2003 2004

n s

 (

EW (IND 2) 66,95 66,10 65,18 63,32 IP (IND 4) 37,75 34,03 31,39 31,50

p o rt io

RW (IND 6) 23,32 21,09 22,50 21,77 RW (% of IP) 61,78 61,96 71,66 69,09

p ro

EW (IND 2) IP (IND 4) RW (IND 6) RW (% of IP)

Table 2

Indicators 2 and 3:

European works (Member State-level)

Table 2 Indicator 2 Indicator 3 IND 2, 3

EW (European works) (Article 4) Compliance rate (Article 4)

year 2001 2002 2003 2004 growth 2003 2004 MS

BE 60,00 68,42 58,32 53,50 -6,50 50 55 BE

CY 50,34 n.a. 60 CY

CZ 49,12 n.a. 58 CZ

DK 77,13 64,60 86,20 86,33 9,20 87 88 DK

DE 59,41 59,82 63,57 65,53 6,12 54 61 DE

EE 61,77 n.a. 100 EE

GR 77,02 73,53 68,44 71,04 -5,98 83 92 GR

ES 56,06 61,71 60,92 59,87 3,81 69 74 ES

FR 70,98 71,73 69,90 70,40 -0,58 88 96 FR

IE 49,17 48,67 52,75 52,25 3,58 50 50 IE

IT 62,66 60,72 58,81 62,00 -0,66 59 67 IT

LV 63,29 n.a. 100 LV

LT (49,75) 53,45 n.a. (50) 50 LT

LU 80,00 80,00 64,67 62,44 -17,56 70 70 LU

HU 66,94 n.a. 87 HU

MT (75,01) 77,44 n.a. (100) 100 MT

NL 87,00 73,83 71,78 65,58 -21,42 65 67 NL

AT 74,47 79,13 72,76 73,72 -0,75 67 64 AT

PL 77,77 n.a. 89 PL

PT 46,98 49,83 64,56 62,32 15,34 75 64 PT

SI (49,62) 53,23 n.a. (56) 56 SI Table 2 Indicator 2 Indicator 3 IND 2, 3

EW (European works) (Article 4) Compliance rate (Article 4)

year 2001 2002 2003 2004 growth 2003 2004 MS

SK 64,33 n.a. 100 SK

FI 70,75 66,25 77,50 70,48 -0,27 100 71 FI

SE 59,08 59,47 53,49 56,90 -2,18 55 56 SE

UK 73,60 73,80 54,00 53,00 -20,6 51 45 UK

66,95 66,10 65,18 64,36 -2,59 68,28 EU-15

EW 61,77 EU-10

63,32 -3,63 72,80 EU-25

37,75 34,03 31,39 31,50 -6,25 78,40 81,92 IP

RW 23,32 21,09 22,50 21,77 -1,56 (%TQT) EU

n.a.

RW (% 61,78 61,96 71,66 69,09 7,31

IP)

+ + Only channels with audience shares above 3% were considered (“de minimis criterion”). + +

∗ ∗ This reference period for the first time all covered channels, including secondary channels, have been ∗ ∗

considered.

Table 3

Indicators 4 and 5:

European works by independent producers (Member State-level)

Table 3 Indicator 4 Indicator 5 IND 4, 5

IP (European works by independent producers) Compliance rate (Article 5) (Article 5)

year 2001 2002 2003 2004 growth 2003 2004 MS

BE 41,85 41,27 32,36 32,74 -9,11 91 91 BE

CY 43,86 n.a. 100 CY

CZ 22,46 n.a. 33 CZ

DK 30,70 28,00 15,81 19,93 -10,77 60 63 DK

DE 43,09 41,56 35,98 40,99 -2,10 88 93 DE

EE 31,03 n.a. 100 EE

GR 25,37 29,32 25,67 26,31 0,94 100 100 GR

ES 33,86 34,50 31,36 30,17 -3,69 93 91 ES

FR 50,03 46,33 41,16 45,8 -4,23 71 76 FR

IE 26,50 26,75 27,25 24,00 -2,50 100 100 IE

IT 21,33 18,78 23,78 25,00 3,67 44 27 IT

LV 42,66 n.a. 100 LV

LT (25,95) 34,05 n.a. 100 LT

LU 25,63 27,5 26,78 25,11 -0,52 80 80 LU

HU 33,64 n.a. 67 HU

MT (39,84) 38,14 n.a. 100 MT

NL 68,92 33,45 32,50 33,42 -35,5 71 80 NL

AT 61,10 61,42 44,95 46,38 -14,72 88 91 AT

PL 27,69 n.a. 86 PL

PT 41,53 26,91 27,66 25,57 -15,96 58 85 PT

SI (17,12) 16,24 n.a. 67 SI Table 3 Indicator 4 Indicator 5 IND 4,

5 IP (European works by independent producers) Compliance rate

(Article 5) (Article 5)

year 2001 2002 2003 2004 growth 2003 2004 MS

SK 25,75 n.a. 100 SK

FI 28,50 25,50 30,63 29,96 1,46 100 100 FI

SE 35,4 37,87 43,00 36,67 1,27 64 56 SE

UK 32,43 31,35 32,00 30,00 -2,43 68 62 UK

37,75 34,03 31,39 31,47 -6,28 78,40 EU-15

IP 31,55 EU-10

31,50 -6,25 81,92 EU-25

RW (% 61,78 61,96 71,66 69,09 7,31

of IP)

n.a. n.a. EU

RW (% 23,32 21,09 22,50 21,77 -1,56

of TQT)

Table 4

Indicator 6:

Recent European works by independent producers (Member State-level)

Table 4 Indicator 6 IND 6

RW (Recent European works by independent producers (% of IP)

year 2001 2002 2003 2004 growth MS

BE 61,98 59,74 89,00 87,39 25,41 BE

CY 22,20 n.a. CY

CZ 70,26 n.a. CZ

DK 83,57 82,85 84,78 80,10 -3,47 DK

DE 75,26 77,42 71,53 73,11 -2,15 DE

EE 89,30 n.a. EE

GR 27,66 31,93 31,87 34,74 7,08 GR

ES 22,72 23,75 73,50 74,84 52,12 ES

FR 69,48 61,95 64,93 61,30 -8,18 FR

IE 98,75 98,75 97,50 97,50 -1,25 IE

IT 68,69 76,62 70,59 69,95 1,26 IT

LV NC n.a. LV

LT (87,00) 88,50 LT

LU 12,18 16,49 50,00 51,00 38,82 LU

HU 64,17 n.a. HU

MT (50,21) 45,99 n.a. MT

NL 64,46 89,26 74,42 78,10 13,64 NL

AT 66,65 69,27 80,83 84,94 18,29 AT

PL 58,41 n.a. PL

PT 90,05 74,29 82,68 73,52 -16,53 PT

SI 69,33 n.a. SI Table 4 Indicator 6 IND 6

RW (Recent European works by independent producers (% of IP)

year 2001 2002 2003 2004 growth MS

SK 100,00 n.a. SK

FI 77,00 76,75 64,14 66,63 -10,37 FI

SE 82,26 65,48 71,17 53,92 -28,34 SE

UK 26,05 24,78 68,00 63,00 36,95 UK

61,78 61,96 71,66 70,00 8,22 EU-15

RW 67,57 EU-10

69,09 7,31 EU-25

BACKGROUND DOCUMENT 3 – Application of Articles 4 and 5 in each Member State

Introduction...............................................................................................................................18

  • 1. 
    Application of Articles 4 and 5: General remarks........................................................19

1.1. Monitoring and control methods...................................................................................19

1.2. Reasons for the cases of non-compliance.....................................................................19

1.3. Measures envisaged or adopted to remedy cases of non-compliance..........................20

  • 2. 
    Application of Articles 4 and 5: Detailed analysis.......................................................21

2.1. Belgium.........................................................................................................................21

2.2. Cyprus...........................................................................................................................23

2.3. Czech Republic.............................................................................................................23

2.4. Denmark........................................................................................................................24

2.5. Germany........................................................................................................................25

2.6. Estonia...........................................................................................................................26

2.7. Greece...........................................................................................................................27

2.8. Spain..............................................................................................................................28

2.9. France............................................................................................................................28

2.10. Ireland...........................................................................................................................30

2.11. Italy...............................................................................................................................30

2.12 Latvia............................................................................................................................32

2.13. Lithuania.......................................................................................................................33

2.14. Luxembourg..................................................................................................................33

2.15. Hungary.........................................................................................................................34

2.16 Malta.............................................................................................................................35

2.17. Netherlands...................................................................................................................35

2.18. Austria…………………………………………………………………………....…...36

2.19. Poland............................................................................................................................37

2.20. Portugal….....................................................................................................................38 2.21. Slovenia.........................................................................................................................39

2.22. Slovakia.........................................................................................................................39

2.23. Finland..........................................................................................................................40

2.24. Sweden..........................................................................................................................41

2.25. United Kingdom............................................................................................................42 I NTRODUCTION

This text complements the Seventh Communication from the Commission to the Council and

to the European Parliament on the application of Articles 4 and 5 of Directive 89/552/EEC i 6 “Television without Frontiers” (TWF), as amended by Directive 97/36/EC i 7 for the period 2003-2004 and drawn up pursuant to Article 4(3) 8 . The Seventh Communication constitutes

the Commission’s opinion on the application of Articles 4 and 5 at Community level and presents the principal conclusions which can be drawn from the Member States’ reports. This document contains a detailed analysis of the application of Articles 4 and 5 in each Member State.

The Commission is responsible for ensuring the correct application of Articles 4 and 5 in accordance with the provisions of the Treaty. According to Article 4(3) of the “Television without Frontiers” Directive, the Member States are under an obligation to provide the Commission every two years with a report on the application of Articles 4 and 5. Summaries of these reports are reproduced in Annex 4.

This document, which accompanies the aforementioned Commission Communication, comprises two parts:

Part I – Application of Articles 4 and 5: General remarks;

Part II – Application of Articles 4 and 5: Detailed analysis for each Member State.

6 OJEC L 298, 17.10.1989. 7 OJEC L 202, 30.07.1997.

EN EN

A PPLICATION OF A RTICLES 4 AND 5: G ENERAL REMARKS

The following general remarks concern the different methodologies used by each Member State when applying Articles 4 and 5 of the Directive.

In practice, there was generally more monitoring and control of public service channels than of commercial channels, and more monitoring of terrestrial and cable channels than of satellite channels.

Reasons given by Member States for cases of non-compliance were frequently combined in their reports. Also, reasons did not differ notably from one Member State to the other or compared with the reasons given for the previous reference periods. The channels in question were often the same in the various Member States concerned.

The same applies for the reports of measures taken or envisaged by Member States to remedy instances of non-compliance. Serious sanctions in the form of fines were the exception. Mostly, Member States resolved issues by reporting infringements or sending warnings to the broadcasters concerned.

1.1. Monitoring and control methods

The Member States’ reports refer to methods of monitoring and control which take various forms (actual records, monitoring of daily programmes, collection of data from broadcasters, surveys, sampling) and sometimes differ according to the type of channel or the means of transmission (e.g. monitoring of daily programmes for public service or terrestrial channels and survey for cable). In this connection, the Commission observes that the obligation under Article 4(3) of the “Television without Frontiers” Directive applies to each of the television programmes falling within the jurisdiction of the Member State concerned, irrespective of the type of channels or the means or mode of transmission (terrestrial, satellite, cable, broadband – analogue and/or digital).

1.2. Reasons for the cases of non-compliance

Member States gave the following reasons for cases of channels under their jurisdiction which failed to meet the majority and/or minimum proportions referred to under Articles 4 and 5:

• Groups of channels belonging to the same broadcaster achieve the majority proportion or

the minimum proportion when taken together, but not individually;

This situation does not guarantee equal competition between the various TV broadcasters and may encourage the scheduling of European works being isolated on one or more specific channels. It can in some cases lead to the results of “small” channels (in terms of audience share) or special-interest channels being artificially aggregated with those of a “major” general interest channels. The Commission observes that, whereas Article 4(1) speaks of “broadcasters” having to reserve proportions of their transmission time, Article 4(3) refers to “television programmes” when it comes to monitoring the achievement of the abovementioned proportions. Consequently, broadcasters are responsible for the proportions being achieved by each channel broadcast.

• Special-interest nature of the channels’ programmes;

In many cases, the majority or minimum proportion of transmission time was not met due to the special-interest theme of the programmes (very specific niche markets). This reason may be taken into account if specific reasons were given for the cases of non-compliance. On the other hand, such channels are not entitled to a general ex-ante exemption from their obligation

to broadcast a majority proportion which applies each year and for each channel covered 9 by

Article 4 and 5.

• The recent nature of the channel;

According to Article 4(3), the Commission may take account in its opinion of the particular circumstances of new television broadcasters. Notwithstanding the recent nature of a channel, many new entrants achieve the proportions referred to under Articles 4 and 5 in their first years of operation in order to penetrate the market.

• Progress achieved;

According to Article 4(3), the Commission may take account in its opinion, in particular, of

the progress achieved in relation to previous years. In line with the principle of progressive

achievement/improvement, some Member States provide for non-slip-back clauses 10 for

channels which fail to meet with the proportions, in addition to the existing rules.

• Subsidiaries of non-EU companies;

Such channels tend to make systematic use of their own catalogue material and rarely show European works.

• Higher costs of European programmes;

This reason may not be taken into account.

1.3. Measures envisaged or adopted to remedy cases of non-compliance

Various types of measures were reported by Member States: ongoing dialogue, subjecting the channels concerned to surveillance, formal notices and other sanctions against broadcasters, which may result in fines or – ultimately – in the withdrawal of the licence. However, there were very few cases where these measures were actually taken.

In this regard, the Commission would point out the need for the Member States concerned to step up control and monitoring measures against trespassing channels and to ensure, where practicable and by appropriate means, that the television broadcasters concerned achieve the proportions of transmission time laid down in Articles 4 and 5 of the Directive, in accordance with the principle of progressive achievement. Especially in cases where channels continually fail to meet the proportions, only a stricter enforcement of the rules in place can ensure the effective application of Articles 4 and 5 at Member State level.

9 Cf. Indicator 1, Annex 1;

EN EN

Conclusions

The national reports generally reflect a satisfactory application of the provisions of Article 4.

Eight out of 15 11 Member States increased the average majority proportion during the

reference period. However, from a mid-term perspective, in relation to previous reference periods, for the majority of Member States there has been a decline at national level. Only five Member States increased the average majority proportion in relation to 2001 and seven Member States were able to raise their average majority proportion in relation to 1999.

Concerning Article 5 (European works created by independent producers), 8 out of 15 Member States increased their average proportions for independent productions over the reference period. Compared with the previous reference period, there was a fall in 11 Member States in relation to the proportions in 2001. An improvement was noted in only four Member States. This trend is however mitigated by two aspects: First, the decreases concerning Article 5 at national level were comparatively moderate in terms of percentage points. Second, the large majority of Member States succeeded in stabilizing their national average transmissions of independent productions at a level well above 25% or one quarter of all European works, whether or not made by independent producers. Considering that Article 5 stipulates only a “minimum” threshold of 10%, this is a notable achievement at Member State level.

A PPLICATION OF A RTICLES 4 AND 5: D ETAILED ANALYSIS

2.1. Belgium 12

• Flemish Community

Fourteen and five channels were reported not operative in 2003 and 2004 respectively.

European works

The reported operative channels covered by Article 4 broadcast an average of 56.65% and 52.32% of European works in 2003 and 2004 respectively, representing an average -4.33 point decrease over the reference period and a decrease of -3.07 points over four years (2001- 2004).

For 2003, of a total of 12 covered 13 channels, six exceeded the majority proportion of

transmission time laid down in Article 4 of the Directive, while six were well below it. The compliance rate, in terms of number of channels, was 50%.

For 2004, of a total of 21 covered channels, nine exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while 10 were below it. For two channels no data were communicated. The compliance rate in terms of number of channels was 43%.

11 The 10 Member States joining the EU in 2004 reported only figures for 2004.

12 Two separate reports from the Flemish and the French Community were sent in. This distinction is

therefore also reflected in this Communication and in the Commission’s opinion. The figures were however aggregated for the Community-level assessment

13 “Covered” channels refers to the total number of reported channels less the number of non-operative

and “exempted” channels, cf. Indicator 1, Annex 1.

Independent productions

The average allocation to European works by independent producers for all channels was 31.76% in 2003 and 32.10% in 2004, representing a slight increase (0.34 points) over the reference period but an enormous decrease of 22.44 points over four years (2001-2004).

For 2003, the compliance rate, in terms of number of channels, was 100%, meaning that all 12 channels covered by Article 5 exceeded the minimum proportion of 10%. Average proportions ranged from 11% to 100%.

For 2004, the compliance rate, in terms of number of channels, was 86%. Of a total of 21 channels covered, 18 exceeded the minimum of 10% (percentages ranging from 13% to 100%). Only one channel (Canvas) did not meet the minimum proportion. The data for two channels were not communicated.

The average relative proportion of recent European works by independent producers for channels of all types was 94.78% in 2003 and 95.62% in 2004, representing a slight (0.85 point) increase within the reference period and an increase of 6.66 points over four years (2001-2004).

The proportion of recent works among all independent productions has reached a remarkably high level.

• French Community 14

European works

All the reported channels covered broadcast an average of 60.27% and 59.84% European works in 2003 and 2004 respectively, representing an average decrease of -0.43 points over the reference period and a decrease of -6.84 points over four years (2001-2004).

In 2003, of a total of 10 covered channels, 5 exceeded the majority proportion of transmission time laid down in that Article. Five channels failed to meet the majority proportion. The compliance rate in terms of number of channels was therefore 50%.

For 2004, of a total of 12 reported and covered channels, 9 exceeded the majority proportion of transmission time laid down in that Article. The compliance rate in terms of number of channels was therefore 75%.

One channel was exceptionally exempted by the report for the reference period.

According to the report, the minimum threshold set for the Belgian French Community is 41.6%. The majority proportion set in Article 4(1) of the Directive only became obligatory as from 2004. The Commission would point out that the proportion defined in Article 4(1) applies for each year and to each of the television programmes falling within the jurisdiction of the Member State concerned. Each Member State has to adopt the necessary legislative measures to comply with its obligations under Community law.

14 The Commission would point out that channels RTL TVi and Club RTL broadcast in the French

Community of Belgium by TVI S.A. are identical to those broadcast by CLT S.A. in Luxembourg. They were included in the reports of both countries. The same applies to Liberty TV, which is broadcast

in Belgium by Event Network and in Luxemburg by Liberty TV.com.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 33.13% in 2003 and 33.75% in 2004, representing an increase of 0.62 points over the reference period and of 4.58 points over four years (2001-2004).

In 2003, the compliance rate, in terms of number of channels, was 90%. Of a total of 10 covered channels, 9 exceeded the minimum 10% allocation to works by independent producers (percentages ranged from 22% to 53%). One channel failed to reach the minimum proportion. In 2004, the compliance rate, in terms of number of channels, was 100%.

The average relative proportion of recent European works made by independent producers for all channels was 82.07% in 2003 and 74.36% in 2004, representing a 7.72 point decrease over the reference period.

• German Community

No report was received from the competent authorities.

2.2. Cyprus

European works

All covered channels broadcast an average of 50.34% of European works in 2004.

Three out of five reported covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while the remaining two were below it. The compliance rate, in terms of number of channels, was 60%.

The report indicated that the programme orientation of one channel towards sports and recreation would explain its low percentage of 29.6%.

The Commission would point out that the proportion defined in Article 4(1) applies for each year and to each of the television programmes falling within the jurisdiction of the Member State concerned. The Commission takes note of Cyprus’ intention of awarding a special prize to the channel with the highest proportion of scheduled European works. This appears to be a good incentive to increase proportions in scheduling European works in line with the principle of progressive achievement.

European works made by independent producers

The average allocation to European works by independent producers for all five channels was 43.86% in 2004.

The compliance rate, in terms of number of channels, was 100%.

The average relative proportion of recent European works by independent producers for all channels was 22.20% in 2004. Compared to the other Member States, this is the lowest

average proportion dedicated to recent independent works. 15

2.3. Czech Republic

Two channels were exempted by the report and four channels were not operating in 2004.

European works

All covered channels broadcast an average of 49.12% European works in 2004. Though only slightly below the majority proportion, the Czech Republic is the only Member State whose channels, taken together, did not average over 50%.

Seven out of 12 covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while the remaining 5 were below it. The compliance rate, in terms of number of channels, was 58%.

The report indicated that 3 out of 5 programmes were new market entrants. For the remaining 2 channels, the report pointed to difficulties in finding European programmes at competitive prices.

Concerning the channels not achieving the majority proportion, the Commission points out that the proportion laid down in Article 4(1) applies to all television programmes of a broadcaster falling within the jurisdiction of the Member State concerned. However, in line with the principle of progressive achievement, the Commission takes note that three of these channels were new market entrants. According to Article 4(3) the Commission may take account in its opinion of, inter alia, the particular circumstances of new television broadcasters and the specific situation of countries with low audiovisual production capacity or restricted language area. On the other hand, the relative costs of programmes cannot be taken into account.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 22.46% in 2004.

The compliance rate, in terms of number of channels, was 33%. Though only one channel was below the minimum proportion, no data were communicated for 7 channels. In this respect, the Commission would point out that the reporting obligation under Article 4(3) of the Directive applies to each of the television programmes within the jurisdiction of the Member State concerned.

The average relative proportion of recent European works by independent producers for all channels was 70.26% in 2004.

15 However, it is not clear whether Cyprus reported recent works as percentage of independent works or as

percentage of total qualifying works. In the latter case the average proportion of Cyprus would be even higher than the EU-average.

• 2.4. Denmark

Five channels were exempted by the report. Two channels were not operating in 2003 and one channel was not operating in 2004.

European works

All reported and covered channels broadcast an average of 86.20% of European works in 2003 and an average of 86.33% in 2004. This represents a 0.13 point increase over the reference period, but a significant increase of 9.20 points over four years (2001-2003).

For 2003, of a total of 15 covered channels, 13 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Only two channels were below this threshold. The compliance rate, in terms of number of channels, was 87%.

In 2004, 14 out of 16 covered channels exceeded the majority proportion of transmission time laid down in Article 4, while the remaining two - the same channels as in the previous year (TV 2 Zulu and Tv Danmark 2) - were below it. The compliance rate, in terms of number of channels, was 88%.

The report gave no reasons for the cases of non-compliance. It indicated that TV Danmark 2 will possibly achieve an output of more than 50% of European works due to a sharp rise in 2003.

The Commission observes that Denmark is in the specific situation of a country with low audiovisual production capacity and restricted language area. However, the two channels concerned, which failed to reach the majority proportion, did not show an improvement in their scheduling of European works. Both channels have consecutively decreased their proportions of European works from 2001 until 2004. Denmark should take appropriate measures to ensure that the channels concerned achieve the proportion set in Article 4(1) of the Directive, in line with the principle of progressive achievement.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 15.81% in 2003 and 19.93% in 2004, representing a 4.12 point increase over the reference period, but a decrease of 10.77 points over four years (2001-2004).

For 2003, the compliance rate, in terms of number of channels, was 60%. Four channels failed to achieve the minimum of 10% allocation to works by independent producers and the data for two channels were not communicated. In 2004 the compliance rate was 63%, with the same channels below the threshold and without reported data.

The Commission would point out that the minimum proportion of transmission time laid

down in Article 5 applies to each of the television channels covered 16 by Article 5 each year,

with a view in particular to ensuring equal competition for all the television programmes of

broadcasters falling within the jurisdiction of the Member State concerned 17 .

16 Cf Indicator 1, Annex 1.

17 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

The average relative proportion of recent European works by independent producers for all channels was 84.78% in 2003 and 80.10% in 2004, representing a -4.68 point decrease over the reference period. All channels exceeded 50% over the reference period. The report did not communicate data for six channels.

2.5. Germany

For the entire reference period, six local channels were exempted from reporting in application of Article 9 of the Directive. Two channels (Animal Planet and Terra Nova) only started operating in 2004.

European works

All covered channels broadcast on average 63.57% and 65.53% of European works in 2003 and 2004 respectively, representing an average 1.96 point increase over the reference period and a larger increase of 6.12 points over four years (2001-2004).

For 2003, of a total of 26 reported and covered channels, 14 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive and 12 were below it. The compliance rate, in terms of number of channels, was 54%. For 2004, of a total of 28 covered channels, 17 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive and 11 were below it. The compliance rate, in terms of number of channels, was 61%.

The reason given for the cases of non-compliance were the special-interest nature of the programmes. With regard to remedial measures adopted or envisaged, the report referred to planned or ongoing dialogues with the broadcasters concerned.

The Commission points out that the proportion laid down in Article 4(1) applies to all

television programmes covered 18 by Article 4 and falling within the jurisdiction of the

Member State concerned, regardless of the nature of its programmes. The Commission also notes that Germany complied, for this reference period, with its obligation to provide full and comprehensive data.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 35.98% in 2003 and 40.99% in 2004, representing a 5.01 point increase over the reference period but a decrease of 2.10 points over four years (2001-2004).

For 2003, of a total of 26 covered channels in the report, 23 exceeded the minimum of 10% laid down in Article 5 of the Directive. Three channels failed to meet this proportion. The compliance rate, in terms of number of channels, was 88% in 2003. For 2004, 26 out of 28 covered channels exceeded the minimum 10% proportion. Two channels failed to meet the minimum proportion. The compliance rate, in terms of number of channels, was 93% in 2004.

The average relative proportion of recent European works for all channels was 71.53% in 2003 and 73.11% in 2004, representing a 1.59 point increase over the reference period.

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2.6. Estonia

European works

The three reported and covered channels broadcast an average of 61.77% European works in 2004.

All channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. The compliance rate, in terms of number of channels, was therefore 100%.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 31.03% in 2004.

The compliance rate, in terms of number of channels, was therefore 100%.

The average relative proportion of recent European works by independent producers for all channels was 89.30% in 2004.

The Commission takes note of these positive results.

2.7. Greece

The statistical statement reported data for only 12 channels. The Commission notes that Greece reported 39 channels for the previous reference period (2001-2002) of which 33 and 35 operating channels were covered by Articles 4 and 5 in 2001 and 2002 respectively. The Commission would point out that, according to Article 4(3), every Member State is under a legal obligation to report the relevant data to the Commission for each of the television programmes falling within the jurisdiction of the Member State concerned. The Commission takes note of the fact that the number of reported covered channels was drastically reduced during the present reference period. The Commission would point out that the proportions of transmission time laid down in Article 4 and 5 of the Directive apply each year and for every covered programme with a view in particular to ensuring equal competition for all the

television programmes within the jurisdiction of the Member State concerned. 19 The

Commission would point out that Greece has to submit a complete statement of all covered channels under its jurisdiction for the reference period 2005-2006.

European works

The 12 reported channels covered by Article 4 broadcast an average of 68.44% and 71.04% of European works in 2003 and 2004 respectively, representing a 2.60 point increase over the reference period but a decrease of 5.98 points over four years (2001-2004).

For 2003, of a total of 12 reported and covered channels mentioned in the report, 10 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Two channels were below the threshold of 50%. The compliance rate was 83%.

19 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

In 2004, of a total of 12 channels covered, 11 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while one was below it. The compliance rate, in terms of number of channels, rose to 92% which amounts to a 9-point increase compared to 2003.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 25.67% in 2003 and 26.31% in 2004, representing an increase of 0.64 points over the reference period and an increase of 0.94 points over four years (2001-2004).

In 2003 and in 2004, all 12 reported and covered channels met or exceeded the minimum of 10% laid down in Article 5 of the Directive.

The compliance rate, in terms of number of channels of all types, was stable at 100% over the reference period.

The average relative proportion of recent European works by independent producers for all channels was 31.87% in 2003 and 34.74% in 2004, representing an increase of 2.87 points over the reference. Although this represents a slight increase compared to the previous reference period, it is still – compared to other Member States and the EU-average – a relatively low proportion of recent independent productions. In this respect, the Commission notes that there is – according to the principle of progressive achievement – still ample room for improvement.

2.8. Spain

European works

All reported and covered channels broadcast an average of 60.92% and 59.87% of European works in 2003 and 2004 respectively, representing an average 1.05 point decrease over the reference period and an increase of 3.81 points over four years (2001-2004).

For 2003, of a total of 45 reported and covered channels, 31 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, and 13 were below it. Data for one channel were not communicated. The compliance rate, in terms of number of channels, was 69%.

For 2004, of 46 covered channels, 34 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while 11 were below it. The compliance rate, in terms of number of channels, was 74%.

Two channels were not operating in 2003 and one channel was not-operating in 2004.Seven channels were exempted by the report for the reference period. No reasons were given for these exemptions. Spain communicated no data for one channel (Canal Canarias).

The Commission would point out that the majority proportion of transmission time laid down in Article 4(1) applies each year for every programme covered by Article 4, regardless of their audience share, with a view in particular to ensuring equal competition for all the television

programmes of broadcasters falling within the jurisdiction of the Member State concerned 20 .

European works made by independent producers

The average allocation to European works created by independent producers for all channels was 31.36% in 2003 and 30.17% in 2004, representing a 1.19 point increase over the reference period and a decrease of 3.69 points over four years (2001-2004).

For 2003, the compliance rate, in terms of number of channels, was 93%. Of a total of 45 covered channels, two had an allocation to works by independent producers below 10%. For 2004, the compliance rate was 91%. Of a total of 46 covered channels, three were below the minimum proportion.

The average relative proportion of recent European works by independent producers for all channels was 73.50% in 2003 and 74.84% in 2004, representing a 1.34 point increase over the reference period.

2.9. France

European works

All reported covered channels broadcast an average of 69.90% and 70.40% of European works in 2003 and 2004 respectively, representing an average 0.50 point increase over the reference period and a decrease of -0.58 points over four years (2001-2004).

For 2003, of a total of 84 covered channels, 74 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Seven channels did not meet the target. The data of three channels were not communicated. The compliance rate, in terms of number of channels, was 88%. Five channels were reported as non-operational in 2003.

For 2004, of a total of 89 covered channels, 85 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Two channels failed to meet the target. No data were available for two channels. The compliance rate, in terms of number of channels, rose to 96%.

European works made by independent producers

The average allocation to European works by independent producers 21 for all channels

covered by Article 5 was 41.16% in 2003 and 45.80% in 2004, representing an increase of 4.64 points over the reference period but and a decrease of -4.23 points over four years (2001- 2004).

20 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

21 In the case of the 7 terrestrial channels, the percentage of independent production calculated on the

basis of the company’s turnover. 3 cable / satellite channels based their proportions of independent productions on the programming budget.

In 2003, of a total of 84 covered and operative channels, 60 exceeded the minimum proportion of 10% and 2 were below the threshold. No data were provided for 22 channels. In 2004, of a total of 89 covered channels, 68 exceeded the proportion. No data were given for 19 channels. Two channels were below the threshold of 10%. The compliance rate, in terms of number of channels, was 71% in 2003 and 76% in 2004.

The Commission would point out that the reporting obligation under Article 4(3) of the Directive applies to each of the television programmes within the jurisdiction of the Member State concerned and relates to both the majority and the minimum proportion. The Commission observes further that the minimum proportion of Article 5 applies each year with a view in particular to ensuring equal competition for all the television programmes of broadcasters falling within the jurisdiction of the Member State concerned, regardless of different transmission modes.

The average relative proportion of recent European works by independent producers, for all channels of all types, was 64.93% in 2003 and 61.30% in 2004, representing a -3.63 point decrease over the reference period.

The Commission takes note of the measures taken: A penalty was imposed against 1 channel not complying with the broadcasting requirements in 2003; two channels received improvement notices; 1 channel received a notice for not having communicated its data in time. Additionally, the report mentioned that 14 non-Member State channels, 3 information channels, 1 weather channel, 4 sports channels and 2 teleshopping channels were exceptionally exempted.

2.10. Ireland

European works

All reported and covered channels broadcast an average of 52.75% and 52.25% of European works in 2003 and 2004 respectively, representing an average decrease of -0.5 points over the reference period, but an increase of 3.08 points over four years (2001-2004).

For 2003, of a total of 4 covered channels, 2 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Two channels failed to reach the majority proportion. For 2004, again the same two of the four covered channels failed to meet the majority proportion. The compliance rate for the entire reference period was 50%.

European works made by independent producers

The average allocation by all channels to European works by independent producers was 27.25% in 2003 and 24% in 2004, representing a -3.25 point decrease over the reference period and a decrease of -2.50 points over four years (2001-2004).

All four channels reached or exceeded the minimum proportion of 10% laid down in Article 5 of the Directive (percentages ranging from 10% to 64% in 2003 and from 10% to 48% in 2004). The compliance rate, in terms of number of channels, was therefore 100% over the entire reference period.

The average relative proportion of recent European works was stable at 97.50% over the reference period. Recent European works accounted for almost the entirety of the allocation to European works created by independent producers for all four channels.

Three sports channels were exceptionally exempted from the requirements of Articles 4 and 5.

2.11. Italy

European works

All covered channels broadcast an average of 58.81% and 62.00% of European works in 2003 and 2004 respectively, representing an increase of 3.19 points over the reference period and a decrease of -0.66 points over four years (2001-2004).

For 2003, of a total of 95 channels which were covered by Article 4 of the Directive 22 , 56

exceeded the majority proportion of transmission time laid down in that Article. 39 channels failed to meet the majority proportion of transmission time. The compliance rate was 59%.

For 2004, of a total of 87 channels which are covered by Article 4 of the Directive 23 , 58

exceeded the majority proportion of transmission time laid down in that Article. 28 channels failed to meet the majority proportion of transmission time. The relevant data for one channel were not communicated to the Commission. The compliance rate was 67%.

The Commission would point out that the majority proportion of transmission time laid down in Article 4(1) applies each year with a view in particular to ensuring equal competition for all the television programmes of broadcasters falling within the jurisdiction of the Member State

concerned. 24 In addition, the Commission observes that, according to Article 4(3), the report

of the Member States on the application of Articles 4 and 5 “shall in particular include (….) the reasons, in each case, for the failure to attain that proportion and the measures adopted or envisaged in order to achieve it.” No particular reasons for the failure to attain the proportions were given in Italy’s statistical statement.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 23.78% in 2003 and 25.00% in 2004, representing a 1.22 point increase over the reference period and an increase of 3.67 points over four years (2001-2004).

For 2003, the compliance rate, in terms of number of channels, was 44%. Of a total of 85

channels covered by Article 5 25 , only 37 achieved the minimum proportion. Seven channels

were below the 10% threshold. Of these, one channel made no allocation to works by

independent producers. No data were supplied for 41 channels 26 . Eighteen channels might be

exempted on the grounds of the nature of their programmes 27 . In 2004, compliance dropped to

22 For 2003, from reported 128 channels, the report exempted 8 channels broadcasting exclusively news,

sports events, games, teleshopping and showing “mainly interactive programmes and which therefore cannot be considered as part of the traditional schedule”. 25 channels were non-operative in 2003.

23 For 2004, the report exempted 3 channels broadcasting exclusively news, sports events, games,

teleshopping and channels showing “mainly interactive programmes and which therefore cannot be considered as part of the traditional schedule”. 38 channels were not operating in 2004.

24 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

25 25 channels were not operating in 2003. 26 The Commission considers 39 satellite and cable channels of the 57 “exempted” channels as nonreported

 (NR) since there is no basis in the text of the Directive for their “exemption” from the obligation to report data according to Article 5.

EN EN

as low as 27%. Of a total of 73 reported channels covered by Article 5 28 , 20 channels

exceeded the minimum proportion. Six channels made an allocation to works by independent

producers below 10%. No data were supplied for 47 channels. 29

In view of the considerable number of channels for which no data were communicated pursuant to Article 5, the Commission would remind the Member States of the need for increased controls and monitoring of the channels concerned and the importance of ensuring – for reasons of fair competition – that these channels comply with their obligation under Community and national law to communicate the requested data as other channels do. In addition, Member States should ensure that the channels concerned achieve – where practicable and appropriate – the proportions of transmission time laid down by Articles 4 and 5 of the “Television without Frontiers” Directive, in line with the principle of progressive achievement.

The Commission notes that channels under Italian jurisdiction recorded – in comparison to the other Member States – the lowest level of compliance on average with their obligations under Article 5.

The Commission would point out that the reporting obligation under Article 4(3) of the Directive applies to each of the television programmes within the jurisdiction of the Member State concerned, regardless of its mode of transmission or its audience share. Further, the Commission observes that the minimum proportion of Article 5 applies each year with a view in particular to ensuring equal competition for all the television programmes of broadcasters

falling within the jurisdiction of the Member State concerned 30 , regardless of the different

transmission modes. As in previous reference periods, the Italian legislation 31 exempted

satellite and cable channels from the obligation to broadcast a minimum proportion of European works made by independent producers and from their obligation to report on the performance under Article 5 of the TWF Directive. The relevant provisions were amended in

2005. 32 The report mentions that “Further differences with the TVSF are likely to be solved in

the future.” The Commission observes that Member States may not provide for general “exemptions” from their obligations under the Directive except for cases specified by the Directive. The Commission will continue to examine closely the future implementation and actual application of Article 5 by the Italian authorities.

28 38 channels were non-operational in 2004. 29 The Commission considers 43 satellite and cable channels of the 60 “exempted” channels as nonreported

 (NR) since there is no basis in the text of the Directive for their “exemption” from the obligation to report data according to Article 5

30 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

31 Articles 13 and 14 of the Satellite and Cable Broadcasting Regulation stipulate respectively:

satellite broadcasts under Italian jurisdiction must comply with the relevant rules on quotas concerning broadcasting and production set out in the applicable legislation for national television broadcasters; satellite and cable broadcasters are not subject to the rules declared to be applicable only to the holders of concessions for the broadcasting of television programmes on terrestrial frequencies, e.g. the obligation to broadcast the works of independent producers; for satellite and cable broadcasters this obligation is replaced by an obligation to set aside a minimum of 20 minutes weekly for the promotion and advertising of Italian and European Union audiovisual works.

EN EN

The average relative proportion of recent European works, whether or not made by

independent producers 33 , was 70.59% in 2003 and 69.95% in 2004, representing a 0.64 point

decrease over the reference period.

The report lists several broadcasters who will be penalised for not having complied with provisions concerning European works.

2.12. Latvia

European works

All covered channels broadcast an average of 63.29 % European works in 2004.

All 10 reported covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. The compliance rate, in terms of number of channels, was 100%.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 42.66% in 2004.

The compliance rate, in terms of number of channels, was 100%.

The report contained no data on relative proportions of recent European works by independent producers for all channels. Latvia’s statistical statement indicated that reporting methods have been changed and, therefore, for the next reference period data on recent works would also be available.

2.13. Lithuania

European works

All covered channels broadcast an average of 53.45% European works in 2004.

Only 2 out of 4 covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while the two remaining channels were below it. The compliance rate, in terms of number of channels, was 50%.

The report stated that “Two national TV broadcasters were not able to achieve the necessary European production proportion for the period 2003/2004 due to the reasons that bind them to the signed agreements for purchasing other than European production works.” In this respect, the Commission points out that the proportion laid down in Article 4(1) applies to all television programmes of a broadcaster falling within the jurisdiction of the Member State concerned. The Commission may take account in its opinion of, in particular, the specific situation of countries with low audiovisual production capacity or restricted language area.

33 The figures forwarded by the Italian authorities were calculated, in accordance with Article 2 of Law

122/98, in relation to European works overall, whether or not by independent producers. It is therefore not possible to determine the actual proportion allocated to recent works by independent producers within the meaning of the final sentence of Article 5 of the “Television without Frontiers” Directive. Italy should bring its reporting methods in line with the Community law, the relevant guidelines and the

standards of other Member States when communicating data to the European Commission.

However, the reasons given do not qualify to be taken into account. Possibly conflicting private agreements should be resolved so that the channels concerned can fulfil their obligations under Articles 4 and 5 of the Directive.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 34.05% in 2004.

The compliance rate, in terms of number of channels, was 100%.

The average relative proportion of recent European works by independent producers for all channels was 88.50% in 2004.

2.14. Luxembourg 34

No data were supplied for one channel for the entire reference period.

European works

All channels broadcast 64.67% of European works in 2003 and 62.44% in 2004. There was a significant decrease of -17.56 points over four years (2001-2004).

For 2003, of a total of 10 covered channels mentioned in the report, 7 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, 2 channels were below the threshold and data for one channel were not communicated; this represented a compliance rate of 70% in terms of number of channels. For 2004, of a total of 10 covered channels, again 7 exceeded the majority proportion of transmission time, 2 channels failed to reach the majority proportion, and the data for one channel were not communicated. Here too, the compliance rate, in terms of number of channels, was 70%.

Reasons for failure mentioned in the report were the nature of the programmes concerned and the fact that the two channels which did not reach the threshold in 2003 achieved it in the following year.

The Commission would point out that the proportion of transmission time defined in Article 4(1) of the “Television without Frontiers” Directive applies to each of the television

programmes of broadcasters falling within the jurisdiction of the Member State concerned 35

for each year under consideration. It also notes that, in accordance with the principle of progressive achievement, there was a resultant improvement over the reference period for 2 of the 4 channels concerned.

34 The channels RTL TVi and Club RTL broadcast in the French Community of Belgium by TVI S.A. are

identical to those broadcast by CLT S.A. in Luxembourg. Belgium reported different proportions for RTL Club (49% and 32%) in the reference period than Luxemburg (59% and 23%). The same applied to Liberty TV, which is broadcast in Belgium by Event Network S.A. and in Luxemburg by Liberty

TV.com. The 3 channels concerned were included in the reports of both countries.

35 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 26.78% in 2003 and 25.11% in 2004, representing a -1.67 point decrease over the reference period and a decrease of -0.52 points over four years (2001-2004).

In 2003 and 2004, of a total of 10 channels, 8 exceeded the minimum proportion of 10% laid

down in Article 5 of the Directive. As in previous years 36 , Nordliicht TV was alone in

broadcasting no works of this type. The data for one channel (T.TV) were not reported over the reference period. The compliance rate, in terms of number of channels, was 80% over the reference period.

As reasons for the cases of non-compliance, the report indicated general difficulties (“period of transition”) and the nature and language of the transmitted programmes.

The average relative proportion of recent European works by independent producers for all channels was 50.00% in 2003 and 51.00% in 2004, representing an increase of 1.00 percentage point over the reference period.

2.15. Hungary

European works

All covered channels broadcast an average of 66.94% European works in 2004.

Thirteen out of 15 reported covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while two channels were below it. The compliance rate, in terms of number of channels, was 87%.

The report gave economic reasons and the nature of the programmes concerned as reasons for non-compliance. The report lists criteria for an “exemption” procedure. In this respect, the Commission points out that only individual programmes and not broadcasters may be exceptionally exempted from obligations under Articles 4 and 5 for the reasons -given in the Directive and according to the suggested guidelines adopted on 11 June 1999. Also, the fact that a programme is pay-TV or free-TV is not a suitable criterion for a general exemption.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 33.64% in 2004. The compliance rate, in terms of number of channels, was 67%.

The average relative proportion of recent European works by independent producers for all channels was 64.17% in 2004.

36 Cf. Fifth Communication from the Commission on the application of Articles 4 and 5, 8 November

2002, COM(2002) 612 final i; Sixth Communication from the Commission on the application of Articles

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2.2. Malta

European works

All covered channels broadcast an average of 77.44% European works in 2004.

All five covered channels mentioned in the report exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. The compliance rate, in terms of number of channels, was 100%.

The report stated that “Two national TV broadcasters were not able to achieve the necessary European production proportion for the period 2003/2004 due to the reasons that bind them to the signed agreements for purchasing other than European production works.” In this respect, the Commission points out that the proportion laid down in Article 4(1) applies to all television programmes of a broadcaster falling within the jurisdiction of the Member State concerned. The Commission may take account in its opinion of, in particular, the specific situation of countries with low audiovisual production capacity or restricted language area. However, the reasons stated in Malta’s report do not qualify to be taken into account. Possible contradicting private agreements should be resolved so that the channels concerned can fulfil their obligations under Articles 4 and 5 of the Directive.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 38.14% in 2004. The compliance rate, in terms of number of channels, was 100%.

The average relative proportion of recent European works by independent producers for all channels was 45.99%. At more than 20 points below EU-average, this is a comparatively low proportion of recent works by independent producers. Only channels under Greek and Cypriot jurisdiction transmitted fewer recent works.

2.17. Netherlands

Twelve of 67 reported channels were not operating in 2003 and 6 were not operating in 2004. The report exempted 6 channels for the reference period.

European works

All covered channels broadcast an average of 71.78% of European works in 2003 and of 65.58% in 2004, representing a -6.20 point decrease over the reference period and a larger decrease of -21.42 points over four years (2001-2004).

For 2003, of a total of 49 covered channels mentioned in the report, 32 exceeded the majority proportion and 12 channels failed to meet the proportion of transmission time laid down in Article 4 of the Directive. The data for 5 channels were not communicated in the report. The compliance rate, in terms of number of channels, was 65%.

For 2004, of a total of 55 covered channels, 37 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Eighteen channels failed to meet the proportion of transmission time. The compliance rate, in terms of number of channels, was 67%.

The reasons for the cases of non-compliance were specified in the report for each programme failing to achieve the required proportions. These related mainly to the special nature of the programmes concerned or the recent nature of the channel. The Commission would point out that the proportions defined in Article 4(1) and Article 5 apply to each of the television programmes falling within the jurisdiction of the Member State concerned. All the programmes below the threshold must increase their efforts so that the proportions required

under the Directive are achieved progressively 37 .

European works made by independent producers

The average allocation to European works by independent producers for all channels was 32.50% in 2003 and 33.42% in 2004, representing a 0.92 point increase over the reference

period and a considerable decrease of -35.40 points over four years (2001-2004). 38

In 2003, of a total of 49 reported and operative channels covered by Article 5, 35 exceeded the minimum proportion of 10% and 8 were below it. No data were supplied for 6 channels. The compliance rate, in terms of number of channels, was 71%. In 2004, of a total of 55 operating and covered channels, 44 exceeded this proportion and 8 performed below it. No data were supplied for three channels. The compliance rate, in terms of number of channels, was 80% in 2004.

The average relative proportion of recent European works for all channels of all types was 74.42% in 2003 and 78.10% in 2004, representing a 3.68 point increase over the reference period.

2.18. Austria

Three of the 12 reported channels were not operating in 2003. One channels was exempted for 2004. the data for one channel was not communicated over the reference period.

European works

All covered channels broadcast an average of 72.76% and 73.72% of European works in 2003 and 2004 respectively, representing an average increase of 0.96 points over the reference period and a decrease of 0.75 points over four years (2001-2004).

For 2003, of a total of 9 covered channels, 6 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Two channels were below the threshold. The compliance rate, in terms of number of channels, was 67%. For 2004, of a total of 11 covered channels, 7 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Three channels were below it. The compliance rate, in terms of number of channels, was 64%. Two channels failed to achieve the majority proportion for the entire reference period (ORF 1 and Premiere Österreich).

Specific reasons for the cases of non-compliance or measures that might have been taken or were envisaged to rectify the situation were not mentioned in the report.

37 Cf. second subparagraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for

the monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive, dated 11 June 1999.

38 This considerable drop was to a large extent due to non-fulfilment of the reporting obligation for a

number of channels in 2001.

The Commission observes that Austria is in the specific situation of a country with low audiovisual production capacity, and takes account of the progress that has been achieved in the scheduling of European works in two of the three channels concerned (Premiere Österreich and ORF 1). The latter channel, however, has repeatedly failed to meet the majority proportion. It has to be pointed out that one of the reasons for the proportion defined in Article 4(1), which applies each year, is to ensure equal competition between all television

programmes of broadcasters falling within the jurisdiction of the Member State concerned 39 .

European works made by independent producers

The average proportion reserved for European works by independent producers for all channels was 44.95% in 2003 and 46.38% in 2004, representing a 1.43 point increase over the reference period and a considerable decrease of 14.72 points over four years (2001-2004).

All covered and operative channels exceeded the minimum of 10% allocation to works by independent producers. The data for one channel were not communicated for both years of the reference period. The compliance rate, in terms of number of channels, was 88% in 2003 and 91% in 2004.

The average relative proportion of recent European works for all channels was 80.83% in 2003 and 84.94% in 2004, representing an increase of 4.11 points over the reference period.

2.19. Poland

Eight out of 52 reported channels were exceptionally exempted from their obligations under Articles 4 and 5 on the basis of Article 9 (local channels).

European works

All 44 covered channels broadcast an average of 77.77% European works in 2004.

39 channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while 5 were below the threshold. The compliance rate, in terms of number of channels, was 89%.

The reasons for non-compliance indicated in the report mainly concerned difficulties of broadcasters to adapt programmes to the new legal requirements and other transitional problems. The report indicated that certain special-interest channels had to fulfil lower proportions as laid down in a national regulation. In this respect, the Commission points out that the special interest nature of a programme alone cannot justify a general exemption from, or the lowering of the legally defined majority proportion of Article 4 of the Directive. Specific reasons, which are in line with the relevant provision at Community level, have to be given for each case of exemption.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 27.69% in 2004. The compliance rate, in terms of number of channels, was 86%.

39 Cf. the second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines of

Frontiers” Directive.

EN EN

The average relative proportion of recent European works by independent producers for all channels was 58.41% in 2004.

2.20. Portugal

Three out of 24 reported channels were not operating in 2003. One channel was not operating in 2004. Nine channels were exempted for the reference period.

European works

All covered channels broadcast an average of 64.56% and 62.32% of European works in 2003 and 2004 respectively, representing an average -2.24 point decrease over the reference period and an increase of 15.34 points over four years (2001-2004).

For 2003, of a total of 12 channels covered by Article 4 of the Directive, nine exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Three channels failed to meet the majority proportion of transmission time. The compliance rate, in terms of number of channels, was 75%. For 2004, of a total of 14 operative and covered channels, 9 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. Five channels failed to meet the proportion of transmission time. The compliance rate, in terms of number of channels, was 64%.

The report mentions that the competent authorities have established an ongoing dialogue with the broadcasters. Further, the competent authorities prefer not to apply penalties, as they are aware that such measures may have adverse effects on operators and may possibly run counter to the “strictly recommendatory objectives of the Directive.”

As regards the average transmission time of European works, the Commission notes that considerable progress has been made by channels under Portuguese jurisdiction. Compared with the previous reference periods, when the averages were constantly below 50%, during this reference period the majority proportion is being comfortably exceeded on average by channels under Portuguese jurisdiction. Also, the Commission observes that compared to the previous reference period there has been considerable improvement in the proportion scheduled by TVI, which has a large audience share on the Portuguese market.

Further, the Commission would point out that Articles 4 and 5 generate legal obligations which apply, where practicable and appropriate, to each television programme falling within the jurisdiction of the Member State concerned.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 27.66% in 2003 and 25.57% in 2004, representing a -2.09 point decrease over the reference period and a bigger decrease of -15.96 points over four years (2001-2004).

In 2003, of a total of 12 channels covered by Article 5 of the Directive, 7 exceeded the minimum proportion of 10% laid down in Article 5 of the Directive. Five channels were below the threshold. In 2004, 11 out of 13 exceeded this threshold, while 2 channels failed to reach the minimum proportion. The compliance rate, in terms of number of channels, rose from 58% in 2003 to 85% in 2004.

The average relative proportion of recent European works was 82.68% in 2003 and 73.52% in 2004, representing a -9.16 point decrease over the reference period.

2.21. Slovenia

41 out of 52 reported channels were exceptionally exempted from their obligations under Articles 4 and 5 in 2004 (local channels). Two channels were not operating in 2004.

European works

All 9 channels covered by Article 4 broadcast an average of 53.23% European works in 2004.

In 2004, 5 covered channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive, while 3 were below the threshold. The data for one channel were not communicated. The compliance rate, in terms of number of channels, was 56%.

The Commission notes that Slovenia is a country with low audiovisual production capacity and restricted language area.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 16.24% in 2004. Six channels broadcast more than 10% of independent productions. Two were below the minimum proportion. The data for one channel were not communicated. The compliance rate, in terms of number of channels, was 67%.

The average relative proportion of recent European works by independent producers for all channels was 69.33% in 2004.

2.22. Slovakia

European works

All 4 reported and covered channels broadcast an average of 64.33% European works in 2004.

In 2004, all 4 channels exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. The compliance rate, in terms of number of channels, was 100%.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 25.75% in 2004. The average transmissions of all 4 channels were above the minimum proportion set in Article 5. The compliance rate, in terms of number of channels, was 100%.

The average relative proportion of recent European works by independent producers for all channels was 100% in 2004.

The Commission takes note of these positive results.

2.23. Finland

In 2003 and 2004, respectively three and two of the nine reported channels were exceptionally exempted due to the nature of their programmes (sports, news) and pursuant to Article 9 (local channel).

European works

All reported channels covered by Articles 4 broadcast an average of 77.50% and 70.48 % of European works in 2003 and 2004 respectively, representing an average 7.02 point decrease over the reference period. Compared with the previous reference period, there was an insignificant -0.02 change in the average allocation to European works over four years (2001- 2004).

In 2003, all 6 channels covered exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. The compliance rate, in terms of number of channels, was therefore 100%. In 2004, 5 out of 7 channels exceeded the majority, 2 channels were below the 50% threshold. The compliance rate, in terms of number of channels, was therefore 71%.

The Commission notes that Finland is a country with low audiovisual production capacity and restricted language area.

European works made by independent producers

The average allocation to European works by independent producers for all channels was 30.63% in 2003 and 29.96% in 2004, representing a -0.67 point decrease over the reference period and an increase of 1.46 points over four years (2001-2004).

Over the reference period as a whole, all covered channels referred to in the report exceeded the minimum proportion of 10% laid down in Article 5 of the Directive (percentages ranging from 25% to 43% in 2003 and from 21% to 47% in 2004). The compliance rate was 100% during the current preference period.

The average relative proportion of recent European works was 64.14% in 2003 and 66.63% in 2004, representing a 2.48 point increase over the reference period.

2.24. Sweden

Four of the 23 reported channels were exceptionally exempted during the reference period. Eight and three channels were not operating in 2003 and 2004 respectively.

The report indicated that the channels which were exceptionally exempted were small niche channels with small audience shares whose programmes were solely focused on US entertainment content. In this respect, the Commission would point out that the specialinterest nature of a programme alone can not justify a general exemption from the legally defined majority proportion set out in Article 4 of the Directive. Specific reasons, which are in line with the relevant provision at Community level, have to be given for each specific case of exemption. Thus, an exemption cannot generally be granted on the basis of the fact that a programme focuses on content of the US entertainment industry. Article 4(3) of the TWF Directive lays down a legal obligation for every Member State to provide a statistical statement on the achievement of the proportion referred to in Articles 4 and 5 for each of the television programmes falling within the jurisdiction of the Member State concerned.

European works

All covered channels broadcast an average of 53.49% and 56.90% of European works in 2003 and 2004 respectively, representing an average 3.41 point increase over the reference period and a -2.18 decrease over four years (2001-2004).

For 2003, of 11 operating channels covered by Article 4 of the Directive, six exceeded the majority proportion of transmission time while the remaining five did not meet this proportion. The compliance rate, in terms of number of channels of all types, was 55%.

For 2004, of a total of 16 operating channels covered by Article 4, nine exceeded the majority proportion while seven channels did not meet this proportion. The compliance rate, in terms of number of channels of all types, was 56%.

The Commission would point out that the proportion of transmission time laid down in Article 4(1) applies each year to all the television programmes of broadcasters within the jurisdiction of the Member State concerned, with a view, in particular, to ensuring equal

competition 40 .

European works made by independent producers

The average allocation to European works by independent producers for all covered channels was 43.00% in 2003 and 36.67% in 2004, representing a decrease of -6.33 points over the reference period and an increase of 1.27 points over four years (2001-2004).

In 2003, of a total of 11 channels covered by Article 5, 7 exceeded the minimum proportion of 10% laid down in Article 5 of the Directive. One channel was below this threshold. No data were supplied for 3 channels. The compliance rate, in terms of number of channels, was therefore 64% in 2003. In 2004, of a total of 16 covered channels, 9 exceeded the minimum 10% threshold while 3 channels failed to meet the minimum proportion. No data were supplied for 4 channels and no reasons for this were given in the report. The compliance rate, in terms of number of channels, was 56% in 2004.

The average relative proportion given over to recent European works was 71.17% in 2003 and 53.92% in 2004, representing a -17.25 point decrease over the reference period.

As already pointed out, Article 4(3) of the TWF lays down a legal obligation for every Member State to provide a statistical statement on the achievement of the proportion referred to in Articles 4 and 5 for each of the television programmes falling within the jurisdiction of the Member State concerned.

2.25. United Kingdom

48 of 233 reported channels were not operating in 2003 and 8 channels ceased operation or were non-operational in 2004. This amounts to an increase of 49 reported channels over 4 years (2001-2004). Additionally, the report listed 79 channels which were exceptionally

exempted. 41 These were channels broadcast in a language other than that of a Member State,

teleshopping channels, news channels, channels consisting entirely of sports events and gaming channels.

40 Cf. second paragraph of Article 4(3) of the Directive and point 2.2 of the suggested guidelines for the

monitoring of the implementation of Articles 4 and 5 of the “Television without Frontiers” Directive of 11 June 1999.

EN EN

European works

All channels covered by Article 4 broadcast an average of 54% and 53% of European works in 2003 and 2004 respectively, representing an average -1.00 point decrease over the reference period and a decrease of -20.60 percentage points over four years (2001-2004).

For 2003, of a total of 185 channels covered 42 by Article 4, 95 exceeded the majority

proportion of transmission time laid down in that Article. 80 channels broadcast a proportion of European works which was not above 50%. Data were not supplied for 10 channels. The compliance rate for channels of all types was 51%.

For 2004, of a total of 225 channels covered by Article 4 of the Directive, 101 exceeded the majority proportion of transmission time laid down in Article 4 of the Directive. 113 channels scheduled fewer European works than laid down in Article 4. No data were available for 11 channels. The compliance rate for channels of all types was 45%.

The Commission observes that the compliance rate of UK channels with regard to the scheduling of European works has dropped over four years by -10 percentage points. Considering that compliance was already at relatively low levels during the last reference period, these are poor results. UK is the only Member State with a compliance rate for the majority proportion under Article 4 which has dropped below 50% to only 45%. Even taking into account that the country-averages for the scheduling of European works are above 50% for both years, the compliance rate is an important additional performance indicator which helps to assess comprehensively the situation. The Commission would point out that the fact that transmission times reserved for European works on more than half of the operating channels under UK jurisdiction, which are covered by Article 4, fell below the 50% threshold required by that Article in 2004, should give rise to some concern.

European works made by independent producers

The average allocation to European works by independent producers for all channels of all types was 32% in 2003 and 30% in 2004, representing a -2 point decrease over the reference period and a decrease of -2.43 points over four years (2001-2004).

In 2003, of a total of 185 channels covered by Article 5 of the Directive, 126 exceeded the minimum proportion of 10% laid down in that Article. 49 channels did not reach that proportion. The data for 10 channels were not communicated in the report. The compliance rate, in terms of number of all covered channels, was 68%.

In 2004, of a total of 225 channels covered by Article 5 of the Directive, 140 exceeded this proportion, while 74 channels did not reach it. The data for 11 channels were not communicated. The compliance rate, in terms of number of channels covered by Article 5, fell to 62% in 2004.

The average relative proportion given over to recent European works by independent producers for all channels was 68% in 2003 and 63% in 2004, representing a -5 point decrease over the reference period.

42 This does not include the 79 channels which were exempted by the report due to the nature of their

programmes and the 48 channels which were non operational in 2003.

The main reasons for the cases of non-compliance were given in the report: the subject matter of the channel, the recent nature of the channel, the difficulty in finding European programmes or in finding them at competitive prices, subsidiaries of companies based in nonmember countries broadcasting programmes mostly from their own stock.

With regard to the channels for which the report did not supply data, the Commission observes that Article 4(3) of the TWF lays down a legal obligation for every Member State to provide a statistical statement on the achievement of the proportion referred to in Articles 4 and 5 for each of the television programmes falling within the jurisdiction of the Member State concerned.

As regards the large number of cases of non-compliance under Articles 4 and 5, the Commission takes note of the specific reasons stated in the report for each case and of the broadcasters’ intentions in most cases, in line with the principle of progressive achievement, to improve their proportions in the scheduling of European works. However, some of the reasons which were given in the report, for instance that some broadcasters have difficulties in finding European works (at competitive prices), are in principal not acceptable. The Commission observes that the proportions of transmission time laid down in Article 4(1) and Article 5 applies each year to each of the television programmes of broadcasters within the jurisdiction of the Member State concerned.

BACKGROUND DOCUMENT 4 - Summary of the reports from the Member States

Keys:

EW European works / TQT 43 P European works made by independent producers / TQT

(cf. Article 5 TWF Directive)RW Recent European works by independent producers / IP (cf. Article 5 TWF Directive)TQT Total qualifying transmission time (excluding news, sport events, games, advertising, teletext services and teleshopping)

AS Audience share of channels

E Audience share figures not freely available. Estimated at less than 1%.

NC Channels for which NO data were communicated

NO channels not-operative during the period concerned

Type Channel type: public service, commercial, niche, interactive, near video-on demand, teleshopping, news, sports, other

TM Transmission mode: (digital) terrestrial, satellite, cable, ADSL

EXC channels exceptionally exempted 44 or discharged under "where practical" clause

(specific reasons to be given by MS)

43 Cf. Article 6 TWF Directive

44 The reporting obligation under Article 4(3) applies to all transmissions by broadcasters within the

jurisdiction of a Member State, with the following exceptions: Articles 4 and 5 do not apply to “news, sports events, games, advertising, teletext services and teleshopping”. Article 9 states that Articles 4 and 5 do not apply to “television broadcasts that are intended for local audiences and do not form part of a national network”. Recital 29 of the Directive 97/36/EC i states that “channels broadcasting entirely in a language other than those of the Member States should not be covered by the provisions of Articles 4 and 5”. Article 2(6) states that the Directive 97/36/EC i does not apply to broadcasts intended exclusively for reception in third countries, and which are not received directly or indirectly by the public in one or

more Member States.

BELGIUM

The Commission received two reports, one from Belgium’s French Community (BE-FR – Communauté française de Belgique) and one from the Flemish Community (BE-FL – Vlaamse Gemeenschap). No report was received from the German-speaking Community (Deutschsprachige Gemeinschaft).

Total number of reported channels Reference period Method(s) of monitoring

Flemish channels: 26 BE-FL: Reports from the

French speaking channels: 13 2003 / 2004 broadcasters

BE-FR: Overall figures or sampling

I. Proportions from Flemish (Dutch speaking) channels (BE-FL)

BE-FL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

VRT Tv1 / Eén 78% 77% 15% 15% 91% 89%

Ketnet/Canvas 68% NO 11% NO 88% NO

Ketnet NO 57% NO 13% NO 87%

Canvas NO 85% NO 7% NO 88%

Sporza NO 100% NO 94% NO 99%

VMMa VTM 48% 58% 30% 38% 68% 75%

Kanaal Twee 38% 41% 32% 34% 97% 97%

Jim Tv 100% 94% 17% 19% 100% 100%

SBS Belgium VT4 24% 25% 23% 24% 96% 94%

Vijf Tv NO 23% NO 14% NO 96%

Media ad Vitaya Infinitum 76% 72% 10% 15% 100% 100%

Event Tv LibertyTv.Com Vlaanderen 70% 84% 70% 65% 100% 100%

Belgian Kanaal Z Business Tv nv 100% 100% 100% 100% 100% 100%

Pay Tv Co Canal+ Rood 26% 26% 23% 23% 99% 99%

Canal+ Blauw 26% 24% 25% 24% 99% 99%

Canal+16/9 26% NO 26% NC 99% NC

Canal+ Geel NO 31% NO 31% NO 99% BE-FL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Fezztival NO 13% NO 13% NO 99%

Mediacom NV TV 2000 NO NO NO NO NO NO

NV Netwerk Tv Netwerk Tv NO NO NO NO NO NO

BVBA Actua Actua Tv TV NO NO NO NO NO NO

MTV Networks TMF Vlaamse editie Belgium NO NC NO NC NO NC

NV Euro 1080 Euro 1080 NO NO NO NO NO NO

Canal Plus NV Canal+ Rood Nederland NO 31% NO 30% NO 99%

Canal+ Blauw Nederland NO 25% NO 25% NO 99%

Canal+16/9 Nederland NO 28% NO 27% NO 99%

  • A) 
    Reasons given by Member State for failure to reach proportions

Majority proportion of European works (Article 4)

VMMa

– VTM: The percentage rose from 48% in 2003 to 58% in 2004. This is a clear sign that the channel is making the necessary efforts to offer European productions.

– Kanaal Twee: Kanaal 2 (Channel 2) does not reach the 50% European productions target (41% in 2004). It should, however, be noted that this percentage is increasing compared to years past.

– Jim Tv: This channel targets primarily young people and has a remarkably high percentage of European productions.

When the three channels of the Vlaamse Mediamaatschappij (VMMa – Flemish Media Company) are taken as a whole, the Article 4 objectives are achieved. For that reason, the Flemish Community does not consider it necessary to take additional measures.

SBS Belgium

– VT4: The 50% target has not been reached. There has been a slight increase, however: 22% in 2002, 24% in 2003 and 25% in 2004. VT4 is, however, a small player on the market. Local and European productions are quite expensive and require extra investment. VT4 therefore makes sure that European productions are broadcast during primetime. Investments in European productions will be increased in the future, and the channel wishes to project a more Flemish image. VT4 began as a British channel and since 2002 has been recognised as a Flemish channel.

– Vijf Tv: With 23% European productions, Vijf Tv (Five TV) does not reach the target percentage. However, Vijf Tv only began operations on 1 October 2004. It has limited broadcasting time and resources. Its budget goes primarily towards broadcasting bought-in programmes. In the future, greater resources will be spent on local and European productions.

Overall, SBS Belgium does not achieve the Article 4 targets. VT4 does show a slight increase and says that in the future it will invest more in European and local productions. The Flemish Media Authority will monitor the degree to which this objective is achieved. At the current time, NO conclusions can be drawn concerning Vijf Tv.

PayTvCo

PayTvCo, formerly Canal + Televisie, is a pay television broadcaster that spreads its programmes over three channels. In 2004, the name Canal + 16/9 was replaced by Canal + Geel (Canal + Yellow). On 15 October 2004, PayTvCo received an award for its pay channel Fezztival.

None of the four channels achieves the 50% European productions target. Given the specific nature of these pay channels, it is not easy for them to reach the quota standard. Nor is it not necessary to intervene.

  • 1. 
    Minimum proportion of European works by independent producers (Article 5)

In this regard, just one observation can be made with respect to public broadcaster VRT, specifically the channel Canvas, for 2004.

VRT’s second channel is shared by Ketnet (aimed at children and young people) and Canvas (information, culture, education). During the summer of 2004, a part of the broadcasting time on the second channel was also occupied by Sporza. Sporza is a temporary sports channel whose aim is to offer viewers as many sport-related programmes as possible, focusing on the Olympic Games and European Championship football. 2004 figures for the second channel reflect Canvas, Ketnet and Sporza.

Canvas’s programming did not reach the target. When the second channel is taken as a whole, the Article 5 provisions were more than met.

  • B) 
    Measures taken or envisaged by the Member State : No observations
  • C) 
    Further comments

The media landscape in Flanders consists of one public broadcaster, private broadcasters targeting the entire Flemish Community and one pay-TV broadcaster. Regional broadcasters do not fall under the scope of Articles 4 and 5.

II. Proportions from French speaking channels (BE-FR)

BE-FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

RTBF (1) La Une 68,76% 71,40% 21,84% 38,95% 83,29% 58,20%

RTBF (2) La Deux 88,77% 91,62% 31,67% 22,45% 86,90% 85,71%

TVi S.A. RTL-TVi 45,76% 55,40% 23,54% 23,80% 73,80% 62,03%

TVi S.A. Club RTL 49,00% 32,30% 23,35% 28,70% 44,02% 67,84%

TVi S.A. Plug TV NO 47,95% NO 23,50% NO 97,50%

BTV S.A. AB3 54,00% 53,00% 46,90% 28,60% 82,60% 12,68%

BTV S.A. AB4 NO 43,30% NO 34,80% NO 24,75%

BeTV S.A. Canal+ 47,00% 57,60% 40,10% 48,20% 92,60% 98,19%

BeTV S.A. Canal+Jaune 43,20% 51,90% 42,30% 51,60% 95,32% 98,70%

BeTV S.A. Canal+Bleu 48,90% 59,70% 42,30% 50,80% 94,60% 99,36%

MCM Belgique MCM 57,32% 53,86% 52,61% 42,15% 67,60% 87,32%

Event Network Liberty TV 100,00% 100,00% 6,71% 11,91% 100,00% 100,00%

Belgian Business TV Canal Z EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    European works (article 4):

RTL TVI, CLUB RTL and PLUG TV

In the 2003 fiscal year, the overall quota for the two TVI channels operational during this period, RTL-TVI and CLUB RTL, was 47.96%.

In the 2004 fiscal year, the overall quota for the three TVI s.a channels operational during this period, RTL-TVI, CLUB RTL and PLUG TV, was 43.4%.

These two proportions are above the threshold set as the minimum level for the Belgian French Community (41.6%).

Among its reasons for failure to attain the required proportions, the station points to the fact that CLUB RTL is a topic-based channel, and that PLUG TV is new and broadcasts very audience-specific programmes, which has prevented it from drawing precise conclusions in terms of European quotas.

CANAL +, CANAL + Jaune and CANAL + Bleu:

In 2003 the overall proportion of the three channels broadcast by Be TV (formerly Canal+ Belgium) was 46.37%, higher than the threshold set as the minimum level for the Belgian French community (41.6%)

The station stated that in the 2003 financial year it was dependent on feature film releases, which were mainly American. Furthermore, some eligible European programmes previously acquired from its former parent company have been taken off air.

The station stated that, as of 2004, it had also put in place an internal monitoring system enabling it to react more quickly to statistical increases in the European works it broadcasts.

AB3 and AB4

The two channels operated by BTV (formerly YTV) have an overall quota of 49.9% for the 2004 financial year, therefore exceeding the minimum level required and practically meeting the majority proportion required.

Independent producers:

LIBERTY TV

This themed channel focuses on internally produced tourism documentaries and studio productions. From a starting point of 6.71% in 2003, the broadcaster rectified the situation in 2004 achieving a proportion of 11.91%.

Recent works:

LIBERTY TV

The proportion is included in the proportion of independent works described below.

  • B) 
    Measures taken or envisaged by the Member State

RTL-TVI, CLUB RTL and PLUG TV

In its 2003 annual audit report, the Authorisation and Supervisory Board of the Conseil supérieur de l’audiovisuel (CSA) noted the failure to comply with a majority proportion of European works during the 2003 financial year. Noting the broadcasters’ compliance with the threshold set as the minimum levels required, the Board stated that it would pay particular attention to compliance with the majority proportion, which became obligatory from 2004, and sent a warning to this effect to the broadcaster.

In its 2004 annual audit report, the CSA’s Authorisation and Supervisory Board noted the failure to comply with a majority proportion of European works in the 2004 financial year.

As this majority proportion had then become mandatory, it opened infringement proceedings.

LIBERTY TV:

In its 2003 annual audit report, the CSA’s Authorisation and Supervisory Board noted that the broadcaster failed to comply with a majority proportion of independent and recent European works in the 2003 financial year. As it became mandatory to attain this proportion only from 2004, the Board stated that it would pay particular attention to compliance with this rule from 2004, and to this end sent a warning to the broadcaster.

The station remedied the situation in 2004.

CANAL +, CANAL + Jaune and CANAL + Bleu:

In its 2003 annual audit report, the CSA’s Authorisation and Supervisory Board noted that the broadcaster failed to comply with a majority proportion of European works in the 2003 financial year. Noting that the broadcaster complied with the minimum levels required, the Board stated that it would pay particular attention to compliance with the majority proportion, which became mandatory from 2004, and sent a warning to this effect to the broadcaster.

The broadcaster remedied the situation in 2004.

AB3 and AB4

The CSA’s Authorisation and Supervisory Board noted, in its 2004 annual audit report, that in the 2004 financial year the BTV s.a. station failed to comply with the 10% proportion of recent independent European works, both individually for AB3 (3.6%) and AB4 (8.6%) and for these services as a whole (5.2%). As this majority proportion has now become mandatory, it has opened infringement proceedings.

  • C) 
    Further comments
  • 1. 
    In the Belgian French community, the CSA monitors compliance with the different European quotas based on the following factors: an annual declaration made by broadcasters; sending a sample of one week of programmes per quarter, which is defined after broadcasting by the regulatory body, using an electronic chart and dated and categorised data; an audit of calculation methods; checking the data against the published programme schedules and, from 2004, against a sample of programmes stored on a monitoring system; lastly, in cases of non-compliance, an investigation procedure, hearing and a decision taken by the independent authority accompanied by a penalty. The CSA may also impose penalties if stations fail to communicate the appropriate data. The audit reports and any decisions taken by the CSA in the event of non-compliance are published, specifically on its website: www.csa.be
  • 2. 
    The legal requirements for quotas of European works have been strengthened by the new Broadcasting Act of 27 February 2003 which was fully applicable to the 2004 financial year. The majority proportion of European works, as well as the proportion of independent works (10%) and recent works (10%), is now compulsory.

Article 43

§1 The Belgian station for the French community, RTBF, and other broadcasting services shall ensure that the majority proportion of their time on air is dedicated to European works, including original works by authors from the French community, with the exception of time for news programmes, sports events, games, advertising, advertising own programmes, teleshopping or teletext services.

§2. The broadcasting services referred to in §1 shall ensure that 10 percent of all transmissions consists of European works by independent producers of broadcasting services, including independent producers from the French community, with the exception of time for news programmes, sports events, games, advertisements, advertising own programmes, teleshopping and teletext services.

These works may not have been produced more than 5 years before they are first broadcast.

§3. This article shall not apply to broadcasting services aimed at a local audience and which are not part of a national network. Nor shall it apply to television broadcasting services which exclusively use a language other than the languages which are official or recognised by the Member States of the European Union and whose programmes are aimed exclusively at being picked up outside the European Union and which are not received directly or indirectly by audiences in one or more Member States.

  • 3. 
    The report has been presented and submitted for comments to the associations representing the independent production and other production sectors. The following observations were made at this hearing: there was support for the quality control work carried out by the CSA; the non-linear services such as on-demand video services should also be required to comply with the various European quotas; the concept of a work should be better defined with reference to artistic criteria; there are worrying signs in terms of support for independent production which elucidate the wish of one major station targeting the public in the French community and established for a long time on Francophone territory to be subject to Luxembourg jurisdiction.

CYPRUS

Total number of reported channels Reference period Monitoring method

7 01.05.2004 – 31.12.2004 Sampling

RW CY ←MS EW (% of TQT) IP (%TQT) (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Cyprus Broadcasting Corporation CyBC-1 60 58 24

Cyprus Broadcasting Corporation CyBC-2 30 29 9

ANTENNA LTD Antenna 55 52 30

PLIROFORIAKI & POLITISTIKI ETERIA "O LOGOS" O.E. Mega 72 69 36

SIGMA RADIO TV PUBLIC LTD Sigma 35 12 12

LUMIERE TV LTD Lumiere TV EXC EXC EXC

RADIOTILEOPTIKI ETERIA APLHA LTD Alpha TV EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

CyBC-2

CyBC-2 is considered to be the sports and recreational oriented channel of the public broadcasting service. From this point of view, its programme orientation justifies its low percentage of 29,6% of European works. CyBC-1 however, which is also operated by the public broadcasting corporation, has achieved a quite satisfying percentage of 60,3% in European works.

Sigma

Sigma channel has indeed transmitted a low percentage of European Works during the reported period. The Cyprus Radio – Television Authority will come in contact with the channel in order to find ways to increase its percentage.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

No observations

  • B) 
    Measures taken or envisaged by the Member State

The measures that the Authority is considering in taking towards increasing the level and percentages of European works being broadcasted from all TV channels under its jurisdiction are:

• Communicate with all national TV channels with the purpose of identifying problems and

give the appropriate solutions in order to maintain and/ or increase the percentages of

European works accordingly.

• Award a new special prize during its Annual Award Ceremony for the TV channel that

achieved the highest percentage in European works within that specific year.

  • C) 
    Further comments: No observations

CZECH REPUBLIC

Total number of reported channels Reference period Monitoring method

18 01.05.2004 – 31.12.2004

CZ ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

FTV Prima Prima 62% 28% 100%

CET 21 Nova 52% 26% 27%

CT CT 1 82% 9% 65%

CT CT 2 90% 12% 68%

Region Media 24.cz EXC EXC EXC

Galaxie sport Galaxie sport EXC EXC EXC

Česká programová společnost/Spektrum 69% NC NC

Česká programová společnost/Supermax 67% NC NC

HBO ČR HBO 19% NC NC

HBO ČR HBO 2 20% NC NC

HBO (Croatia,Slove

HBOČR nia) 15% NC NC

HBO ČR Cinemax NO NO NO

HBO ČR Cinemax 2 NO NO NO

HBO PP HBO 24% NC NC

HBO PP HBO 2 24% NC NC

OCT Network OCT.TV NO NO NO

Minimax Media A+ NO NO NO

Stanice O O (óčko) 67% 37% 91%

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)
    • a) 
      when the channel commenced broadcasting in the reference period:

HBO (Croatia, Slovenia), HBO (HBO PP), HBO 2 (HBOPP)

  • b) 
    difficulty in finding European programmes or in finding European programmes at competitive prices and therefore not appropriate to apply the quotas:

HBO (Czech version), HBO 2 (Czech version)

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)
    • a) 
      when the channel commenced broadcasting in the reference period:

HBO (Croatia, Slovenia), HBO (HBO PP), HBO 2 (HBOPP)

  • b) 
    when the channel finished broadcasting

Supermax

  • c) 
    difficulty in finding European programmes or in finding European programmes at competitive prices and therefore not appropriate to apply the quotas

HBO (Czech version), HBO 2 (Czech version)

  • d) 
    wrong qualification of the “independent producer”

The case of misunderstanding of Czech television when it used different qualification of the notion of the independent producer. The matter was clarified and in the future there should not be a problem (for the first half of 2005 Czech television had 14,1% of IP)

  • e) 
    unable to identify producer
  • B) 
    Measures taken or envisaged by the Member State

Regarding the programmes which failed to fulfil the quotas under Art. 4 and 5 of the TVWF directive the competent authority will enter into dialogue with the broadcasters in order to improve the situation, unless the fulfilment of these proportions should prove to be not feasible in the light of the special nature of these programmes.

Clarification of the notion “independent producer” will help Czech television to fulfil the quota.

  • C) 
    Further comments : No observations

    DENMARK

Total number of reported channels Reference period Monitoring method

22 2003 / 2004

DK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

DR DR 1 82% 84% 14% 16% 63% 53%

DR DR 2 84% 85% 16% 16% 63% 53%

TV TV 2 55% 54% 41% 42% 79% 78% 2/DANMARK

A/S

TV 2 Zulu A/S TV 2 Zulu 36% 31% 30% 25% 58% 63%

TV 2 Charlie A/S TV 2 Charlie NO 92% NO 83% NO 54%

TV/MiDTVEST TV/MIDTVEST 100% 100% 23% 11% 100% 100%

TV2/NORD TV2/NORD 100% 100% NC NC NC NC

TV SYD TV SYD 100% 100% 17% 25% 100% 100%

TV TV 100% 100% 0% 0% NC NC 2/ØSTJYLLAND 2/ØSTJYLLAND

TV 2 LORRY TV 2 LORRY 100% 100% 0% 0% NC NC

TV 2/FYN TV 2/FYN 100% 100% NC NC NC NC

TV2 ØST TV 2 ØST 100% 100% 0% 0% NC NC

TV TV 100% 100% 0% 0% NC NC 2/BORNHOLM 2/BORNHOLM

CIAC Holding DK4 100% 100% 12% 11% 100% 100%

NORDJYSKE 24NORDJYSKE 100% 100% 23% 20% 100% 100% Medier

DK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

SBS TV DANMARK 36% 35% 30% 30% 100% 100%

BROADCAST

DANMARK

CIAC A/S 4Sport NO NO NO NO NO NO

Mesopotamia ROJ TV EXC EXC EXC EXC EXC EXC

Broadcast A/S

Mesopotamia METV EXC EXC EXC EXC EXC EXC

Broadcast A/S

Mesopotamia MMC EXC EXC EXC EXC EXC EXC

Broadcast A/S

Mesopotamia NUCE EXC EXC EXC EXC EXC EXC

Broadcast A/S

Dan Toto A/S DanToto EXC EXC EXC EXC EXC EXC

Racinglive

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Two channels, which had audience shares of 2% and 4% respectively in 2004, are broadcasting less than 50% in 2005.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

Four regional TV 2 channels (see section C) do not broadcast any programmes produced by independent producers. These are channels which primarily broadcast locally produced news and current affairs programmes.

  • B) 
    Measures taken or envisaged by the Member State

The Radio and Television Board intends to impress on the two channels on which European works account for less than 50% of programmes broadcast that they must aim to ensure that more than half of their airtime which is not taken up by news programmes, coverage of sports events, competitions and teleshopping is allocated to European programmes.

  • C) 
    Further comments

The eight regional TV 2 channels (TV/MIDTVEST, TV2/NORD, TV SYD, TV 2/ØSTJYLLAND, TV 2 LORRY, TV 2/FYN, TV2 ØST, TV 2/BORNHOLM) broadcast between 30 minutes and one hour a day in slots on TV 2’s terrestrial channel. This is the first time information has been submitted on these programmes, which are mainly locally produced news and magazine programmes. Some of the regional channels have been unable to make a distinction between magazine programmes and news programmes.

TV 2 says that, when defining independent producers, they have applied the definitions of parent and subsidiary company found in company law, as specified in Section 2 of the Public Limited Companies Act (aktieselskabslov) and Section 2 of the Private Limited Companies Act (anpartsselskabslov). However, the TV 2 regions are considered to be non-independent producers.

TV 2 Charlie was launched on 1 October 2004

The following channels are not included in the statistical summary:

• 4 Sport, launched on 1 January 2005

• ROJ TV, broadcasts exclusively in Kurdish

• METV, broadcasts exclusively in Kurdish

• MMC, broadcasts exclusively in Kurdish

• NUCE, broadcasts exclusively in Kurdish

• DanToto Racinglive, broadcasts sports news only.

GERMANY

Total number of reported channels Reference period Monitoring method

34 2003 / 2004 Reports from public service broadcasters

Commercial channels were reported

by regulators

DE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

ARD ARD 91% 91% 34% 35% 88% 85%

ZDF ZDF 87% 85% 25% 25% 76% 68%

ARD/ZDF Phoenix 99% 99% 1% 1% 1% 1%

ARD/ZDF Kinderkanal 83% 83% 43% 44% 83% 80%

ARD/ZDF/ORF/SRG 3sat 96% 96% 33% 32% 83% 83%

Euvia Media AG 9Live 100% 100% 10% 10% 100% 100%

Discovery Communication Deutschland GmbH Animal Planet NO 30% NO 40% NO 90%

Bibel TV Stiftung GmbH Bibel TV 85% 85% 85% 85% 85% 85%

Bloomberg Bloomberg L.P. TV 100% 100% 0% 0% 0% 0%

Discovery Communication Discovery Deutschland GmbH Channel 45% 42% 25% 30% 95% 95%

Disney Channel BUENA VISTA Disney (Germany GmbH) Channel 30% 34% 8% 12% 30% 34%

DSF Deutsches SportFernsehen GmbH DSF 91% 97% 59% 65% 99% 99%

ProSiebenSat1 Media AG Kabel 1 23% 24% 23% 24% 16% 18%

MTV Networks GmbH&CoKG MTV 34% 32% 24% 23% 90% 87% DE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

ProSiebenSat1 Media

AG N24 31% 40% 25% 29% 100% 97%

n-tv

Nachrichtensender n-tv 98% 95% 60% 57% 99% 99%

Premiere Premiere 30% 30% 30% 30% 75% 75%

ProSiebenSat1 Media

AG ProSieben 57% 65% 45% 52% 69% 70%

RTL Television

GmbH RTL 75% 80% 57% 66% 72% 79%

RTL2 Fernsehen

GmbH&CoK RTL2 34% 43% 32% 41% 71% 76%

ProSiebenSat1 Media

AG SAT 1 78% 83% 65% 83% 74% 75%

RTL Disney

Fernsehen GmbH Super RTL 29% 35% 29% 35% 80% 80%

Tele 5 TM-TV

GmbH&Co KG Tele 5 35% 60% 35% 60% 32% 56%

ONYX Television

GmbH Terra Nova NO 75% NO 71% NO NC

VIVA Fernsehen

GmbH VIVA 36% 38% 20% 23% 86% 88%

VIVA Plus Fernsehen

GmbH VIVA Plus 45% 52% 36% 43% 93% 94%

VOX Film-und

Fernsehen

GmbH&CoKG VOX 46% 44% 34% 34% 96% 91%

DCTP

Entwicklungsgesellsch aft für TV Programm mbH und SpiegelTV

GmbH XXP 95% 96% 98% 98% 67% 69%

Hamburg 1 EXC EXC EXC EXC EXC EXC

RNFplus EXC EXC EXC EXC EXC EXC

tv.münchen EXC EXC EXC EXC EXC EXC

Tele 5 EXC EXC EXC EXC EXC EXC DE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

TV III a EXC EXC EXC EXC EXC EXC

tv.berlin EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions

Phoenix Special-interest broadcaster, event coverage and documentary channel

Animal Planet Special-interest broadcaster, documentary channel

Discovery Channel Special-interest broadcaster, documentary channel

Kabel 1 Specific programming focus: motion picture classics from the 1950s to 1980s

N 24 Special-interest broadcaster, news broadcaster; as of 2003, also broadcasts Discovery Channel documentaries

Premiere Special-interest broadcaster, pay TV, subscription TV, some channels well above quota requirements

RTL 2 -

Super RTL Special-interest broadcaster, children’s broadcaster, 50% owned by Disney

Terra Nova Special-interest broadcaster for nature documentaries, programming is centralised and in Paris

Viva Special-interest broadcaster, music broadcaster

Viva Plus Special-interest broadcaster, music broadcaster

Vox -

  • B) 
    Measures adopted or envisaged by the Member State

Where channels have failed to achieve the proportions laid down in Articles 4 and 5 of the EC Directive, the German authorities have entered into talks with the relevant broadcasters to discuss the situation (provided that the failure to achieve these proportions was not due to the specialised nature of the channels in question). In some cases, these talks have already had some initial success. However, during the period concerned, the economic situation of private television broadcasters has worsened due to a general decrease in revenue from advertising.

  • C) 
    Further comments

Local broadcasters which are exempted by Article 9 of the TVWF Directive:

Hamburg 1, RNF Plus, TV München, Tele 5, TV III a, TV Berlin.

ESTONIA

Total number of reported channels Reference period Monitoring method

3 01.05.2004 Daily monitoring, carried out by 31.12.2004 the independent research company TNS

EMOR

EE ←MS TM EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Eesti ETV terrestrial

Televisioon 81% 22% 83%

AS Kanal2 Kanal 2 terrestrial 54% 32% 94%

AS TV3 TV 3 terrestrial 51% 39% 91%

  • A) 
    Reasons given by Member State for failure to reach
  • 1. 
    Majority proportion of European works (Article 4)
  • 2. 
    Minimum proportion of European works by independent producers (Article 5
  • B) 
    Measures taken or envisaged by the Member Stat
  • C) 
    Further comments

Cable TV broadcasters being within the jurisdiction of Estonia are regarded as local ones, not forming part of a national network.

Pursuant to Article 9 of “Television without Frontiers” Directive, stating that Articles 4 and 5 do not apply to “television broadcasts that are intended for local audiences and do not form part of a national network”, information concerning cable TV channels has not been submitted.

GREECE

Total number of reported channels Reference period Monitoring method

12 2003 / 2004

GR ←MS TM EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Hellenic Broadcasting Corporation ET 1 Terrestrial 66 85 22 25 2 84

Hellenic Broadcasting Corporation NET Terrestrial 74 76 20 16 79 49

Hellenic Broadcasting Corporation ET 3 Terrestrial 79 78 14 16 7 6

ELEFTHERH ALTER THLEORASI A.E. CHANNEL Terrestrial 74 69 32 23 23 19

ANTENNA ANTENNA TV S.A. TV (ANT1) Terrestrial 66 70 28 31 27 27

THLETYPOS ANONYMH ETAIREIA THLEOPTIKON MEGA PROGRAMMATON CHANNEL Terrestrial 82 95 43 58 35 15

MAKEDONIA TV MAKEDONI S.A. A TV Terrestrial 74 69 53 50 10 10

ALPHA DORYFORIKH THLEORASH S.A. ALPHA Terrestrial 80 81 34 32 25 24

902 RADIOTHLEOPTIKH ARISTERA S.A. STA FM Terrestrial 81 81 12 12 7 7

NEA THLEORASH STAR S.A. CHANNEL Terrestrial 51 52 19 22 100 100

FILMNET- NETMED HELLAS SUPERSPOR S.A. T-FOX KIDS Cable 46 44 10 11 43 43

MULTICHOICE

EN EN

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

BROADCASTER: NETMED HELLAS

As mentioned in the document by the National Council for Radio & Television (E.S.R.), the Broadcaster Netmed Hellas, which provides cable TV services through channels Filment, Supersport and Foxkid, did not meet the Directive requirements with regard the transmission percentages of European works (46,21% and 44,23 for the years 2003 and 2004 accordingly). As noted in the relevant document by Netmed Hellas, the Broadcasting Organization failed to meet the standards set in the Directive for the following reason: as it provides cable TV services through the above mentioned channels, its main objective is the transmission of popular film products, which are American in their majority. Intensive efforts are being made, however, as also mentioned in the relative document by Netmed Hellas, in order to increase the percentages in question.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

No observations.

  • B) 
    Measures taken or envisaged by the Member State

No observations.

  • C) 
    Further comments

The Broadcasting Organization SEVEN X has been included in the list with the legally functioning TV channels in Greece (see attached list issued by the National Council for Radio & Television). For reasons of transmission problems, due to administrative changes etc. within the Broadcasting Organization, their providing us with the required information was not possible.

SPAIN

Total number of reported Reference Monitoring method channels period

54 2003 / 2004 – Data are collected by a company specialising in the broadcasting sector with which the Spanish administration has a technical assistance contract.

– Data are supplied by the television broadcasters themselves (in the case of channels broadcasting nationally) or by the Autonomous Communities (in the case of channels broadcasting regionally).

– Data are checked and analysed before the final assessment.

ES ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

ENTE PÚBLICO RTVE S.A. La Primera 69,36% 64,01% 12,66% 11,38% 75,40% 78,21%

La 2 62,83% 60,95% 10,97% 10,71% 75,20% 73,25%

TVE Internacional 68,52% 69,32% 20,65% 22,88% 87,21% 89,42%

Canal Clásico 87,83% 93,60% 16,01% 20,28% 46,96% 36,76%

Grandes documentales 93,89% 98,35% 13,56% 23,82% 82,79% 91,56%

Nostalgia 98,07% 98,97% 17,35% 12,83% 0,47% 1,02%

GESTEVISIÓN TELECINCO S.A. Telecinco 60,94% 70,36% 44,02% 54,20% 97,49% 98,53%

ANTENA 3 DE TELEVISIÓN S.A. Antena 3 TV 58,90% 63,20% 47,10% 47,80% 93,08% 96,32%

SOGECABLE S.A. Canal + 50,50% 52,60% 14,44% 18,87% 80,20% 78,00%

TELEVISIÓ DE CATALUNYA TVE 3 58,69% 59,86% 34,52% 30,25% 79,33% 56,55%

K3/33 53,81% 55,48% 34,73% 37,29% 61,85% 65,19%

TVC Internacional 83,13% 82,71% 35,88% 38,87% 81,32% 89,26% ES ←MS EW (% of TQT) IP (%TQT) RW (%IP)

TVC Canal Satélite 82,00% NO 30,64% NO 81,03% NO

TELEVISIÓN

VALENCIANA Canal Nou 51,40% 52,62% 38,66% 32,20% 75,20% 70,13%

Punt 2 80,56% 72,68% 45,81% 43,01% 34,79% 51,51%

E. P. RADIO

TELEVISIÓN

VASCA ETB 1 93,00% 97,50% 10,55% 11,23% 90,40% 89,70%

ETB 2 50,40% 53,20% 12,14% 13,55% 90,40% 89,70%

TELEVISIÓN DE

GALICIA TVG 68,04% 62,73% 10,02% 10,00% 90,10% 92,30%

TELEVISIÓN

AUTÓNOMICA DE

MADRID Telemadrid 47,80% 54,50% 11,80% 8,60% 32,10% 58,50%

RADIO

TELEVISIÓN DE

ANDALUCÍA Canal Sur 80,60% 52,00% 26,30% 25,00% 58,50% 56,20%

Canal 2 Andalucía 85,30% 61,00% 22,40% 35,00% 63,30% 66,80%

TELEVISIÓN Televisión de

AUTONÓMICA Canarias (inicio

CANARIA emisión 2002) 37,60% 50,30% 29,10% 28,20% 52,40% 58,60%

TELEVISIÓN

AUTONÓMICA Castilla-La Mancha

CASTILLA-LA TV (inicio emisión

MANCHA 2002) 51,30% 65,70% 16,70% 15,80% 62,40% 69,20%

FOX INTER.

CHANNEL ESPAÑA Fox (inicio emisión

S.L. 01/06/2001) 12,84% 6,43% 12,84% 6,43% 64,95% 66,86%

National Geographic (el operador NO asume la responsabilidad editorial hasta julio 2004) NO 37,00% NO 32,00% NO 96,36%

FOX KIDS ESPAÑA Jetix (inicio emisión

S.L. 04/12/1998) 45,00% 50,00% 44,70% 49,50% 67,80% 52,00%

PARAMOUNT

COMEDY

CHANNEL ESPAÑA

S.L. Paramount Comedy 64,71% 67,15% 52,11% 46,88% 99,,50% 100%

TURNER Cartoon Network 22,83% 25,28% 15,60% 5,50% 100,00% 100,00%

ES ←MS EW (% of TQT) IP (%TQT) RW (%IP)

BROADCASTING (inicio emisión 1999)

SYSTEM ESPAÑA

Turner Clasic Movies (inicio emisión 1999) 39,90% 47,00% 39,90% 47,00% NC NC

Boomerang (inicio emisión 2004) NO 21,00% NO 21,00% NO NC

FACTORÍA DE

FICCIÓN Factoría de Ficción 74,60% 62,30% 74,60% 62,30% 95,67% 89,60%

AXN CHANNEL AXN (inicio emisión

ESPAÑA S.L. 05/11/198) 49,90% 50,20% 6,13% 10,18% 55,70% 50,10%

Disney Channel WALT DISNEY (inicio emisión COMPANY IBERIA 17/04/1998) 40,14% 42,00% 23,29% 26,63% 97,15% 88,95%

Disney Channel+1 (inicio emisión 16/11/2001. Contratación conjunta e inseparable con el anterior canal) 40,14% 42,00% 23,29% 26,63% 97,15% 88,95%

Playhouse Disney (inicio emisión 16/11/2001 43,66% 40,07% 31,77% 27,03% 80,53% 44,23%

Toon Disney (inicio emisión 16/11/2001. Contratación conjunta e inseparable con el anterior canal) 8,79% 30,20% 6,80% 29,13% 95,16% 100,00%

COSMOPOLITAN

IBERIA S.L. Cosmopolitan TV 52,00% 55,00% 38,00% 48,00% 69,00% 60,00%

SOGECABLE

MÚSICA S.L. 40 TV 66,90% 67,70% 19,20% 18,70% 95,00% 95,00%

40Latino 72,72% 70,12% 27,27% 28,57% 95,00% 95,00%

CINEMANÍA S.L. Canal Cinemanía 22,01% 19,05% 20,91% 18,78% 15,72% 31,31%

CIT S.L. Viajar 97,00% 98,00% 80,00% 80,00% 99,00% 100,00%

Documanía 81,00% 75,00% 81,00% 75,00% 98,00% 98,00%

Caza y pesca 97,00% 97,00% 60,00% 10,00% 100,00% 100,00%

UNIVERSAL Calle 13 (inicio 19,56% 22,04% 16,36% 15,06% 17,40% 64,60%

ES ←MS EW (% of TQT) IP (%TQT) RW (%IP)

STUDIOS emisión 13/06/1999) NETWORK ESPAÑA S.L.

MULTIPARK MADRID S.A. Canal cocina 95,30% 92,10% 90,10% 88,60% 91,84% 84,60%

PRODUCTORA CANARIA DE PROGRAMAS Canal Canarias NC NC NC NC NC NC

SOCIEDAD GESTORA DE TV NET TV S.A. NET TV 60,00% 86,00% 60,00% 32,80% 60,00% 55,80%

VEO TELEVISIÓN S.A. Expansión TV EXC EXC EXC EXC EXC EXC

DIGITAL + Canal OT EXC EXC EXC EXC EXC EXC

REAL MADRID MULTIMEDIA S.L. Real Madrid TV EXC EXC EXC EXC EXC EXC

CONGRESO DE Canal Congreso de LOS DIPUTADOS los Diputados EXC EXC EXC EXC EXC EXC

SOGECABLE FUTBOL S.L. Sportmanía EXC EXC EXC EXC EXC EXC

COMPAÑÍA INDEPENDIENTE DE NOTICIAS DE TV S.L. CNN+ EXC EXC EXC EXC EXC EXC

BARCELONA F. C. Canal Barça EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

In general the various television broadcasters meet the requirement laid down in Article 4 of the Directive. Those channels that have not attained the proportion reserved for European works are in the transitional period specified by the Spanish law which transposes the “Television Without Frontiers” Directive, according to which the proportion reserved for European works can be attained progressively, so that four years after broadcasting has begun the proportion reaches 40% of broadcasting time. The proportion rises annually until it reaches the required percentage. The audience levels for these channels (which are mainly thematic or niche channels) are very low and on average represent less than 0.5% of the audience share.

  • 2. 
    Minimum proportion of European works by independent producers(Article 5)

Compliance is greater with this requirement than for Article 4. Those broadcasters not reaching the set limit for transmission of European works by independent producers are in the same transitional situation and have the same audience levels as above. They too are on course to attain the set percentage.

  • B) 
    Measures taken or envisaged by the Member State

If, once the transitional period is over, the quotas of European works and of European works by independent producers set in Articles 4 and 5 have not been reached, or if a television broadcaster falls back below these percentages, the Spanish administration will give notice to the broadcaster (or the Autonomous Community in the case of regional broadcasters) that it must attain the required proportions. In the case of continued non-compliance, and if this is of a serious nature, the Spanish administration will impose penalties on broadcasters under the State’s jurisdiction or urge Autonomous Communities to take the necessary enforcement measures in respect of broadcasters under their jurisdiction.

  • C) 
    Further comments

No observations

FRANCE

Total number of reported channels Reference period Monitoring method

83 in 2003 2003/2004 - Broadcasting:

89 in 2004 terrestrial channels: monitoring of daily programmes through CSA

database. cable channels: broadcasters’ report analysed and monitored by CSA. - Production: terrestrial channels: broadcasters’ report monitored by CSA. cable channels: Broadcaster’s statement.

FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

France Télévisions France 2 1 79% 80% 15% 16% 98% 98%

France Télévisions France 3 1 78% 82% 17% 17% 96% 98%

France Télévisions France 5 1 88% 88% 12% 13% 94% 92%

Télévision Française 1 TF1 1 65% 66% 13% 14% 97% 98%

Canal+ SA Canal+ 1 60% 60% 12% 12% 98% 97%

Métropole Télévision M6 45 65% 66% 16% 15% 94% 91%

AB Sat SA AB 1 56% 60% NC NC NC NC

AB Sat SA AB Moteurs 85% 82% NC NC NC NC

AB Sat SA Action 59% 58% NC NC NC NC

AB Sat SA Animaux 77% 78% NC NC NC NC

BRTV Berbère TV 100% 100% 38% 29% 85% 44%

EN 71 EN

FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

BEUR TV BEUR TV NC NC NC NC NC NC

CANAL J CANAL J 69% 68% 45% 41% 42% 63%

AB Sat SA Chasse et Pêche 93% 93% NC NC NC NC

Ciné Info SA Cine Cinema Info 69% 64% 32% 21% 100% 100%

MULTITHEMATIQUES SA C.C Auteur 47% 56% 27% 48% 34% 25%

MULTITHEMATIQUES SA C.C Premier 47% 48% 19% 26% 59% 55%

MULTITHEMATIQUES SA C.C Emotion 47% 52% 27% 30% 28% 24%

MULTITHEMATIQUES SA C.C Frisson 43% 50% 29% 29% 32% 35%

MULTITHEMATIQUES SA C.C Famiz 47% 48% 31% 28% 10% 9%

MULTITHEMATIQUES SA C.C Classic 46% 52% 24% 38% 12% 11%

AB Sat SA CINE BOX 46 61% 58% NC NC NC NC

AB Sat SA CINE COMIC 47 63% 66% NC NC NC NC

AB Sat SA CINE POLAR 60% 67% NC NC NC NC

AB Sat SA CINE FX 63% 67% NC NC NC NC

SECC COMEDIE* 61% 53% 10% 33% 63% 47%

TV Gourmand Cuisine TV* 82% 87% 27% 44% 61% 60%

Canal + DEMAIN NC 100% NC 100% NC 100%

Disney Channel France SA DISNEY CHANNEL 57% 53% 34% 37% 74% 84%

46 Stopped broadcasting in September 2004

EN 72 EN

FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

AB Sat SA ENCYCLOPEDIA 69% 72% NC NC NC NC

Paris Mutuel Urbain PMU EQUIDIA 95% 84% 85% 75% 59% 82%

AB Sat SA ESCALES 93% 83% NC NC NC NC

TPS Jeunesse EUREKA 61% 65% 61% 65% 39% 45%

France Téléfilms FESTIVAL 75% 69% 71% 63% 16% 48%

Fun TV SNC FUN TV 78% 73% 30% 28% 96% 96%

I-line SA GAME ONE 94% 95% 9% 15% 100% 100%

Gourmet SA Gourmet TV 48 92% NC 19% NC 78% NC

Histoire SA HISTOIRE 74% 85% 58% 43% 26% 34%

Fox Kids France JETIX (ex FOX KIDS) 60% 62% 20% 30% 63% 69%

Canal Jimmy SA JIMMY 44% 53% 19% 46% 51% 35%

Kiosque SNC KIOSQUE 59% 60% NC 60% NC 100%

Association Notre Dame de KTO 51% 96% 51% 43% 65% 65% Paris

Lagardère La Chaîne Météo 100% 84% 11% 75% 100% 100%

Médiacast LIVE 1 85% 91% 0% 0% 0% 0%

EDI TV SNC M6 MUSIC 67% 67% 56% 56% 94% 94%

AB Sat SA MANGAS 62% 62% NC NC NC NC

MULTITHEMATIQUES SA Ma Planète NO 85% NO 75% NO 58%

Match TV SA MATCH TV 49 85% 80% 13% 10% 100% 96%

48 As a procedure of official liquidation was opened against this channel in 2005, it did not transmit a

report for year 2004 FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

MCM SA MCM 68% 64% 48% 50% 62% 84%

MCM SA MCM POP (ex MCM 2) 77% 76% 75% 75% 27% 31%

MCM SA MCM TOP NO 66% NO 65% NO 84%

MEZZO SA MEZZO 91% 81% 81% 70% 84% 69%

Monégasque des Ondes MONTE CARLO TMC 68% 70% 45% 43% 14% 32%

AB Sat SA MOTORS TV 93% 97% 83% 74% 100% 100%

Telcarte SA Multivision 58% 68% 58% 68% 98% 95%

AB Sat SA MUSIQUE 99% 99% NC NC NC NC CLASSIQUE

Société d'exploitation de ODYSSEE 75% 88% 67% 69% 94% 84% documentaires SCS

Paris Première SA PARIS PREMIERE 75% 78% 73% 76% 67% 34%

TPS Jeunesse PIWI NO 64% NO 64% NO 45%

Planète Câble SA PLANETE 69% 76% 61% 70% 56% 63%

Planète Câble SA PLANETE CHOC (ex 60% 67% 51% 55% 67% 60% Planète Future)

Planète Câble SA PLANETE 90% 97% 76% 36% 77% 62%

THALASSA 50

Disney Channel France SA PLAYHOUSE DISNEY 53% 58% 36% 42% 86% 88%

AB Sat SA RFM TV 72% 78% NC NC NC NC

MULTITHEMATIQUES SA SEASONS 88% 99% 21% 46% 86% 80%

Extension TV SA SERIE CLUB 60% 53% 20% 10% 33% 10%

123 Multimédia SA Tchatche TV (ex123 NC 53% NC 0% NC 0%

49 percentage of independent production based on the programming budget

50 At its first statement for a full year (2003) Planète Thalassa had misinterpreted the notion of

independency. As a partner of France 3, it is reasonable to think that in 2003, the actual percentage of independent production was close to the one of 2004

FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

SAT)

Senior Communications SAS TELE MELODY 68% 67% 68% 67% 7% 14%

TPS Jeunesse TELETOON 67% 66% 66% 66% 78% 69%

Sedi TV SNC TEVA 59% 55% 28% 25% 58% 64%

TF6 SCS TF6 59% 50% 27% 14% 58% 27%

TF1 TFOU 55% 60% NC 58% NC 22%

Canal J TIJI 64% 67% 33% 33% 59% 85%

Disney Channel France SA TOON DISNEY 51% 52% 45% 52% 36% 58%

AB Sat SA TOUTE L'HISTOIRE 85% 82% NC NC NC NC

TPS Cinéma TPS CINECULTE 69% 70% 69% 70% 51% 55%

TPS Cinéma TPS Cinextreme NO 71% NO 71% NO 47%

TPS Cinéma TPS CINEFAMILY NO 58% NO 58% NO 30%

TPS Cinéma TPS CINESTAR 67% 53% 67% 53% 75% 45%

TPS Cinéma TPS CINETOILE 68% 66% 68% 66% 33% 35%

TPS Cinéma TPS HOME CINEMA 62% 63% 62% 63% 73% 42%

TPS Cinéma TPS STAR 66% 63% 66% 63% 74% 41%

Trace TV SA TRACE TV 53% 53% 46% 51% 100% 90%

Société Universal Studios 13ème RUE 63% 65% 53% 55% 57% 45% Channels France

TV Breizh SA TV BREIZH 70% 55% 14% 13% 100% 95%

Société Satellimages TV5 TV5 99% 83% 70% 73% NC NC

Voyage SAS VOYAGE 83% 95% 44% 67% 87% 92%

FR ←MS EW (% of TQT) IP (%TQT) RW (%IP)

AB Sat SA XXL 76% 66% NC NC NC NC

AB Sat SA ZIK 71% 65% NC NC NC NC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Except for seven channels (Canal Jimmy and six channels mainly devoted to broadcasting cinematographic works: Ciné Cinéma Premier, Ciné Cinéma Auteur, Ciné Cinéma Emotion, Ciné Cinéma Frisson, Ciné Cinéma Famiz and Ciné Cinéma Classic), all other channels broadcasting in 2003 complied with the 50% limit for European works.

In 2004 only two channels, Ciné Cinéma Premier and Ciné Cinéma Famiz, did not reach the set limit of 50% of European works but came close to this target with 48%.

Beur TV did not communicate its figures to the Council.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

Calculated either through broadcasting time or programme budget(*), the proportion reserved for works by independent producers has been observed by nearly all the channels.

Game One, which barely attained 9% in 2003, greatly exceeded the set limit by 15% in 2004.

Channels Live 1 and Tchatche TV broadcast programmes produced in-house.

The channels of the AB sat and Beur TV group have not communicated their proportion of European works from independent producers to the Council.

  • B) 
    Measures taken or envisaged by the Member State

Improvement notices to comply with broadcasting quotas in future are sent each year to those channels which have not attained the proportion reserve required by French rules.

As the French rules are stricter than the requirements in Article 4 of the TWF Directive, these notices cover non-compliance with this Article.

A penalty was imposed on Canal Jimmy on 1 st February 2005 for the 2003 financial year and

penalty proceedings have been open again on 26 July 2005 for 2004 for not complying with the requirements for broadcasting European audiovisual and cinematographic works.

Beur TV, which did not send activity reports for 2003 and 2004, was given notice to send them on 7 December 2004 and 26 July 2005 respectively.

Two film channels were sent improvement notices for non-compliance with the 50% limit for European works: Ciné Cinéma Frisson for the 2003 financial year and Ciné Cinéma Premier for 2004.

  • C) 
    Further comments

Channels exempted from the quotas laid down in Articles 4 and 5 do not appear in the table. Among those are 14 non-Member State channels licenced by France. 3 information channels and one weather channel, 4 sports channels and two teleshopping channels.

IRELAND

Total number of reported channels Reference period Monitoring method

7 2003 / 2004 Quantitative analysis of schedule period conducted by the regulator (the Broadcasting Commission of Ireland) in relation to commercial channels

CCS – Broadcast Analysis System – using Escort 2.4 (EBU) in relation to public service channels

(RTÉ).

IE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

RTÉ RTÉ One 57% 56% 20% 20% 100% 100%

RTÉ RTÉ Two 41% 42% 15% 18% 100% 100%

RTÉ TG4 68% 63% 64% 48% 95% 95%

TV3 TV3 45% 48% 10% 10% 95% 95%

Sky Ch NASN 417 EXC EXC EXC EXC EXC EXC

Sky Ch Setanta PPV 1 438 EXC EXC EXC EXC EXC EXC

Sky Ch Setanta PPV 2 439 EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

RTÉ 2

The exclusion of significant Sports coverage on RTÉ Two, particularly the Olympics and European Soccer.

However, the proportion of European Works included in RTÉ’s combined output (RTE1, RTE2 and TG4) is in excess of the 50% required under the Directive TV 3

For the reasons outlined hereunder, it was not practical for TV3 to meet the European works quota when news and sports programming is excluded from the Total Qualifying Time (TQT) in 2003 or 2004.

(i) size and nature of the Irish terrestrial television sector,

(ii) the stage of development of the broadcaster, and

(iii) the importance of indigenous news and sports programming for Irish audiences.

However, the situation remains under review and progress is being made by the station. At 48% for 2004, the broadcaster is just below the 50% requirement and compliance with the requirement remains the objective.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

No observations.

  • B) 
    Measures taken or envisaged by the Member State

RTÉ 2

Increase European productions across genres other than News and Sports

TV 3

The regulator (BCI) is engaged in ongoing discussion with TV3 regarding compliance with this requirement.

  • C) 
    Further comments

Three of the four reported channels are specialist services featuring sports programming only. As such, these channels are exceptionally exempted from the requirements of Article 4 and 5. The channels in question are: - NASN (North American Sports Network), Setanta Pay Per View 1 and Setanta Pay Per View 2.

ITALY

Total number of reported channels Reference period Monitoring method

128 2003 / 2004 Information received from broadcasters

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

RAI

RAI RADIOTELEVISIONE ITALIANA SPA RAI UNO 78 77 21 26 78 69

RAI RADIOTELEVISIONE ITALIANA SPA RAI DUE 63 68 29 26 62 66

RAI RADIOTELEVISIONE ITALIANA SPA RAI TRE 71 69 27 26 68 68

RAISAT RAISAT ALBUM 100 NO EXC NO 44 NO

RAISAT RAISAT ART 90 NO EXC NO 63 NO

RAISAT RAISAT CINEMA 58 NO EXC NO 41 NO

RAISAT CINEMA RAISAT WORLD NO 69 NO EXC NO 39

RAISAT RAISAT EXTRA 85 83 EXC EXC 90 98

RAISAT RAISAT FICTION 80 NO EXC NO 49 NO

RAISAT RAISAT GAMBERO ROSSO 91 91 EXC EXC 93 97

RAISAT RAISAT PREMIUM 91 93 EXC EXC 40 52

RAISAT RAISAT RAGAZZI 82 78 EXC EXC 100 62

EN 80 EN

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

RTI

R.T.I. Canale 5 62 73 16 17 91 91

R.T.I. Italia 1 43 40 12 12 59 66

R.T.I. Rete 4 58 58 21 19 65 74

R.T.I. Comedy Life 50 NO 14 NO 67 NO

R.T.I. Duel 30 23 7 7 73 72

R.T.I. Happy Channel 96 95 20 23 57 60

ITALIAN TEEN R.T.I. TELEVISION 29 43 8 18 76 74

R.T.I. MT Channel 90 89 46 33 80 84

MTV + LA7

LA7 TELEVISIONI

SPA La7 55 49,89 20 16 78 76

MTV ITALIA S.R.L. MTV BRAND:NEW 67 82 32 27 97 98

MTV ITALIA S.R.L. MTV HITS 67 81 34 20 98 99

MTV ITALIA S.R.L. MTV 71 75 17 21 98 98

Sky

SKY ITALIA SRL Sky On Air NO 100 NO EXC NO 100

SKY ITALIA SRL Sky Assist NO 100 NO EXC NO 100

SKY ITALIA SRL Sky NO 99 NO EXC NO 100

SKY ITALIA SRL Zona Giochi NO 100 NO EXC NO 100 IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Sky Sport 3 + Calcio SKY ITALIA SRL Estate Sky Sport NO 80 NO EXC NO 100

SKY ITALIA SRL Sky Meteo 24 NO 100 NO EXC NO 100

SKY ITALIA SRL Sky Cinema Classics NO 78 NO 27 NO 11

SKY ITALIA SRL Diretta Gol NO 98 NO EXC NO 100

SKY ITALIA SRL Sky Sport NO 98 NO EXC NO 100

Calcio Sky (già SKY ITALIA SRL Stream Calcio 1) 100 100 EXC EXC 100 100

SKY ITALIA SRL Canale Viaggi 35 NO 35 NO 100 NO

INFO (già Stream SKY ITALIA SRL INFO) 100 NO EXC NO 100 NO

SKY ITALIA SRL Palco 48 NO 11 NO 100 NO

SKY ITALIA SRL Primafila 58 100 37 EXC 100 100

Primafila Sky (già SKY ITALIA SRL Stream Prima Fila 6) 41 35 8 4 98 100

Sky Cinema 1 (già SKY ITALIA SRL Stream Prima Fila 1) 48 51 25 9 99 97

Sky Cinema 16:9 (già SKY ITALIA SRL Stream Prima Fila 5) 49 46 27 12 97 95

Sky Cinema 2 ( già SKY ITALIA SRL Stream Primafila 2) 48 51 25 9 99 97

Sky Cinema 3 (già Stream Cinema

SKY ITALIA SRL Stream) 35 48 19 8 74 86

Sky Cinema Autore (già Stream Prima

EN 82 EN

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Sky Cinema Max (già SKY ITALIA SRL Stream Prima Fila 4) 41 31 21 5 94 80

Sky Sport 1(già SKY ITALIA SRL Stream Sport Stream) 87 87 EXC EXC 96 100

Sky Sport 2 (già Stream Calcio

SKY ITALIA SRL Stream) 93 89 EXC EXC 100 100

Stream 1 (già Stream SKY ITALIA SRL Stream 1) 0 NO EXC NO 0 NO

Stream 2 (Grande SKY ITALIA SRL fratello) 100 NO EXC NO 100 NO

SKY ITALIA SRL Stream Calcio 2 EXC NO EXC NO EXC NO

SKY ITALIA SRL Stream Calcio 3 EXC NO EXC NO EXC NO

SKY ITALIA SRL Stream Calcio 4 EXC NO EXC NO EXC NO

SKY ITALIA SRL Stream Calcio 5 EXC NO EXC NO EXC NO

SKY ITALIA SRL Tele+ 16:9 28 NO 11 NO 94 NO

SKY ITALIA SRL Tele+ bianco 42 NO 19 NO 91 NO

SKY ITALIA SRL Tele+ Grigio 37 NO 19 NO 70 NO

SKY ITALIA SRL Tele+ Nero 85 NO EXC NO 99 NO

SKY ITALIA SRL Tele+30 42 NO 19 NO 91 NO

EN 83 EN

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

TEAM TV SPA Stream News EXC NO EXC NO EXC NO

Multithematique

CANALI DIGITALI PLANET 75 73 EXC EXC 76 84

CANALI DIGITALI Jimmy 32 35 EXC EXC 48 60

CINE CINEMA Cineclassics 45 NO EXC EXC 10 NO

CINE CINEMA Cinecinemas2 54 NO EXC EXC 33 NO

CINE CINEMA Cinecinemas1 53 NO EXC EXC 35 NO

Seasons - Caccia e SEASONS pesca NO 97 NO EXC NO 99

Eurocast

EUROCAST ITALIA Polonia 1 49 100 EXC EXC 26 38

EUROCAST ITALIA Tele 5 74 100 EXC EXC 35 39

EUROCAST ITALIA Top Shop EXC EXC EXC EXC EXC EXC

Tele+

EUROPA TV - EUROPA TV SPA TELEPIU' 30 42 NO 16 NO 89 NO

EUROPA TV - EUROPA TV SPA TELEPIU' BIANCO 42 NO 15 NO 93 NO

PRIMA TV -

EN 84 EN

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

PRIMA TV - Prima Tv Spa TELEPIU' GRIGIO 49 NO 22 NO 82 NO

PRIMA TV - Prima Tv Spa TELEPIU' NERO 91 NO EXC NO 100 NO

Omega TV SPA Palco 48 NO 5 NO 95 NO

Omega TV SPA + Calcio 100 NO EXC NO 100 NO

Fox

Fox International

Channels Italy srl Fox 23 20 EXC EXC 100 99

Fox International

Channels Italy srl The History Channel 45 51 EXC EXC 97 87

Fox International

Channels Italy srl A1 55 49,16 EXC EXC 84 95

Fox International National Geographic

Channels Italy srl Channel 45 54 EXC EXC 97 94

Fox International

Channels Italy srl Foxlife NO 40 NO EXC NO 99

Fox International National Geographic

Channels Italy srl Channel (2a versione) NO 46 NO EXC NO 95

Fox International The History Channel

Channels Italy srl +1 NO 54 NO EXC NO 85

Fox International National Geographic

Channels Italy srl Channel +1 NO 61 NO EXC NO 96

Fox International National Geographic

Channels Italy srl Channel (3a versione) NO 26 NO EXC NO 100

Rete Blu

TELELAZIO RETE Rete Blu BLU 0 0 EXC EXC 0 0 IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Rete Blu SAT 2000 52 52 33 33 54 53

Gruppo Sitcom

ALICE Alice 100 99 EXC EXC 100 100

INN Spa INN 0 0 EXC EXC 0 0

Leonardo Leonardo 100 100 EXC EXC 100 100

Marcopolo Marcopolo 100 94 EXC EXC 100 100

NUVOLARI Nuvolari 100 100 EXC EXC 100 100

Nuova Franciacorta

NUOVA RTB

FRANCIACORTA INTERNATIONAL 85 88 29 32 66 63

NUOVA

FRANCIACORTA RETEBRESCIA 92 89 33 38 64 57

Telestudio Modena

TELESTUDIO

MODENA SRL STUDIOEUROPA 100 100 100 EXC 100 100

TELESTUDIO TELESTUDIO

MODENA SRL MODENA 100 100 EXC EXC 100 100

Radio Italia

VIDEO ITALIA SOLO MUSICA

RADIO ITALIA SPA ITALIANA 100 100 EXC EXC 0 0

RADIO ITALIA SPA PLAYLIST ITALIA NO 100 NO EXC NO 0

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Others

ELEFANTE TV S.P.A. ELEFANTE TV EXC EXC EXC EXC EXC EXC

RETE A SRL RETE A 60 64 37 55 94 79

TELEVISION

BROADCASTING

SYSTEM SPA RETECAPRI 8 8 3 EXC 100 31

24 ORE TELEVISION VENTIQUATTROR

S.P.A. E.TV 85 66 100 100 100 100

AGENZIA SICILIANA

INFORMAZIONE SICILIA CHANNEL NO 0 NO EXC NO 0

coming soon ANICAFLASH SRL television 50 NC EXC NC 0 NC

CECCHI GORI

GROUP FIN.MA.VI.

S.P.A. CINEMOVIE 89 NO 0 NO 25 NO

C.F.N. CLASS CFN CLASS

FINANCIAL FINANCIAL

NETWORK SPA NETWORK 100 NO EXC NO 100 NO

CLASS CNBC SPA CLASS CNBC NO 100 NO EXC NO 100

EDI ON WEB SRL Superpippa 0 NO EXC NO 0 NO

EDI ON WEB SRL Conto TV NO 0 NO EXC NO 0

Edizioni Tagliamonte Napoli Nova 0 13 EXC EXC 0 23

ELETV SPA DeeJay Tv 54 52 48 37 88 93

EUROTELEVISION

S.P.A. TELEGENOVA 0 0 EXC EXC 0 0

IT ←MS EW (% of TQT) IP (%TQT) RW (%EW)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

FOX KIDS ITALY

SRL FOX KIDS 54 46 54 46 49 44

IL DENARO TV SRL Denaro TV NO 0 NO EXC NO 0

L'ANTENNA SRL OASI TV 0 0 EXC EXC 0 0

Milan Channel S.r.l. milan channel s.r.l NO 52 NO EXC NO 100

M.P.1 S.R.L. Milan Channel 49,97 NO EXC NO 100 NO

MATCH MUSIC MATCH MUSIC SRL SATELLITE NO 0 NO EXC NO 0

MEDIOLANUM MEDIOLANUM

CHANNEL SRL CHANNEL 100 100 EXC EXC 100 100

ORANET SRL Romasat 0 0 15 EXC 0 0

RETE 7 S.p.A. E' TV 2 5 EXC EXC 0 0

ROCK TV SRL ROCK TV 0 0 EXC EXC 0 0

RTL 102,500 HIT 102.5 HIT

RADIO S.r.l. CHANNEL 66 63 EXC EXC 100 100

SARDINIA SARDINIA

CHANNEL SRL CHANNEL NO NO NO NO NO NO

Universal Studios STUDIO

Networks Italia S.r.l. UNIVERSAL 42 44 EXC EXC 36 7

TUSCANY SAT in TUSCANY SAT liquidaz SRL LIQU NO NO NO NO NO NO

FASTWEB FASTWEB CHANNELS EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach

The broadcasters/content providers failed to meet the scheduling percentages stated by the TVSF Directive.

There are no general reasons that may be explaining their behaviour: the channels violating the TVSF provisions are usually minor satellite channels, often re-transmission of local programming schedules, recently appeared on the scene. In most cases the broadcasters simply do not take into account that, when broadcasting on satellite instead that on local analogue terrestrial frequencies, their channels become bound to the same rules governing the national broadcasting (among which the articles 4 and 5 of the TVSF).

It must be noted, as a matter of fact, that the channels which have a higher appeal on the viewers (as the audience share indicates) are normally complying with the Directive obligations.

Few exceptions are some big groups (Fox International Channels Italy Srl and Universal Studios Network Italia Srl) which are focusing their programming schedules mainly on works produced in the United States and therefore they find problems in complying with the TVSF provisions. Universal Studios Network Italia Srl itself, in fact, has already been sanctioned for having violated the provisions concerning the European Works in the years 2001-2002.

Name of

broadcaster (or Name of channel EW EW IP IP RW RW group) 2003 2004 2003 2004 2003 2004

Fox International All the channels of

Channels Italy srl the group 41,5 45,2 Exc Exc 92,8 92,9

Eurocast Italia All the channels of the group 59,3 100,0 Exc Exc 0,0 38,2

Rete Blu All the channels of the group 21,0 21,7 Exc Exc 54,0 53,1

Television Broadcasting

System Spa Retecapri 8,0 7,9 2,6 Exc 100,0 30,6

Agenzia Siciliana

Informazione Sicilia Channel No 0,0 No Exc No 0,0

Anicaflash Srl Coming Soon Television 50,0 Nc Exc Nc 0,0 Nc

Cecchi Gori Group

Fin.Ma.Vi. S.P.A. Cinemovie 88,5 No 0,0 No 25,1 No

Edi On Web Srl Superpippa 0,0 No Exc No 0,0 No

Edi On Web Srl Conto Tv No 0,0 No Exc No 0,0

Edizioni Tagliamonte Napoli Nova 0,0 12,5 Exc Exc 0,0 22,9 Eurotelevision S.P.A. Telegenova 0,0 0,0 Exc Exc 0,0 0,0

Il Denaro Tv Srl Denaro Tv No 0,0 No Exc No 0,0

L'antenna Srl Oasi Tv 0,0 0,0 Exc Exc 0,0 0,0

Match Music Srl Match Music Satellite No 0,0 No Exc No 0,0

Oranet Srl Romasat 0,0 0,0 15,2 Exc 0,0 0,0

Rete 7 S.P.A. E' Tv 2,3 4,7 Exc Exc 0,0 0,0

Rock Tv Srl Rock Tv 0,0 0 Exc Exc 0,0 0

Universal Studios

Networks Italia S.R.L. Studio Universal 41,8 44,5 Exc Exc 35,6 6,7

All other channels not included in the table above will not be sanctioned, even though they did not meet the required percentages, due to the discrepancies between the TVSF and the Italian legislation.

As explained in the following section C, in fact, the strategy applied by the Italian legislation aimed at introducing gradually stricter rules concerning the European works and the works of Independent producers, in application of the clauses “where practicable and by appropriate means” and “this proportion, having regard to the broadcaster's informational, educational, cultural and entertainment responsibilities to its viewing public, should be achieved progressively, on the basis of suitable criteria” included in articles 4 and 5 of the TVSF.

According to this strategy, for example, the Decreto Legislativo 31 luglio 2005, n. 177, has extended the provisions regarding the works by Independent producers also to satellite channels. Further differences with the TVSF will be likely solved in the future.

  • B) 
    Measures taken or envisaged by the Member State

All broadcasters failing to comply with articles 4 and 5 of the TVSF Directive in the years 2001-2002 have been communicated to the competent Sanctioning Department of the Italian National Regulatory Authority (hereinafter referred to as “Agcom”) for the sanctioning procedure, according to the provisions of the Law 249/97 which established Agcom itself. Just to make some examples, the following table shows some of the channels that have been sanctioned during the years 2001-2002 and the amount of the sanction itself:

N° Channel name Fee paid

1 Tele+ 16/9 25000 euro 2 Palco 25000 euro 3 Canal Jimmy 10330 euro 4 Cine Cinemas 2 10330 euro 5 Fox Kids 30000 euro

6 Disney Channel 20660 euro + 20660 euro

EN 90 EN

Although no sanctioning procedures regarding the reported period (years 2003-2004) have

been undertaken yet 51 , it is forecast that all broadcasters and content providers who will be

found guilty for not complying with articles 4 and 5 of the TVSF Directive during the period covered by this report will be judged by the Sanctioning Department by the end of 2006.

Of course, the sanctioning procedure will not be applied to:

• those broadcasters/content providers which did not broadcast at all during the whole year

(indicated in Annex 1 as “Non Operational”);

• those broadcasters/content providers which broadcast only works not covered by the

reserve obligations (news, sport events, games, advertising, teletext services or

teleshopping);

• those broadcasters/content providers which, while not complying with the obligation to set

aside for European works 50% of their scheduling time, have nonetheless broadcast a

percentage of European works higher than 43% 52

• those channels which have failed to meet the thresholds but are part of a group of channels

controlled by a single company/person. In this case, the Italian legislation obliges Agcom to take under consideration only the full broadcasting schedule of all the channels belonging to the same group (provided that each channel reserves for European Works a

53

minimum quota of 20% of its transmission time), and not the breach of a single channel

  • C) 
    Further comments

Since the last report to the EU Commission regarding the broadcasters’ compliance with the obligations set by articles 4 and 5 of the “Television without frontiers” Directive, the rules governing broadcasters’ obligations in Italy have changed radically. The article 2 of the Law 30 April 1998, n° 122, has been initially integrated by the Law 3 maggio 2004, n. 112, and then abrogated by the Decreto Legislativo 31 luglio 2005, n. 177 (hereinafter referred to as the “Broadcasting Code”), which has put together all the provisions in the broadcasting sector.

51 explained in the following section C, the data concerning the years 2003-2004 have been gathered

though a new telematic procedure that took some time to be developed and be applied; the data have been made available to Agcom only on September 2005 and there was no time to communicate the

breaches to the competent Sanctioning Department

52 n accordance with Article 2(3) of the Quotas Regulation mentioned in section C of this Annex, a

shortfall of under 7% with reference to the reserve obligation for European works of 50% of scheduling time brings to the broadcaster only the obligation to provide reasons for his failure to meet the

threshold. These reasons cannot be investigated by Agcom, which is not entitled to apply any sanction.

53 n accordance with Article 2(4) of the Quotas Regulation mentioned in section C of this Annex, a

channel earmarking a percentage smaller than the required threshold for European works, works by independent producers or recent works may not be sanctioned if it belongs to a group of channel controlled by a unique company or person, provided that the whole broadcasting schedule (with the exception of a minimum quota of 20% for each channel) of all the channels of this group meet the

required threshold.

The regulation on the promotion of distribution and production of European works (hereinafter referred to as the “Quotas Regulation”) approved by Agcom with its Decision No 9/99 of 16 March 1999 is still in force.

The following paragraphs will summarize the main obligations for the broadcasters and content providers according to the articles 6 and 44 of the new Broadcasting Code:

• scheduling obligations – national broadcasters and content providers, irrespective

of broadcasting standard, must –where practicable- reserve more than 50% of the monthly transmission time to European works, excluding time devoted to news, sports events, games, advertising, teletext services, talk shows and teleshopping.

The same provisions apply with reference to peak viewing times;

• at least 50% of this percentage must be made up of recent works (produced in the

past five years);

• national broadcasters and content providers 54 must –where practicable- reserve at

least 10% of broadcasting time to European works produced by independent producers, not counting time devoted to news, sports events, games, advertising, teletext services, talk shows and teleshopping. The public service broadcaster

must earmark a quota of at least 20% for independent producers;

• investment obligations – broadcasters under Italian jurisdiction, irrespective of

the broadcasting standard, must reserve at least 10% of their net annual revenue from advertising for the production and purchase of audiovisual programmes produced in Europe, including films, works by independent producers and programmes for children. At least 40% of this quota must be invested in

production and purchase of European movies.

The Quotas Regulation adopted by the Communications Authority introduces the following additional provisions:

• Article 2(3) introduces the obligation to provide specific reasons for any

shortfalls in the thresholds set for European works. The Authority may not investigate such reasons if the shortfalls do not exceed 7% of the thresholds laid

down;

• Article 2(4): when several channels belong to or are controlled by a single

company or person, the thresholds reserved to European works are determined on the basis of the channels’ overall programme schedules (with a minimum 20% for each channel) and on the basis of the total net proceeds from yearly advertising

gained by all the channels of the group.

As it appears, therefore, the issue concerning the limited application of the provision in favour of the independent producers only to the analogue terrestrial broadcasters has been solved by the Broadcasting Code, which extends the obligation to all content providers.

54 extension of this obligation to the content providers is one of the main innovations of the Broadcasting

Code

However, since the Broadcasting Code has been adopted in Italy only on July 2005, during the period covered by this report all of the satellite and cable channels in Italy were still exempted. Therefore, in the column regarding works by independent producers, all satellite channels have been considered exempt. The figures sent by those channels that provided their data regardless of the exemption have been shown only for statistical purposes.

It must also be observed that in Italy the provision set in favour of the recent works is applied to all European works and not only to the works by independent producers. The Italian legislator, in other words, has specifically obliged all broadcasters and content providers to earmark for recent works at least 50% of their transmission time dedicated to European works. Thus, in the column of the Annex 1 regarding the recent works thresholds, the percentages shown is referred to the amount of European works (%EW), not to the amount of works by independent producers (%IP).

One last remark concerning the monitoring procedures: to monitor their compliance with the obligations regarding European works, Italian channels are obliged to provide (using the tools and the procedures of the “auto-certificazione” set by the Italian government) their data concerning the programme schedule and the thresholds. In order to simplify the “autocertificazione”, from year 2001 the Authority has provided some specific forms — named Q1, Q2, Q2/C and D — as part of the statement named “Informativa Economica di Sistema” (hereinafter referred to as IES) which the broadcasters and the content providers are obliged

to submit every year by the end of July 55 . Naturally, since these data are gathered on the basis

of self-declarations, the Authority verifies their reliability by means of sample checks. Starting from 2003, all communications operators are obliged to send their IES statements through a web-based platform and a dedicated server which requires an internet connection. Since this new communication channel between Agcom and the communications operators relies on the web-connection, some broadcasters and content providers are experiencing problems in sending the required data. As it seems that the data regarding some broadcasters and a few content providers are missing, Agcom is evaluating whether this is due to connection problems to the dedicated server or to the broadcaster’s negligence. In the latter case, of course, the broadcaster/content provider will be sanctioned.

55 Pursuant to the combined provision of Article 1(28) of Law No 650 of 23 December 1996 and Article

1(3 of the Authority's decision No 129/02/CONS.

LATVIA

Total number of reported channels Reference period Monitoring method

10 in 2004 01.05.2004 Information received from 31.12.2004 broadcasters

LV ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Latvijas Televīzija LTV1 68% 12% NC

Latvijas Televīzija LTV 7 60% 18% NC

TV Riga TV 5 69% 67% NC

Baltcom TV SIA TV 24 100% 100% NC

Baltcom IVS KINO 2 60% 60% NC

Baltcom IVS TV 21 60% 60% NC

Baltcom IVS TV 21 Galerija 60% 60% NC

TV 3 Latvia TV 3 51% 19% NC

Latvijas neatkarīgā televīzija LNT 55% 13% NC

Pirmais Baltijas Pirmais Baltijas kanāls kanāls 51% 17% NC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)
  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

National Broadcasting council cannot provide the data for the proportion of recent works produced by independent producers started because just from the year 2005 the Council has changed the report form for broadcasters to give the information on this proportion.

  • B) 
    Measures taken or envisaged by the Member State

The improved report form for the broadcasters will allow collecting precise data on recent works of independent producers from the year 2005.

  • C) 
    Further comments

The information attached (excel sheet) is collected according to information given by those broadcasting organisations which operates in national level or region of Riga (capital of Latvia), as well as those organisations having broadcasting licences on broadcasting of own produced programs.

With the help of EU PHARE Twinning lights program the Council will generally improve its monitoring system.

LITHUANIA

Total number of reported channels Reference period Monitoring method

  • Collecting data from the broadcasters;

4 2003/2004 - Cross-checking by radio and

Television Commission of Lithuania

LT ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Lietuvos radijas ir

televizija LTV 64% 82% 44% 63% 89% 90%

Laisvas ir nepriklausomas LNK

kanalas 38% 33% 10% 15% 90% 92%

TELE-3 TV3 45% 47% 18% 20% 89% 91%

 BTV (from

Baltijos TV 2002.05.15 to 2004.09.15) -

TV4 52% 52% 32% 38% 80% 81%

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Two national TV broadcasters were not able to achieve the necessary European production proportion for the period of 2003/2004 due to the reasons that bind them to the signed agreements for purchasing other than European production works.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)
  • B) 
    Measures adopted or envisaged by the Member State:

The Radio and Television Commission, witch regulates and controls the activities of broadcasters in Lithuania hold a few round-table discussions with the broadcasters failing to comply with the provisions of the Law concerning European works and cleared out the reasons for failing to do so. It was assured by the broadcasters that they would do their best to gradually increase the number of European work quota in their programme transmission time in future.

  • C) 
    Further comments: No observations

LUXEMBOURG

Total number of reported channels Reference period Monitoring method

10 Calendar years - recorded: RTL9, 2003/2004 LibertyTV.com, Nordliicht TV

  • sampled: RTL TVi, Club RTL, RTL4, RTL5
  • estimated: RTL- TéléLëtzebuerg,

LU ←MS EW (% TQT) IP (% TQT) RW (% PI)

broadcaster channel 2003 2004 2003 2004 2003 2004

RTL Télé CLT-UFA Lëtzebuerg 70% 72% 12% 13% 92% 92%

CLT-UFA RTL TVi 46% 55% 24% 24% 74% 62%

CLT-UFA Club RTL 59% 23% 23% 18% 44% 35%

CLT-UFA RTL4 53% 59% 39% 40% 68% 72%

CLT-UFA RTL5 54% 48% 45% 44% 64% 66%

CLT-UFA RTL9 48% 51% 40% 36% 9% 26%

CLT-UFA RTL9 52% 54% 43% 36% 28% 39%

Liberty TV.com Liberty TV 100% 100% 15% 15% 71% 67%

Nordliicht Nordliicht TV 100% 100% 0% 0% 0% 0%

Everyday Media T.TV NC NC NC NC NC NC

  • A) 
    Reasons given by Member State for failure to reach proportions:
  • 1. 
    Majority proportion of European works (Article 4)

Four of CLT-UFA’s programmes failed to reach the required majority proportion of European works for one of the two reference years.

  • In 2003 the records for RTL-Tvi were based on a sample 4-week period, and the set threshold of 50% was not reached during this time. The situation was remedied in 2004.
  • In 2004 the proportion of European works on Club RTL during the sample period, in which programme schedules were based around flagship music programmes, fell 26.86% below the threshold. A higher proportion of programmes were non-European works. Club RTL intends to boost the number of European works it broadcasts in order to meet the required proportion.
  • The slight 1.03% shortfall for RTL5’s European works quotas as a whole is due to the fact that the channel mainly broadcasts sport and news, programmes which do not qualify as European works under the Directive. In 2005 RTL5 should be able to comply with the prescribed quotas given the development of its programme schedules and audience.
  • RTL9, which fell 1.8% below the threshold in 2003, corrected the situation in 2004.
  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

In 2003 and 2004, CLT-UFA’s programmes as a whole reached the level of production of works by independent producers laid down in the Directive.

Nordliicht and T.TV are low-budget channels in Luxembourgish. As in previous years, Nordliicht produces all its programmes itself.

Everyday Media S.A. is not able to provide the requested statistical statements as T.TV was going through a period of transition, i.e. changing from initially broadcasting music programmes aimed at young people to more general television.

  • B) 
    Measures taken or envisaged by the Member State

RTL has been formally instructed to take the steps needed to ensure this situation does not arise again.

Everyday Media S.A. has been formally instructed to take the steps needed to ensure it complies with its obligations in the future.

  • C) 
    Further comments: No observations

    HUNGARY

Total number of reported channels Reference period Monitoring method

15 2003/2004 Weekly data provision

HU ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Magyar Televízió

Rt. MTV1 78,4% 38,4% 66,5%

Magyar Televízió

Rt. M2 82,9% 35,0% 76,2%

Duna Televízió Rt. DUNA TV 94,2% 86,9% 87,3%

Viasat Hungária

Mősorszolgáltató

Rt. Viasat3 14,9% 2,3% 100,0%

Magyar RTL RTL

Televízió Rt. KLUB 54,6% 34,8% 38,3%

MTM-SBS

Televízió Rt. TV2 50,4% 37,0% 66,5%

HBO Rt. HBO 24,9% 22,5% 93,9%

Mixolid Szolgáltató Fix

Rt. Televízió 53,5% 0,0% 0,0%

AGRO-TV-ATV

Rt. MATV 99,1% 3,6% 100,0%

Budapest TV Rt. BPTV 63,9% 19,6% 27,4%

Spektrum TV Rt. Spektrum 55,9% 53,0% 69,4%

Z+

Mősorszolgáltató

Rt. VIVA TV 46,0% 45,9% 94,4% HU ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Filmmúzeum

Filmmúzeum Rt. Rt 88,3% 65,8% 29,9%

PAX PAX TV Rt. Televízió 97,0% 58,2% 34,4%

HÍR Televízió Rt HírTV 100,0% 1,4% 78,5%

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works

Two channels failed to fulfil the quota:

  • HBO
  • Viasat 3

(HBO was exempted – see above)

Viasat 3 (Viasat Hungária Rt.) – requested for exemption referring to economic reasons, and to program acquisition contracts made before the entry into force of the quotas.

  • 2. 
    Minimum proportion of European works by independent producers

Four channels failed to fulfil the quota:

  • Viasat 3
  • Fix TV
  • Magyar ATV
  • Hír TV

Hír TV (Hír Televízió Rt.) – as a news channel, it is exempted.

Viasat 3 (Viasat Hungária Rt.) – see explanation above.

Fix TV (Mixolid Szolgáltató Rt.) and Magyar ATV (AGRO-TV-ATV Rt.) – almost all of their programs are deemed as produced on their own. With regard to the year 2004 ORTT did not examine the fulfilling of the content requirements, it only controlled the completion of the data provision of the broadcasters. (All of the broadcasters have fulfilled this obligation.) B) Measures taken or envisaged by the Member State

ORTT has made the list of independent producers referred by the given broadcasters, and it examined – by virtue of the company registry – whether the statements are adequate to the legal requirements. ORTT has concluded that the enterprises are fulfilling the legal requirements applying to the independent producers.

  • C) 
    Further comments
  • 1. 
    Method of the data provision

The protocol referring to the broadcasters is made of five columns:

  • 1. 
    Enlisting of programs that fall under the quota, and those which do not.
  • 2. 
    Place of production (in case of co-production the Act II of 2004 on Motion Picture is to be applied).
  • 3. 
    Year of production.
  • 4. 
    Statement on the status (independence) of the producer.
  • 5. 
    Name of the producer (production company).

ORTT asks for data also those broadcasters that are wholly or partially exempted.

  • 2. 
    Definition of recent work

ORTT used the terminology of the Media Law, and considered those works recent that were produced not longer than 5 years before.

  • 3. 
    Exempted channels

Section 7 of Act I of 1996 on Radio and Television Broadcasting (hereinafter: Media Law) determines the obligation concerning the broadcasting of European works and the works made by independent producers.

On the basis of the mandate given by Section 7, subsection 3 of the Media Law the National Radio and Television Commission (hereinafter: ORTT) made its decision [Decision 505/2004. (IV. 15.) amended by the Decision 627/2004. (V. 5.)] on the gradual application of the requirements of Section 7, the exemptions from the fulfilment and the procedural questions. The decisions states that the obligation of fulfilling the quotas commences on January 1, 2005 (the year following the entry into force of the Treaty on the Accession to the European Union) and applies to the same calendar year.

General conditions of the exemption according to the Decision of ORTT:

  • 1. 
    From Subsection 1, 2 and 4 of Section 7: television broadcaster broadcasting exclusively “news, sports events, game, advertising, teleshopping and screentext service” programs, and the duration of these programs shall be reduced from the total programming time;
  • 2. 
    From Subsection 1, 2 and 4 of Section 7: local television broadcaster defined in point 10, Section 2 of the Media Law, if it is not part of a national network; 3. From Subsection 1, 2 and 4 of Section 7 : television broadcaster broadcasting only on a language different from the languages of any Member State, if such language is represented in not whole but significant part of the programming time of the channel, the exemptions shall be applied in those parts of the programming time;
  • 4. 
    From Subsection 1, 2 and 4 of Section 7: television broadcaster exclusively receivable in a third country if it is neither directly nor indirectly receivable in a Member State;
  • 5. 
    From Subsection 1, 2 and 4 of Section 7: television broadcaster of which targeted reception area falls exclusively beyond the borders of Hungary, if it is neither directly nor indirectly receivable in Hungary;
  • 6. 
    From Subsection 1, 2 of Section 7: upon request the pay televisions may be exempted.

The ORTT may exempt the thematic and the satellite broadcaster upon its individual reasonable request. The exemption may apply to a given period, wholly or partially, in advance, on more occasions, assessing that given market conditions.

On the basis of the above the exempted broadcasters:

Broadcaster Quota Period Decision

HBO Rt. Section 7, subsection 1 Indefinite time 1859/2004. (XII.15.)

Section 7, subsection 2

Spektrum Rt Section 7, subsection 1:

European quota, - in advance, for 5 1860/2004. (XII.15.) years, extendable

Hungarian language quota - in advance for 10 years, extendable Section 7, subsection 2: -for 10 years, Hungarian independent extendable quota

MALTA

Total number of reported channels Reference period Monitoring method

5 2004 Broadcasters reporting;

Audience survey carried out by

Malta Broadcasting Authority

MT ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

PBS Ltd TVM [1] 98% 91% 80% 62% 75% 62%

Education 22 PBS Ltd [2] 100% 98% NC 20% 100% 98%

Media.Link Communications Ltd. [3] NET TV 57% 54% 19% 34% 16% 33%

One Productions Ltd. Super One [4] TV 63% 72% 23% 33% 23% 6%

Smash Communications Ltd [5] Smash TV 57% 72% 37% 42% 37% 30%

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    European works

N/A – quota reached

  • 2. 
    Independent productions

N/A – quota reached

  • B) 
    Measures taken or envisaged by the Member State : No observations
  • C) 
    Further comments : No observations

NETHERLANDS

Total number of reported channels Reference period Monitoring Method

67 2003/2004 *

(*) The public broadcasting service compiles data on public broadcasting on the channels Nederland 1, Nederland 2 and Nederland 3 based on total programming (minus the categories to which exceptions apply such as news, sports, etc.). The data are submitted to the Netherlands Media Authority (Commissariaat voor de Media). The remaining broadcasters have reported to the Commissariaat voor de Media on the basis of a sample, selected by the Commissariaat, of weeks 7, 17, 29 and 42 (2003) and the periods 13-19 March 2004, 8-14 May 2004, 11-17 September 2004 and 6-12 November 2004.

NL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

Publieke landelijke omroep Nederland 1 94 94 44 45 94 93

Publieke landelijke omroep Nederland 2 83 91 48 51 96 95

Publieke landelijke omroep Nederland 3 92 93 35 37 89 83

St. Samenwerkende Publieke Omroepen Midden Nederland Utrecht 100 100 74 38 100 100

Stichting Omroep drenthe Drenthe 100 100 43 39 100 100

Stichting Omroep Gelderland Gelderland 100 100 38 12 100 100

Stichting Omroep Limburg Limburg 100 100 48 53 100 100

Stichting Omroep Zeeland Zeeland 100 100 12 14 100 100

Stichting Omrop fryslân Fryslan 100 100 30 29 100 100

Stichting Regionale

EN 104 EN

NL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Stichting Regionale Omroep Flevoland Flevoland 100 100 69 68 100 100

Stichting Regionale Omroep Rotterdam Rijnmond en omgeving Rijnmond 100 100 29 46 99 100

Stichting Regionale Omroep West West 100 100 34 58 100 100

Stichting Regionale Televisie Noord Groningen 100 100 39 20 100 100

Stichting RTV Noord-Holland Noord-Holland 100 100 14 42 100 98

Stichting RTV Oost Oost 100 100 38 36 100 100

Wereldomroep Wereldomroep 100 100 9 4 100 100

SBS Broadcasting b.v. Net 5 33 34 26 32 54 84

SBS Broadcasting b.v. SBS 6 45 49 31 26 86 83

TV 10 b.v. p/a SBS Broadcasting B.V. Veronica/Jetix 45 52 29 40 86 95

Yorin TV b.v. Yorin 36 55 34 39 55 73

Albeda College ETV.NL NO 96 NO 23 NO 100

Carthage II B.V. p/a SBS Broadcasting b.v. Irisz NO 55 NO 37 NO 85

Clear Television Network B.V. Clear TV NO 29 NO 28 NO 100

Extreme Sports EX Extreme Sports Channel V.O.F. Channel EXC EXC EXC EXC EXC EXC

InfoThuis Nieuwe

EN 105 EN

NL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

InfoThuis TV (editie

InfoThuis Nieuwe Westland/Midden Media B.V. Delfland) NO 100 NO 100 NO 100

KinderNet C.V. Nickelodeon 31 37 27 36 29 42

N.V. Multikabel MultiView EXC EXC EXC EXC EXC EXC

Regionaal Omroep Beheer B.V. ROB TV 100 100 6 26 100 99

Regionaal Televisie Netwerk TV Limburg Limburg B.V. diverse edities NO 100 NO 26 NO 100

ZeelandNet DeltaTV 100 NO 0 NO 0 NO

Stichting Servicechannel Service Channel 92 NO 92 NO 91 NO

Regio News Network RNN7 100 EXC 0 EXC 0 EXC

Global Ultr Blue / Don't Entertainment Panic TV 65 NO 60 NO 100 NO

Ultra Blue tv Ultra Blue tv 68 NO 56 NO 100 NO

Royaal B.V. Royaal TV NO 100 NO 23 NO 100

Stichting Huissen TV Huissen TV EXC EXC EXC EXC EXC EXC

United Football Broadcasting B.V. Het Voetbalkanaal EXC EXC EXC EXC EXC EXC

UPC Programming b.v. UPC Avante 55 NO 42 NO 57 NO

UPC Programming b.v. UPC Avante (EE) 55 NO 42 NO 55 NO

UPC Programming b.v. UPC Club 39 45 25 43 100 49

UPC Programming b.v. UPC Club (CE) NO 0 NO 0 NO 0

UPC

EN 106 EN

NL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Visie Marketing & Media B.V. Tilburg-TV 0 0 0 0 0 0

Vision-Net TV Produkties B.V. VSM-TV EXC 100 EXC 0 EXC 0

Yorin TV b.v. Yorin Store EXC EXC EXC EXC EXC EXC

MTV Networks MTV The B.V. Netherlands 0 38 0 25 0 95

MTV Networks The Music Factory B.V. (TMF) 100 55 14 44 100 99

The Box Holland b.v. The Box 28 5 26 3 0 97

A Ti Vi A Ti Vi 0 0 0 0 0 0

Arrivo on demand B.V. Arrivo 28 32 28 32 95 96

Arrivo on demand B.V. Arrivo (Austria) NC 34 NC 34 NC NC

Arrivo on demand B.V. Arrivo (Germany) NC 37 NC 37 NC NC

Arrivo on demand B.V. Arrivo (Norway) NC 36 NC 36 NC NC

Arrivo on demand B.V. Arrivo (Sweden) NC 37 NC 37 NC NC

Canal+ Entertainment Holland B.V. X-Zone 50 50 50 48 100 54

Backroom/FreeX Free - X TV B.V. TV2 NO 67 NO NC NO NC

Free - X TV B.V. Free-X TV 76 56 NC NC NC NC

Free - X TV B.V. Xdream NO 57 NO NC NO NC

Mintrade B.V. p/a IBSBM Exotica NO 0 NO 0 NO 0

Private Blue and Gold Broadcasting B.V. Private Blue 98 98 40 34 100 78

EN 107 EN

NL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

B.V.

Satellite Data Broadcasting b.v. Livesex tv NC 46 NC 46 NC 100

Satellite Data Broadcasting b.v. Sexview 58 35 58 35 100 100

STV International B.V. p/a Loyens Playboy TV / Spice en Loeff Platinum 52 62 34 56 26 90

Te Ve Sur Te Ve Sur NO 0 NO 0 NO 0

  • A) 
    Reasons given by Member State for failure to reach proportions

1.Majority proportion of European works (Article 4)

As shown in Annex I, in 2003 11 of the 49 broadcasters did not meet the required percentage of European productions. In 2004, 18 of the 55 broadcasters did not meet the percentage. This gives an incorrect picture, however. In 2003 and 2004, four broadcasters were exempted from the standard percentage obligation, which was lowered. The four broadcasters did meet this lower percentage. That being the case, for 2003 the compliance rate was in fact 75% rather than 67%. And for 2004, 75% rather than 67%.

SBS Broadcasting BV

The percentage of European productions on SBS6 has increased 4% over 2003 and is now approximately 50%. The Net 5 channel has reached 34%, a 1% increase over 2003. During discussions on the reporting year 2003, SBS promised that it would broadcast more European programmes in 2004. Where Net 5 is concerned, however, this promise was not kept. SBS explained this by saying that a number of Dutch productions were postponed or dropped in 2004. For some programmes, the production costs had already been paid to the producer in their entirety, because of which there was NO budget left over for new programmes. For this reason, the open time was filled in with reruns from the fiction library, which is composed primarily of American material. SBS did state that an examination of its budget showed that more than 50% went towards Dutch productions and, as a result, towards European productions. SBS also indicated that they expect the percentage of European productions to increase in 2005.

Yorin

Yorin met the European-production percentage target in 2004 but not in 2003. In 2004, Yorin broadcast a great deal of reality programmes. These are mostly Dutch or UK productions.

Clear Television Network BV

Clear tv began broadcasting in October 2004, offering six hours per day. Consequently, the data provided for 2004 cover one week only.

UPC

UPC was granted an exemption for the European-production percentage requirements for channels UPC club (CE) and UPC club (EE) because these are new channels. The percentage for UPC club (CE) was set at 0% in 2004 and the percentages for UPC club (EE) at 10% in 2003 and 15% in 2004.These percentages were met by UPC. The three club channels ceased operations in July 2005.

Visie Marketing & Media B.V.

Tilburg TV had expected that it would not have to provide data, because, given its local character, it had NO obligations regarding the broadcasting of European productions. However, Tilburg TV can be viewed in 10 different municipalities, which means that it is not eligible for the exemption in Article 9 of the European directive. The percentage of European productions will likely be 100% since only regional programmes are broadcast.

MTV Networks BV

As regards the Nickelodeon channel, MTV Networks BV invoked the following reasons for failing to satisfy the required percentage of European productions. Nickelodeon is a niche channel targeting children exclusively. Children’s programmes are expensive. In a small country with a limited language area, that makes it impossible to produce (or have produced) a significant amount of children’s programmes. Moreover, there are not a great deal of European children’s programmes, and what is available does not always correspond to what Nickelodeon wishes to offer: programmes without violence and that are educational. For those reasons, Nickelodeon broadcasts many of its “own” programmes from the United States. MTV Networks BV has made a reasonable case that if you look at its budget, more than 50% is spent on European productions. MTV Networks BV has also said that it expects to broadcast additional European productions in 2005 because since December 2004 a daily programme has been broadcast that is a European production.

Regarding the MTV channel, MTV Networks BV has indicated that, besides video clips, more and more regular programmes are being broadcast. These regular programmes are frequently European productions. Regular programmes cost MTV much more than video clips. MTV has made a reasonable case that if you look at its budget, more than 50% is spent on European productions. It has also been indicated that beginning in 2006 a greater portion of broadcast time will be dedicated to European productions because more and more programmes will be made in-house. Efforts were begun in this regard in 2005, but they will only bear fruit in 2006.

The Box

This programme consisted primarily of music clips and was created in 2004 based on viewer input. For that reason, the broadcaster had little influence on the programme content. According to the broadcaster, the amount of European clips was, however, sufficient.

In early 2005, The Box was taken over by MTV Networks BV and was unable to provide any further explanation of the figures presented.

Ativi

Ativi is a channel that targets people from the Antilles living in the Netherlands. Programmes come from the Antilles and Venezuela. Ativi has been informed that if it cannot meet the required percentage of European productions, it can request an exemption under certain conditions. At the current time, NO reaction has been received from Ativi.

Arrivo on demand BV

Arrivo has been granted an exemption from the European-production percentage requirement, because it is a theme-based channel just beginning operations. The percentage has been set at 25%, which Arrivo has met. Arrivo on demand BV has stated that it was under the presumption that the exemption covered all four Arrivo channels. However, the exemption has been granted for Arrivo only and not for Arrivo Austria, Germany, Norway and Sweden. Legal proceedings are currently underway to resolve the matter.

Mintrade

The Erotica channel has received an exemption from the required percentage of European productions because it is a new channel. The percentage for 2004 was set at 0%.

Satellite Data Broadcasting BV

This company operates two pornography channels that alternate regular programmes with advertisements for the two channels. The percentage requirement has not been met. The broadcaster has given NO reason for this. This theme-based broadcaster will be informed concerning the possibility of applying for an exemption.

Tevesur

Tevesur began test broadcasts in 2003 and regular broadcasting in 2004. The data supplied by Tevesur were insufficient to be able to evaluate whether the quota requirement has been met. The percentage of European productions has therefore been set at 0%.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

Wereldomroep

The Wereldomroep (world broadcasting service) rebroadcasts a selection of Dutch-language programmes originally shown on Dutch public channels. Programmes are chosen according to their content’s appropriateness for a Dutch audience living outside the Netherlands. In the opinion of the Media Authority, the public broadcaster broadcasts a sufficient quantity of European productions to comply with the intention of the Directive.

ROB TV

ROB TV began broadcasting at the end of 2003. That being the case, in 2003 it did not meet the required quantity of independent productions. It did meet this requirement in 2004.

Vision Net TV

VSM TV’s broadcast content consists almost exclusively of an electronic newspaper. The newspaper is interrupted for merely a few hours per week by regular programming, produced in-house by the broadcaster. This represents an extremely limited portion of the broadcast time.

The Box

The independent-production requirement has not been met because the European-production percentage requirement has not been met. There is a great deal of independently produced European content, but it is the viewer who determines what is actually broadcast.

Free X-TV

The percentage of independent productions could not be determined based on the broadcaster’s report. Nevertheless, given the nature of the programming and the fact that the percentage requirement for European productions is met, it can be assumed that the percentage requirement for independent productions is also met.

  • B) 
    Measures taken or envisaged by the Member State

The Media Authority held talks with all broadcasters with an audience of more than 3% that did not met the percentage requirement for European productions in 2003 and 2004. During these discussions, the broadcasters explained why they had not met the quota requirement and what measures they would take to meet the requirement in the future. Talks were also held with MTV Networks BV, which, given its position on the Dutch market, is a major player even though its channels, individually, do not exceed the 3% mark.

SBS indicated that it had taken steps to ensure that Net 5 would broadcast a sufficient amount of European productions in the future. SBS did show that it spends a large part of its budget on European productions. The Media Authority informed SBS that if in 2005 Net 5 again fails to meet the quota percentage, penalties will be considered.

MTV Networks BV indicated that it had taken measures to broadcast a sufficient quantity of European productions on the Nickelodeon and MTV channels in the future. MTV Networks BV also indicated that these channels spend a large portion of their budgets on European productions. If the situation does not improve sufficiently in 2005, the Media Authority will also consider what measures should be taken.

  • C) 
    Further comments

On 1 January 2002, the Policy Rules for programme quotas came into force. These set out the policy on enforcement of the rules on programme quotas and explain the notions Europese productie (European production) and onafhankelijke productie (independent production) in detail. They also explain what should be understood by in aanmerking te nemen zendtijd (transmission time in the reference period), how the various percentages must be calculated and how broadcasters must file their reports. The European guidelines have been incorporated into the policy rules.

Under the Rules, from 2002 broadcasters are required to report on all programmes transmitted during a period of four weeks selected by the Media Authority. This means that the broadcasters must submit a report covering their entire programming during those four weeks. From 2002, the broadcaster is required to specify, for each programme component, whether it counts as part of the transmission time in the reference period, whether it is a European and/or independent production, and the year of production. All broadcasters have to report using a form drawn up by the Media Authority. The different percentages are calculated based on all these data. The Media Authority also assesses the accuracy of the information. It is checked whether the broadcaster has correctly identified a production as a European product and whether the production has been correctly included in the transmission time in the reference period. Starting in 2002, broadcasters may NO longer simply provide total percentages, but must also document them with programme data.

The independent television producers (OTP) have percentage figures for (European) independent productions broadcast by the public broadcasting service. The Media Authority has submitted the statistical overview to the OTP.

AUSTRIA

Total number of reported channels Reference period Monitoring method

12 2003 / 2004 Statutory reporting obligation of broadcaster;

Failure to report incurs an administrative penalty (Paragraph 64 (1) Nr 9 PrTV-G (Private Television Act)

AT ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

ORF ORF 1 44% 46% 16% 17% 84% 90%

ORF ORF 2 82% 83% 33% 32% 92% 89%

ORF/Sitour Gruppe TW1 98% 97% 60% 59% 92% 98%

ATV Privatfernsehgmbh ATV+ 55% 38% 53% 38% 65% 90%

Sat 1 Privatrundfunk Sat 1 und ProgrammgesmbH Österreich 100% 100% 100% 100% 100% 100%

K-TV FernsehgmbH &

Co KEG K-TV 100% 96% 19% 21% 50% 44%

Fashion TV

Programmgesellschaft Fashion mbH TV 66% 67% 58% 60% 100% 80%

TIV Kabel

Fernsehgesellschaft mbH GoTV NO 70% NO 15% NO 95%

Premiere Fernsehen Premiere

GmbH Österreich 37% 40% 21% 22% 64% 63%

Pro Sieben Austria Pro Sieben

GmbH Österreich NO 100% NO 100% NO 100%

MEC Sport und RaceON

Entertainment GmbH TV NO EXC NO EXC NO EXC

NO before NO before NO before X-Gate Multimedia September September September GmbH TV6 2003 / NC NC 2003 / NC NC 2003 / NC NC

  • A) 
    Reasons given by Member State for failure to reach proportions

No observations.

  • B) 
    Measures taken or envisaged by the Member State

No observations.

  • C) 
    Further comments

Audience shares:

The figures indicated relate to the market shares determined in the Teletest. Figures are available only for ORF and ATV+ as well as Sat 1 since the other broadcasters included in the report in the relevant period did not take part in the Teletest. It should also be noted that the market shares of Sat. 1 include not only the broadcast Austria "niche" programmes, but also the German umbrella programmes in Austria. This market share must be qualified insofar as it depends on the transmission mode as to whether a viewer can receive the Austria "niche".

ORF programmes:

With an average share of European works of 63.7%, the ORF registered an increase in 2004 compared with the previous year (2003: 62.2%). In 2004 ORF1 recorded a 45.9% share. In ORF2 the figure was 83.2% (2002: 82.1%).

As regards independent works, the previous high level was also maintained in 2004. The proportion of works made by independent producers was 16.7% in ORF1 (2003: 15.7%) and 31.9% in ORF2 (2003: 33.2%), which gives an average of 23.9% for 2004 (2003: 24.0%).

The proportion of recent works was also stable in 2004. The proportion of broadcast productions of independent producers accounted for by recent works was 89.6% in 2004.

The ORF is endeavouring to further increase these proportions.

TW1:

TW1 is a 24-hour special interest channel (with repeats from 24.00 to 07.00) for travel (topical travel magazine, travel destinations), current weather (weather reports, weather information, weather data, weather panorama cameras), leisure (leisure tips) and sport (live transmissions and magazine programmes). The percentages given in the table relate to the following numbers of hours: TQT 2003 6 765 hours, 2004 6 576 hours; EW 2003 6 630 hours, 2004 6 368 hours; IP 2003 4 059 hours, 2004 3 894 hours; RW 2003 3 721 hours, 2004 3 816 hours;

ATV+:

The decrease in the proportion of EW in the TQT is due to the fact that in the year of the inclusion of terrestrial broadcasting the broadcaster provided significantly more own productions to be included in the quota and a number of special interest magazines. Because of a lack of acceptance by the public, a number of these were phased out of the programming in 2004 and are NO longer produced. In their place, more sport was introduced into the programme as a result of the acquisition of transmission rights for the national football league. Sports events and football matches cannot however be taken into consideration when determining quotas. This can be seen from the following figures: whereas in 2003 the time to be entered under TQT was 5 158 hours, this number decreased in 2004 to 4 750 hours.

SAT1:

SAT1 Privatrundfunk und ProgrammgesmbH provides niche programming (which is inserted in the normal SAT1 schedule) of a maximum of two hours per day, which however is not fully exploited. The programmes (motoring programmes, sports magazine, lifestyle, health) are then repeated a number of times during the week, with recent productions of a magazine programme being broadcast every fourteen days for the most part. The above data relate to the initial broadcast of programmes. Initial broadcasts accounted for 65.5 hours in 2003 and 63.5 hours in 2004. All productions without exception are made entirely in Austria by independent producers. All of these productions are recent works, since without exception they were produced very near to the time of transmission and repeated soon after the first broadcast.

KTV:

KTV Fernseh GmbH & Co KEG is a specialised channel showing broadcasts with a Christian/Catholic perspective including the transmission of masses and other "live services" via satellite. The individual percentages given relate to the following number of hours:

TQT 2003: 1 283 hours of which EW 1 283 hours, IP 240 hours and RW 120 hours. TQT 2004: 1 432 hours of which EW 1 378 hours, IP 300 hours and RW 132 hours. The broadcasts include coverage of religious services, group discussions on religious topics as well as research and information on subjects relating to Christianity.

Fashion TV:

This specialised fashion channel (24 hours a day, including repeats) offers advertising and topical fashion information, particularly coverage of fashion shows in and outside Europe, and also international fashion events as well as (edited highlights of) fashionable events (competitions, presentations, society events). No presenters are used for the items broadcast.

Given that the channel is concerned exclusively with presenting the latest fashions, its broadcasts consist mainly of items produced fairly recently. In view of the fact that the programmes on offer do not receive attention from other broadcasters and these programmes are thus not made for any other TV broadcasters, independent productions account for 100% of broadcasts.

The percentage figures relate to total qualifying transmission time (TQT) of 8 760 hours (2003), excluding advertising and news, EW circa 5780 hours, IP circa 5 100 hours and RW circa 5 100 hours of the broadcast schedule. The figures taken for 2004 were as follows: TQT

EN 115 EN

GoTV:

This broadcaster has transmitted its programme via satellite since 1 May 2004 and has therefore only been subject to reporting requirements in 2004. The percentage figures relate to 5 519 hours of European works, 1 183 hours of works made by independent producers and 1 123 hours of recent works. A total of 7 884 hours of programmes were broadcast during the year.

Premiere:

In 2003, 7 248 hours were broadcast (excluding news, sports reports, etc.). Of these, 2 694 hours consisted of European works. 1 500 hours of programming were made by independent producers. Of these in turn, 953 hours were recent works.

RaceONTV:

The broadcaster has only had a licence for satellite broadcasting since 30 January 2004. It transmits live horse races from the USA and the Magna Racino Austria. In addition to the races themselves, commentaries and information on the horse races (betting information, results) are transmitted by means of an information menu and split screen. The programmes are encoded and can only be received at race tracks and in sports bars and betting shops but not in private households. There were NO preliminary or background reports or the like in 2004.

Simply by virtue of the fact that the transmissions are only of horse races, mainly from the USA, the channel transmits only sport, with a result that Articles 4 and 5 cannot be implemented in practice or it must be assumed that for the purposes of the European Commission guidelines on the implementation of Articles 4 and 5 (cf. Point 2.2) the broadcaster is not subject to the reporting obligation, since it broadcasts only sports reports, the majority of which are from the USA.

Pro7:

In October 2003 the Pro Sieben Rundfunk and Medienproduktion GmbH was granted a licence for a daily half-hour "niche" programme (news and reporting on local events from an "infotainment" angle) on ProSieben. The niche had not yet been established in 2003. In 2004, under the terms of the licence granted by the regulatory authority Kommaustria, the niche programme amounted to 15 minutes daily (from 20.00 to 20.15), of which on average 10 minutes consisted of news. The remainder of the 15 minutes was devoted to reports on local events. Because of its content, this magazine programme must be considered a European work, which is made by independent producers and which because of its topicality also regularly represents a recent work within the meaning of the Directive. Moreover, on ten occasions in 2004 a further magazine programme lasting 25 minutes was also broadcast, and this should also be regarded as a work made by independent producers and a recent work.

TV6:

In September 2003 the X-Gate Multimedia Broadcasting GmbH began test broadcasts of the TV6 channel. Since then, bankruptcy proceedings have been instigated against TV6, with a result that it is not at the moment possible to obtain useful data, since applications can only be made to the administrator. In its unencoded programming, TV6 transmitted mainly teleshopping and adult entertainment. In addition part of the programme was encoded. The broadcaster is currently facing legal supervision proceedings brought by the regulatory authority.

Other broadcasters:

Apart from the broadcasters named in the report, a number of other broadcasters broadcast programmes in local and regional cable networks and two other broadcasters transmitted a terrestrial programme for an individual province in Austria during the reporting period. Since all these broadcasts are aimed at a local audience and are not connected to a national television network, then in accordance with Article 9 of the Directive the broadcasters concerned are not subject to the reporting obligation.

Three other broadcasters licensed for satellite broadcasting in 2004 have not so far begun their transmissions.

POLAND

Total number of reported channels Reference period Monitoring method

52 01.05.2004 Collection data from broadcasters 31.12.2004

PL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Telewizja Polska SA Program 1 72% 27% 60%

Telewizja Polska SA Program 2 84% 21% 64%

Telewizja Polska SA TV Polonia 99% 17% 45%

TVP 3 Regionalna

Telewizja Polska SA Białystok 90% 13% NC

TVP 3 Regionalna

Telewizja Polska SA Bydgoszcz 93% 18% NC

TVP 3 Regionalna

Telewizja Polska SA Gdańsk 94% 15% NC

TVP 3 Regionalna

Telewizja Polska SA Katowice 90% 15% NC

TVP 3 Regionalna

Telewizja Polska SA Kraków 91% 15% NC

TVP 3 Regionalna

Telewizja Polska SA Lublin 91% 14% NC

TVP 3 Regionalna

Telewizja Polska SA Łódź 91% 14% NC

TVP 3 Regionalna

Telewizja Polska SA Poznań 94% 16% NC

TVP 3 Regionalna

Telewizja Polska SA Rzeszów 87% 12% NC

PL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

TVP 3 Regionalna

Telewizja Polska SA Szczecin 90% 14% NC

TVP 3 Regionalna

Telewizja Polska SA Warszawa 89% 15% NC

TVP 3 Regionalna

Telewizja Polska SA Wrocław 90% 15% NC

Telewizja Polsat SA Polsat 53% 33% 85%

TVN SA TVN 71% 17% 96%

Polskie Media Sp z o. o. TV 4 50% 36% 93%

Telewizja Polsat SA Polsat Sport 94% 87% 92%

Telewizja Polsat SA Polsat 2 91% 56% 91%

Polsat Zdrowie i

Telewizja Polsat SA Uroda 72% 57% 100%

TVN SA TVN Siedem 18% 7% 38%

TVN SA TVN Style 73% 12% 50%

TVN - 24 Sp. z o. o. TVN 24 100% 0% 0%

TVN - 24 Sp. z o. o. TVN Meteo 95% 33% 0%

TVN Turbo Sp. z o. o. TVN Turbo 87% 54% 100%

Canal+Cyfrowy Sp. z o. o. Canal+ Polska 45% 32% 66% PL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Canal+Cyfrowy Sp. z o. o. Canal+ śółty 41% 32% 71%

Canal+Cyfrowy Sp. z Canal+ Niebieski o. o. Sport 62% 20% 79%

Canal+Cyfrowy Sp. z o. o. Ale kino! 45% 41% 15%

Canal+Cyfrowy Sp. z o. o. Minimax 44% 23% 72%

Canal+Cyfrowy Sp. z o. o. Minimini 66% 63% 37%

Canal+Cyfrowy Sp. z o. o. Planete 83% 66% 63%

Antel Sp. z o. o. Tele 5 53% 4% 39%

Antena 2 Sp. z o. o. Pilot 98% 0% 0%

4fun.tv. Sp. z o. o. 4fun.tv. 53% 53% 70%

Fundacja Lux Veritatis TRWAM 86% 13% 70%

International Movie

Productions TV LTD TMT 67% 55% 43%

Kino Polska TV Sp. z o. o. Kino Polska 100% 92% 6%

Mango - Media Sp. z o. o. Mango EXC EXC EXC

Media Biznes Sp. z o. o. TV Biznes 100% 20% 100%

Prowincja Zakonu

Braci Mniejszych

Konwentualnych Niepokalanów Puls 70% 58% 61% PL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

SłuŜewiec - Tory Wyścigów Konnych Hipika TV 62% 3% 33%

Telestar Sp. z o. o. iTV 100% 11% 100%

WyŜsza Szkoła Społeczno Ekonomiczna Edusat 100% 3% 33%

Prywatna Telewizja Aval Sp. z o. o. TV Aval EXC EXC EXC

Stowarzyszenie Telewizyjne Lubań TV Lubań EXC EXC EXC

Telewizja Dolnośląska Sp. z o. o. TeDe EXC EXC EXC

Tadeusz Dąbrowski Studio NTL EXC EXC EXC

Telewizja Regionalna Bryza Sp. z o. o. TV Bryza EXC EXC EXC

Telewizja Zielona Góra Sp. z o. o. TV Zielona Góra EXC EXC EXC

Telewizja Regionalna Zagłębia Miedziowego Sp. z o. o. TV Legnica EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Coming into force of the amended regulations of the Broadcasting Act concerning European works and European works produced by independent producers on 1 May 2004 without any vacatio legis made broadcasters adapt the programmes broadcast by them to the new regulations immediately. The new regulations concerning European works and European works produced by independent producers include more complex criteria for classifying programmes as European, the definition of an independent producer has been introduced and broadcasters have been obliged to allocate a half of the time of broadcasting European works produced by independent producers to works produced up to 5 years before being broadcast. Not all the broadcasters managed to adapt their programme services to the new regulations at once. Problems with meeting the requirements concerning European quota and quota concerning European independent producers were mainly encountered by small television broadcasters broadcasting their programme services via satellite.

TVN Siedem, Canal+ śółty and Minimax did not reach the required 50% share of European works in the period covered by this report.

  • a) 
    TVN SA allocated only 18% of TVN Siedem time to European works because it had not enough time to adapt its pool of broadcasts to the new legal environment and the programmes purchased earlier did not meet the new regulations. Moreover, the adaptation of the programme service of TVN Siedem to the amended regulations makes the long-term validity of the previously concluded license agreements much more difficult in its opinion. The broadcaster announced having taken steps in order to increase the share of European works: it has concluded new license agreements on broadcasting German and UK TV serials and has begun producing programmes specifically designed for TVN Siedem.
  • b) 
    The broadcaster allocated 41% of the qualified broadcasting time of Canal+ śółty – a paid, encoded satellite channel – to European works. This percentage is not in conformity with Art. 4 of the Directive and with the regulation concerning lower share of programs originally produced in the Polish language and of European works in television program services issued by the National Broadcasting Council (NBC) according to the will of the Polish legislator. The regulation exceptionally permitted a decrease in the threshold of the European works to 45% by broadcasters of specialised channels for which the number of available European works is insufficient. The broadcaster announced that the specificity of Canal+ śółty was the reason for the failure to achieve the mandatory threshold of the European works. The broadcasting licence obliges the broadcaster in conformity with its application to make up its programme of the latest cinema and television films. It results from the broadcaster's explanations that it encountered many difficulties with purchasing a number of licenses for European works enabling it to meet the legal requirements in force. The broadcaster also informed that it had contributed to the production of cinema films over the last 10 years by financing 60 films with the total amount of PLN 115,000,000.
  • c) 
    Minimax is a satellite channel for children. The broadcasting licence obliges the broadcaster to allocate 60% of the time to cartoons. The broadcaster explained that the share of European works in its programme service being below the required threshold of 50% was caused by the reconstruction of the programme schedule carried out in the 2nd half of 2004 and the change in legal regulations.
  • d) 
    The share of European works in Canal+ Polska and Ale kino! (film channels) was lower than required by the Directive. However, these are specialised channels. Therefore, the broadcaster was allowed to exceptionally decrease the percentage of such broadcasts to 45% pursuant to regulation of NBC concerning lower share of programs originally produced in the Polish language and of European works in television program services.
  • 2. 
    Minimum proportion of European works by independent producers (Article 5)
    • a) 
      TV Polonia did not reach the required threshold of 50% of the qualified broadcasting time allocated to works produced by independent European producers within the last 5 years in the period covered by the report. It results from the broadcaster's explanations that this was caused by TV Polonia's programme service being made up of archival programmes produced by Polish TV before 2000 as a rule. By designing the channel, the broadcaster responds to the demand of viewers being Poles and persons of Polish origin resident in various countries from Australia to North America in the first place. The channel is also available in cable television networks in Poland. Its purpose is to present the achievements of Polish culture.
    • b) 
      Telewizja Polska SA has not provided any data concerning the share of European works produced by independent producers within the last 5 years in 12 regional channels because, according to the information provided by it, it had not managed to start the new reporting system adapted to the amended legal regulations in its regional branches. The said system was started on 1 January 2005.
    • c) 
      The broadcaster of TVN Siedem, in the period covered by the report, allocated 7% of the qualified broadcasting time to European works produced by independent producers and 38% of the time of broadcasting European works produced by independent producers to works produced up to 5 years before being broadcast. The broadcaster informed that this was caused by difficulties with completing its broadcast stock with programmes meeting the new legal requirements within a short time. The broadcaster also explained that it had to perform license agreements previously signed. The broadcaster assures it will make every effort so that the percentage of independent producers' works meets the legal requirements in 2005.
    • d) 
      The broadcaster informed that the absence of European works produced by independent producers and works produced within the last 5 years from TVN 24 was caused by the specificity of the channel including 60% of news produced by TVN 24 on its own as any news channel does. A small part of the programme service was made up of feature broadcasts, mainly comments, opinions, views and forecasts related to current events presented by experts, journalists and politicians.
    • e) 
      It results from the broadcaster’s explanations that the absence of European works produced by independent producers within the last 5 years from TVN Meteo was caused by the specialty of that channel. In 2004, TVN Meteo was made up of weather news coming from Poland and the rest of the world in 90%. Programmes other than news were a small part of it and also concerned weather.
  • f) 
    By granting the broadcasting licence covering Ale kino!, NBC granted the broadcaster’s request to enable creation of a specialised channel for amateurs wholly dedicated to cinema, its history and evolution and to classic films from the 1950 – 1990 period. Therefore, in the broadcaster’s opinion, works produced within the last 5 years are not within that specialty.
  • g) 
    According to the broadcasting licence granted to the broadcaster, the Minimini channel is designed for kindergarten-aged children. The broadcaster indicates in its explanations that it is guided by the good of its viewers in making up its programme. Therefore, the quality criterion is essential for the choice of programmes. According to the broadcaster, the latest films by independent producers do not always meet its requirements. Therefore, it encountered problems with filling 50% of the time of broadcasting European works produced by independent producers with works produced within the last 5 years. The broadcaster believes that it encountered another difficulty caused by the fact that European works by independent producers took as much as 63% of its programme service.
  • h) 
    According to the broadcaster, the distribution of Tele 5 via satellite and cable networks prevents it from reaching a large audience and, therefore, generating high advertising income. The broadcaster maintains that financial problems caused by a decline in value of the advertising market and a strong competition from foreign broadcasters holding NO licences for Poland and broadcasting in Polish was the main reason for its failure to reach the required percentage of European works produced by independent producers. Moreover, as the broadcaster informed, a large part of its rights to broadcast programmes meeting the criteria for European works produced by independent producers and produced up to 5 years before being broadcast expired in 2004. Lack of funds prevented the broadcaster from investing enough in programmes meeting the requirements of the Broadcasting Act. The broadcaster declares purchasing programmes enabling it to meet the statutory requirements and systematic increases in the share of such programmes in its programme service.
  • i) 
    The broadcasting licence obliged Antena 2 sp. z o. o., the broadcaster of Pilot, a niche channel, to provide information about the current contents of programme services broadcasted in Polish in a graphic form and about new television, cinema, theatre and musical broadcasts and their authors. The broadcaster did not meet the legal regulations with respect to European works produced by independent producers and works produced within the last 5 years. The broadcaster did not notify NBC of the reasons for its failure to meet the legal regulations. It abandoned broadcasting the Pilot channel on 1 January 2005.
  • j) 
    The broadcaster of the TMT channel did not explain why it had not ensured the required share of independent producers’ works produced up to 5 years before being broadcast in its programme, but it warranted that it had made amendments to the TMT programme schedule designing system ensuring the compliance of the programme next year.
    • k) 
      Kino Polska is designed as a film channel. By granting the broadcasting licence, NBC granted the broadcaster’s request to enable the creation of a channel showing fiction (cinema and television) and documentary films produced in Poland as well as foreign films produced with the participation of Polish actors and artists (directors, story writers, camera operators, composers, set designers, etc.). The broadcaster informed that it had not managed to make up a programme service containing a 50% share of European works produced by independent producers within the last 5 years due to the specificity of the channel. In the broadcaster’s opinion, meeting the said condition in 2004 was the more difficult for it that 92% of the programmes were European works produced by independent producers.
    • l) 
      The broadcasting licence obliges SłuŜewiec – Tory Wyścigów Konnych sp. z o. o. to create Hipika TV, a niche channel for the audience interested in horse races. This channel is specialised in broadcasting and re-broadcasting horse races in Poland and abroad and announcing race results on boards. Races, broadcast and re-broadcast, accounted for 77% of the programme in 2004. The broadcaster informed NBC that it had not reached the thresholds of European works produced by independent producers and works by independent producers produced up to 5 years before being broadcast because it encountered difficulties in purchasing programmes being in conformity with the specialty of the channel. The broadcaster ensured it would endeavour to adapt its programme service to the legal regulations in force.
    • m) 
      The Warsaw School of Social and Economic Studies, the broadcaster of Edusat, is obliged to create educational programme service by the terms of its broadcasting licence. The broadcaster informed that it had not ensured the required share of independent producers’ works and, therefore, independent works produced up to 5 years before being broadcast last year, because lectures (mainly live) for extramural students of the Warsaw School of Social and Economic Studies accounted for 80% of its programme. The programme service of Edusat did not include any commercials or teleshopping. It is a nonprofit TV station financed with the tuition fees paid by the students.
  • B) 
    Measures taken or envisaged by the Member State

The National Broadcasting Council sent letters requesting the presentation of reasons for failure to meet the legal regulations in force to the broadcasters and notified them of the control of their programme services to be performed in 2005. NBC also warned the broadcasters that legal sanctions provided for in the Broadcasting Act would be applied if repeated non-compliances are stated.

  • C) 
    Further comments
  • 1. 
    Polsat Zdrowie i Uroda, Planete and 4fun.tv included in the report have been broadcast from July 2004 and TVN Style and TV Biznes only from 2004.
  • 2. 
    TV Pilot includes statistical data for the second half of 2004 because the broadcaster did not supply any data for May and June 2004. Obtaining those data is not possible any more, because the broadcaster abandoned broadcasting on 1 January 2005.
  • 3. 
    We cannot state whether the share of European works and works by independent producers in each channel has increased or decreased in 2004 compared to 2003 because statistical data of those years are incomparable. The legal regulations concerning European and independent European works in force in 2003 provided for different criteria for classifying programmes as produced by a European producer. They did not include any detailed definition of an independent producer, either. Moreover, previously a different definition of qualified broadcasting time was applied to the calculation of percentage of European works or independent producers’ works. The percentage share of such works in the programme service was calculated as the share in the total broadcasting time without excluding news, sports events transmissions, games, commercials and teleshopping.
  • 4. 
    In 2004, the programmes services of Studio NTL, TV Bryza, TV Zielona Góra, TV Legnica, TV Aval, TV Lubań and TeDe mainly included news and were designed for local viewers. They were not a part of the nation-wide network. Pursuant to Article 9 of the Directive, Poland is exempted from submitting reports on the implementation of Articles 4 and 5 of the Directive with respect to the above-mentioned channels.

PORTUGAL

Total number of reported channels Reference period Monitoring method

24 2003 / 2004 Sampling procedure, on a random basis, complemented, in specific cases by data provided by TV operators

PT ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

RTP, SA RTP 1 72% 63% 21% 17% 73% 55%

RTP, SA RTP2 (2:) 53% 61% 31% 26% 53% 71%

RTP, SA RTP

Internacional 100% 96% 46% 28% 100% 94%

RTP, SA RTP África 73% 64% 9% 22% 100% 83%

RTP, SA RTP N NO 100% NO 40% NO 87%

RTP, SA RTP Memória NO 67% NO EXC NO EXC

SIC, SA SIC 44% 46% 17% 16% 92% 79%

SIC, SA SIC

Internacional 91% 98% 77% 71% 92% 94%

SIC, SA SIC Gold 28% 46% 5% 7% 100% 0%

SIC, SA SIC Radical 29% 31% 5% 15% 85% 91%

SIC, SA SIC Mulher 56% 45% 0% 7% 0% 56%

SIC, SA SIC Comédia NO 24% NO 16% NO 52%

TVI,SA TVI 61% 57% 51% 47% 98% 95%

TVI,SA TVI Eventos EXC EXC EXC EXC EXC EXC

SPORT TV Sport TV

PORTUGAL, SA EXC EXC EXC EXC EXC EXC

LISBOA TV, SA SIC Notícias 69% 76% 9% 21% 100% 100%

PT ←MS EW (% of TQT) IP (%TQT) RW (%IP)

LISBOA TV, SA Canal Programação TV Cabo EXC EXC EXC EXC EXC EXC

PORTO TV, SA NTV 100% NO 62% NO 100% NO

TV MEDICINA,SA TV Medicina / Saúde EXC EXC EXC EXC EXC EXC

TV CABO Lusomundo AUDIOVISUAIS, Premium SA EXC EXC EXC EXC EXC EXC

TV CABO Lusomundo AUDIOVISUAIS, Gallery SA EXC EXC EXC EXC EXC EXC

TV CABO Lusomundo AUDIOVISUAIS, Action SA EXC EXC EXC EXC EXC EXC

TV CABO SMS Tv AUDIOVISUAIS, SA EXC EXC EXC EXC EXC EXC

PT CONTEÚDOS, Lusomundo SA Happy EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions

See below under C).

  • B) 
    Measures taken or envisaged by the Member State

Se below under C).

  • C) 
    Further comments
  • 1. 
    General observations

1.1. To supplement the information given on the two forms attached to letter INFSO A1/KE/pp D(2005)616549 from the Director-General of DG Information Society and Media, Fabio Colasanti, the Portuguese authorities have also prepared a report - as in previous years - since this is the only way to fully understand the performance of television operators falling within Portuguese jurisdiction as regards the application of Articles 4 and 5 of the "television without frontiers" (TWF) Directive in the period 2003 to 2004.

1.2. Acknowledging the importance the Commission gives to the audience shares achieved by the programme services considered, the Portuguese authorities reiterate their view -

already formally expressed 56 - that the Commission's position has NO valid legal basis

and is based on assumptions which do not meet basic requirements regarding clarity,

objectivity and equal treatment.

1.3. In accordance with Article 4(3) of the TWF Directive, the Portuguese authorities have prepared this report on 2003 and 2004.

The criteria set out in "Suggested new guidelines for monitoring application of Articles 4 and 5 of the Television without frontiers Directive" (Annex 1 to COM(2000) 442 final i of 17 July

2000 57 ) have been applied.

The percentages presented for assessing the performance of television operators, with reference to Articles 4 and 5 of the TWF Directive, were calculated by actual sampling, supplemented and checked, in specific cases, with information supplied by the operators themselves.

The report comments on each operator and, where applicable, states what measures have been adopted or planned.

The figures for European works, independent productions and recent works are set out in the four tables attached. Tables 1 and 2 give the percentages obtained for different channels held by the public service operator and private operators respectively. Table 3 gives the weighted broadcasting averages for each operator, considered overall. Table 4 gives a list of programme services exempt.

  • 2. 
    Comments on each operator:
  • i) 
    Radiotelevisão Portuguesa – Serviço Público de Televisão SA

Of all the programme services operated by RTP, only RTP África - whose programmes are

intended for audiences in some of the former Portuguese colonies 58 but are also received in

Portugal, by cable and satellite - did not achieve, in 2003, the minimum required for independent productions. The percentages obtained reflect the fact that in the period concerned, as in 2002, the programme service in question focused on programmes produced internally, notably programmes made for the African communities, in line with the principle that programmes should be tailored to the needs of their particular audience.

In any event, the percentages achieved by the public television service operator overall 59 show

that it fully complied with the recommendatory objectives laid down in Articles 4 and 5 of the Directive, as in previous years.

56 Cf. Letter DGEAC of 16 December 2004, ref. EAC C1 EK/lr D(2004) 29033, and related

correspondence.

57 Fourth Communication from the Commission to the Council and the European Parliament on the

application of Articles 4 to 5 of Directive 89/552/EEC i “Television without frontiers” for the period 1997 to 1998.

58 Angola, Cabo Verde, Guiné-Bissau, Mozambique and S. Tomé e Príncipe. The programmes are

broadcast by satellite and rebroadcast by terrestrial means in all these countries, except Angola, where they can only be received via satellite.

59 See table 3 attached, which sets out the annual weighted averages for the performance of each operator in

2003-2004.

It should be noted that RTP started operating two new programme services in 2004: RTP N 60

and RTP Memória. However, with regard to the latter, the Portuguese authorities believe 61

that its regular programmes should have to comply with the percentages given in Article 4 only, and not those in Article 5.

  • ii) 
    SIC – Sociedade Independente de Comunicação SA
  • 1. 
    Regarding European works, in 2003 and 2004 the following programme services did not meet the objectives laid down in Article 4: SIC, SIC Gold, SIC Radical and SIC Mulher (the latter only in 2004).

However, SIC's percentages were higher than in 2001- 2002 and the figures for 2003-2004

(43.8 and 46.3%) are already close to the minimum laid down in Article 4. SIC Gold: despite

good results in 2001-2002, the figures dropped significantly in 2003, 62 due to the fact that this

"archive channel" rebroadcasts programmes already shown by the main SIC programme service, which has a relatively small stock of programmes. This, together with low audience levels, was one of the main reasons SIC Gold stopped broadcasting in October 2004. SIC Radical: although its percentage of European programmes is lower than that required by Article 4 of the Directive, and despite the fact that it is relatively new, the figures have been improving since 2002. The opposite is true of SIC Mulher, which had 55.7% in 2003 and only 45% in 2004, although this is still quite close to the majority percentage required for European works. The performance of SIC Comédia should be relativised, as this thematic programme service (mostly humour and comedy) only started broadcasting in mid-October 2004.

Regarding works referred to in Article 5 of the Directive, the following should be mentioned: SIC Gold - with negative performance until it finally stopped broadcasting -, SIC Radical - which, after low figures in 2003 (5.3%), improved significantly in 2004 (14.5%) - and SIC Mulher - which had 0% in 2003 because the sampling period considered was atypical, owing to the random way in which the it was selected.

  • 2. 
    The overall broadcasting percentages for SIC – Sociedade Independente de

Comunicação SA for European works in 2003 and 2004 are, respectively, 49.2% and 53.1%, 63

i.e. figures we regard as acceptable given the objectives laid down. For independent works and recent works, the percentages for 2003 and 2004 were significantly higher than those required by Article 5 of the Directive.

  • iii) 
    TVI – Televisão Independente SA

For several years TVI's figures for European works have been gradually increasing - as recommended in Article 4(1) of the Directive - and their results for 2003-2004 were clearly positive.

For independent productions and recent works, TVI's percentages for 2003-2004 were substantially higher than those required by Article 5 (as they were in 2001-2002).

60 This is a new programme service where information - intended for all Portuguese territory - is

predominant and regional news services play an important role, with programmes tailored to each region.

61 See explanation in point (vi). 62 Stabilised, however, the following explanation in point (vi). 62 Stabilised, however, the following year.

EN EN

  • iv) 
    Lisboa TV – Informação e Multimédia SA

The SIC Notícias news service is relatively new (it began in 2001). This and, above all, the specific nature of its programmes (a priori expressly exempted from Community broadcasting percentages) prevented its other programmes which could be included in the percentages for independent productions from meeting the requirements of the Directive in 2003. The figure was largely exceeded the following year (21.2%).

  • v) 
    Porto TV – Informação e Multimédia SA

Although it has the same characteristics and problems as SIC Notícias, in 2003 the NTV programme service fully complied with the percentages laid down for European works, independent productions and recent works. Figures for 2004 are not available for this channel, which stopped broadcasting on 31 May this year after a short existence which began in October 2001.

  • vi) 
    Operators/programme services exempt

Under Article 4(3) of the Directive the requirement that Member States provide the Commission every two years with a report is, in principle, applicable to "each of the television programmes falling within the jurisdiction of the Member State concerned". In order to clarify certain concepts in the Directive and thereby avoid any differences in interpretation and application, the Commission has already specified, in apparently categorical terms, the

exemptions from this requirement. 64 However, in practice the Community also tends towards flexibility and reasonableness. 65 Consequently - and bearing in mind that the central objective

of the provisions of chapter III of the Directive is to ensure the development and exploitation of creative European works - the Portuguese authorities believe that, in addition to the exemptions specified by the Commission, other exemptions from the rules laid down in Articles 4 and 5 of the Directive should clearly be granted – inter alia for certain television programme services under Portuguese jurisdiction, because of their specific nature, as described below. This does not include Canal Programação TV Cabo, TV Medicina/TV Saúde, TVI Eventos and

Canal Parlamento, already mentioned by the Portuguese authorities in the previous exercise, 66

whose situation remains unchanged.

Lusomundo Premium, Lusomundo Gallery, Lusomundo Action, Lusomundo Happy

This is a group of thematic programme services with national coverage and conditioned access, broadcast by cable and satellite, which TV Cabo Audiovisuais SA, and PT Conteúdos – Actividade de Televisão e de Produção de Conteúdos SA, part of the same business venture, started operating between 2003 and 2005. They both broadcast films, mainly American ones. L. Premium focuses on recent works, while L. Gallery broadcasts films which are on average over five years old; L. Action shows action and adventure films while L. Happy shows comedy, animation and entertainment. The productions are mainly American but in the

64 Cf. Note 7 in document COM (2004) 524 i of 28.7.2004 and note 5 in the letter from DG Information

Society and Media, ref: INFSO A1/KE/pp D(2005)616549.

65 For example, in COM (98) 199 final i of 03.04.1998, the Commission stresses that broadcasters' particular

circumstances, such as whether it is feasible for a particular type of channel to meet the quota, are a factor in the assessment of the specific situation of each broadcaster, in order to decide whether or not

infringement proceedings should be brought against them.

66 See SEC (2004) 1016 of 28.07.2004 (attached to the Sixth Communication from the Commission on the

application of Articles 4 and 5 of Directive 89/552/EEC i “Television without frontiers”, as amended by Directive 97/36/EC i, for 2001-2002), operators/channels excluded from the exercise, pp. 96-97.

assessment leading to authorisation of these channels, the AACS [Alta Autoridade para a Comunicação Social] considered their commitment to include European works in their programming, and the requirement to broadcast independent productions. However, since the latter still constitute a marginal proportion of the programmes, given the vocation and nature of the services in question, it is not reasonable or feasible to require that they observe the transmission percentages laid down in Articles 4 and 5 of the Directive.

SMS TV

This is a television channel operated by TV Cabo Audiovisuais SA since November 2003, which, as stated in the explanatory note presented to the AACS, the national entity responsible for approving it, is a new television programme service that combines media and telecommunications, with programming based on communication from and between viewers about entertainment, films and discussion, using the Short Message Service (SMS). As the promotion of telecommunication products like SMS is predominant on this channel, the AACS authorised it on condition that it be converted into a teleshopping thematic channel, without including any elements of conventional television programming and, consequently, expressly exempt from the provisions of Articles 4 and 5 of the Directive.

Sport TV

The Portuguese authorities included Sport TV in previous exercises because, although it mainly shows sporting events which are a priori expressly excluded from the broadcasting percentages, it also broadcasts other programmes. Therefore, in line with the principles of the Directive in this area, the Portuguese authorities have been considering whether to include the other programmes in the broadcasting percentages fixed at Community level, and presenting the results accordingly.

However, we believe this approach leads to meaningless results, given that the remaining programmes considered for the purposes of the Directive are so very few in number [almost none]. We therefore think it is legitimate to maintain that the particular nature of the Sport TV's programming exempts it from the quantitative objectives laid down in Articles 4 and 5 of the Directive.

RTP Memória (partially)

This is a programme service of a general nature operated by the public service operator, transmitted by cable and satellite, which rebroadcasts the best works available in the RTP's huge, unique archive which holds almost five decades of programmes. Therefore, and at least for as long as it does not produce its own programmes, it only makes sense for this programme service to have to comply with the percentages laid down in Article 4, not Article 5.

  • 3. 
    Final observations:

    As shown above, during the period concerned failure to meet the recommendatory objectives laid down in Articles 4 and 5 of the TWF Directive was limited, for television operators under Portuguese jurisdiction - considered overall, in accordance with Community rules - to Lisboa Tv - Informação e Multimédia SA, for independent productions (8.8%, recorded in 2003) and SIC – Sociedade Independente de Comunicação SA, for European works (49.2%, also checked in 2003), although some channels held and operated by SIC did not achieve, in certain cases, for the reasons given above, the percentages laid down in Articles 4 and 5. The same applies, mutatis mutandis, to the particular case of RTP-África (regarding independent productions in 2003), operated by the public service operator, which, however, as already emphasised, also achieved percentages well beyond those required in all cases.

    Overall, the Portuguese authorities believe the results are positive. Of particular note is the performance of TVI, whose percentages reverse, for the first time, the negative trend consistently apparent in previous reports, with respect to application of Articles 4 and 5.

    Regarding the occasional deviations recorded - and although the situation will continue to be closely monitored, as part of the ongoing dialogue with all television operators -, the Portuguese authorities would again repeat that they prefer not to apply penalties, as they are aware that such measures may have adverse effects on the operators and may possibly run counter to the strictly recommendatory objectives of the Directive.

    • 4. 
      Annexes:

    4.1. Lists of operators/television programme services considered

    Radiotelevisão Portuguesa – Serviço Público de Televisão, SA

    1 RTP1 Gen, Ncond, Nac, Hrtz+Cb+Sat

    2 2: Gen, Ncond, Nac, Hrtz+Cb+Sat

    3 RTP Internacional Gen, Ncond, Int, Sat

    4 RTP África Gen, Ncond, Int, Cb+Sat

    5 RTP N Gen, Ncond, Nac, Cb+Sat

    6 RTP Memória Gen, Ncond, Nac, Cb+Sat

    SIC – Sociedade Independente de Comunicação, SA

    7 SIC Gen, Ncond, Nac, Hrtz+Cb+Sat

    8 SIC Internacional Gen, Cond, Int, Sat

    9 SIC Gold Gen, Ncond, Nac, Cb+Sat

    10 SIC Radical Gen, Ncond, Nac, Cb+Sat

    11 SIC Mulher Tem, Ncond, Nac, Cb+Sat

    12 SIC Comédia Tem, Ncond, Nac, Cb+Sat

    TVI – Televisão Independente, SA

    13 TVI Gen, Ncond, Nac, Hrtz+Cb+Sat

    Lisboa – TV – Informação e Multimédia, SA

EN EN

Porto – TV – Informação e Multimédia, SA

15 NTV Tem, Ncond, Nac, Cb+Sat

4.2. List of exempted television programme services:

TVI Eventos Gen, Ncond, Nac, Hrtz+Cb+Sat

Canal Programação TV Cabo Tem, Ncond, Nac, Cb+Sat

TV Medicina / Saúde Tem, Cond (*), Nac, Cb+Sat

Canal Parlamento n.a.

Lusomundo Premium Tem, Cond, Nac, Cb+Sat

Lusomundo Gallery Tem, Cond, Nac, Cb+Sat

Lusomundo Action Tem, Cond, Nac, Cb+Sat

SMS Tv Tem, Ncond, Nac, Cb+Sat

Lusomundo Happy Tem, Cond, Nac, Cb+Sat

Sport TV Tem, Cond, Nac, Cb+Sat

RTP Memória (partially) Gen, Ncond, Nac, Cb+Sat

(*) for part of the programme

Key:

Tem Thematic Int International coverage

Gen General Cb Cable

Cond Conditional access Sat Satellite

Ncond Unconditional access Hrtz Hertzian

Nac National coverage

4.3. Tables relating to Articles 4 and 5 of the TWF Directive

Table 1: Percentages of European works, independent productions and recent works broadcast by the public service operator RTP

BROADCASTING CHANNEL EUROPEAN INDEPENDENT RECENT

ORGANISATION WORKS PRODUCTIONS WORKS

2003 2004 2003 2004 2003 2004

RTP SA RTP1 72.3 62.5 20.5 17.3 72.5 54.9

RTP2 (a 2 :) 53.1 61.1 30.8 26.2 53.1 71.0 RTP Internacional 99.9 96.0 46.1 28.0 100.0 94.0

RTP África 73.3 64.1 8.5 21.8 100.0 82.7

RTP N (1) ----100.0 ----39.5 ----86.6

RTP Memória ----67.0 (a) (a) (a) (a) (2)(a)

(1) Began broadcasting on 31 May 2004

(2) Began broadcasting on 4 October 2004

(a) Exempt for works referred to in Article 5 of the TWF Directive (see Table 4)

Table 2: Percentages of European works, independent productions and recent works broadcast by private operators

BROADCASTING CHANNEL EUROPEAN INDEPENDENT RECENT

ORGANISATION WORKS WORKS

PRODUCTIONS 2003 2004 2003 2004

2003 2004

SIC SA SIC 43.8 46.3 17.1 16.3 92.0 79.0

SIC Internacional 90.5 97.7 76.9 71.0 91.5 93.6

SIC Gold (1) 27.7 45.5 4.7 6.8 100.0 0.0

SIC Radical 28.5 30.9 5.3 14.5 84.6 91.1

SIC Mulher (2) 55.7 45.0 0.0 7.1 0.0 56.1

SIC Comédia (3) ----23.6 ----15.8 ----51.7

TVI SA TVI 60.7 56.7 50.9 46.9 98.4 95.0

LISBOA – TV – SIC Notícias 69.2 76.1 8.8 21.2 100.0 100.0

INFORMAÇÃO E

MULTIMÉDIA SA

PORTO – TV – NTV (4) 100.0---- 62.3---- 100.0----

INFORMAÇÃO E

MULTIMÉDIA SA

(1) Stopped broadcasting in October 2004

(2) Began broadcasting in March 2003

(3) Began broadcasting on 18 October 2004

(4) Stopped broadcasting on 31 May 2004

Table 3: Weighted averages for the broadcasting of European works, independent productions and recent works per operator

BROADCASTING EUROPEAN INDEPENDENT RECENT

ORGANISATION WORKS PRODUCTIONS WORKS

2003 2004 2003 2004 2003 2004

RTP SA (1) 76.7 75.1 26.5 26.1 81.4 77.8

SIC SA (2) 49.2 53.1 20.8 23.1 73.6 64.0

TVI SA 60.7 56.7 50.9 46.9 98.4 95.0

Lisboa – TV – Informação e 69.2 76.1 8.8 21.2 100.0 100.0

Multimédia SA

Porto - TV – Informação e Multimédia 100.0---- 62.3---- 100.0----

SA(3)

(1) For European works the calculation does not include the RTP Memória programme service; this only started broadcasting on 4 October 2004, so the figures are atypical.

(2) The calculation does not include the SIC Comédia programme service; this only started broadcasting on 18 October 2004, so the figures are atypical.

(2) The NTV programme service stopped broadcasting in May 2004, so NO calculation has been made for that year.

Table 4: Programme services exempt

BROADCASTING CHANNEL EUROPEAN INDEPENDENT RECENT

ORGANISATION WORKS PRODUCTIONS WORKS

2003 2004 2003 2004 2003 2004

RTP SA RTP Memória (a) ----67.0 Exempt Exempt

TVI SA TVI Eventos Exempt Exempt Exempt

SPORT TV Sport TV Exempt Exempt Exempt

PORTUGAL SA

LISBOA – TV – Canal Exempt Exempt Exempt

INFORMAÇÃO E Programação TV

MULTIMÉDIA SA Cabo

TV MEDICINA SA TV Medicina / Exempt Exempt Exempt

Saúde

TV CABO Lusomundo Exempt Exempt Exempt

AUDIOVISUAIS SA Prmium

Lusomundo Exempt Exempt Exempt Gallery

Lusomundo Action Exempt Exempt Exempt

BROADCASTING CHANNEL EUROPEAN INDEPENDENT RECENT ORGANISATION WORKS PRODUCTIONS WORKS

2003 2004 2003 2004 2003 2004

SMS Tv Exempt Exempt Exempt

PT CONTEÚDOS – Lusomundo Happy Exempt Exempt Exempt

ACTIVIDADE DE TV

E PRODUÇÃO DE

CONTEÚDOS SA

(a) Only for works referred to in Article 5 of the TWF Directive.

SWEDEN

Total number of reported channels Reference period Monitoring method

23 2003 / 2004 Broadcasters own reporting

SE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Sveriges Television SVT 1

AB 83 82 17 22 51 62

Sveriges Television SVT 2

AB 87 86 14 18 76 76

Sveriges Television Kunskapskanalen

AB NO 98 NO 17 NO 14

Sveriges UR

Utbildningsradio

AB 99 98 16 19 100 100

TV4 AB TV4 53 58 76 80 NC 94

TV4 AB TV4 Film NO 33 NO 33 NO 8

TV4 AB TV4 Plus 58 51 100 51 NC 93

TV1000 AB TV 1000 20 14 100 100 100 100

TV1000 AB Cinema 21 12 21 100 100 100

TV 6 Sverige AB 6

65 NO 0 NO 0 NO

TV 6 Sverige AB Viasat Nature

NO 65 NO 0 No 0

TV 6 Sverige AB Viasat Action

NO 65 NO 0 No 0

NonStop E!

Television AB EXC NO EXC NO EXC NO

NonStop Star!

Television AB NO EXC NO EXC NO EXC

NonStop Showtime

Television AB NO EXC NO EXC NO EXC

SE ←MS EW (% of TQT) IP (%TQT) RW (%IP)

C More Canal+

Entertainment AB 36 36 NC NC NC NC

C More Canal+ Film

Entertainment AB 32 39 NC NC NC NC

C More Canal+ Film

Entertainment AB 34 34 NC NC NC NC

C More C More Film

Entertainment AB NO 39 NO NC NO NC

DTU Television DTU 7

AB EXC EXC EXC EXC EXC EXC

Länkomedia AB NollEttan Television EXC EXC EXC EXC EXC EXC

Babylon Media Suroyo TV Föreningen

NO 100 NO 0 NO 0

Skånekanalen AB Skånekanalen EXC NO EXC NO EXC NO

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Film channels with works reflecting commercial supply but where three have reported measures that will increase their numbers: TV4 Film has signed agreement with Nordic film distributor which reportedly will increase European production rate, TV1000 & Cinema – owner committed to developing a Scandinavian Film Channel with higher proportion European productions.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

Small niche channels with very low AS.

  • B) 
    Measures taken or envisaged by the Member State

No oberservations.

  • C) 
    Further comments

Channels for which NO AS are given are channels where NO statistics are available. Supposedly these channels, which are all small niche channels, do not have an audience share big enough to be reported.

The channels that have been exceptionally excempted (EXC) are 1. Three small niche channels solely focused on US entertainment industry. (NonStop Television AB) and Three regional channels (DTU Television AB, Länkomedia AB and Skånekanalen AB)

Film-channels have been classified as niche-channels.

SLOVENIA

Total number of reported Reference period Monitoring method channels

52 01.05.2004 – 31.12.2004 Annual report by broadcasters

SL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Kanal A d.o.o. Kanal A 54,7 55,8 2,9 8,2 17,8 69,8

XTENSION d.o.o. NET TV 27,46 28,06 16,98 16,98 100 100

POP TV d.o.o. POP TV 78,2 73,1 4 6,4 72,3 84,1

Tele 59 d.o.o. RTS EXC EXC EXC EXC EXC EXC

RTV RTV Slovenija Slovenija 80,2 54,9 10 12,5 61,3 67,3

TV Krpan Vigred d.o.o. Laško EXC EXC EXC EXC EXC EXC

Telefilm, Silvo

Lešnik s.p. Televal EXC EXC EXC EXC EXC EXC

ORON Zavod za obveščanje, raziskovanje, Televizijski organiziranje in kanal Loška načrtovanje dolina EXC EXC EXC EXC EXC EXC

TV IDEA Kanal 10 d.o.o. KANAL 10 EXC EXC EXC EXC EXC EXC

Televizija TV Celje d.o.o. Celje EXC EXC EXC EXC EXC EXC

M3 plus d.o.o. METKA EXC EXC EXC EXC EXC EXC

TV Lep Naklo d.o.o. Logatec EXC EXC EXC EXC EXC EXC

VASCOM Zavod za izobraževanje in VASCOM videoprodukcijo Pivka EXC EXC EXC EXC EXC EXC SL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

STUDIO FORMA Savinjska Samo Sadnik s.p. televizija EXC EXC EXC EXC EXC EXC

Pinterič & Co d.n.o. ROPOT TV EXC EXC EXC EXC EXC EXC

Video Audio Film d.o.o. TV Primorka EXC EXC EXC EXC EXC EXC

Kabelska Kabelska televizija televizija Ormož Ormož EXC EXC EXC EXC EXC EXC

Kulturno društvo Izzivi TV Galeja EXC EXC EXC EXC EXC EXC

Video studio 90- kanal 3 Kanal 3 EXC EXC EXC EXC EXC EXC

Euro 3TV d.o.o. EPTV 71,4 66,9 14,6 15,1 3 16,8

Televizija Novo mesto d.o.o. Vaš kanal 7,2 EXC 4,5 EXC 100 EXC

J&V d.o.o. TV Ljubljana EXC EXC EXC EXC EXC EXC

Zavod Kabelska televizija Medvode TV Medvode EXC EXC EXC EXC EXC EXC

Vi-tel d.o.o. Vitel EXC EXC EXC EXC EXC EXC

Zavod za KTV in informiranje Studio Slovenska Bistrica Bistrica EXC EXC EXC EXC EXC EXC

EVJ Elektroprom d.o.o ETV EXC EXC EXC EXC EXC EXC

Kabelska produkcija d.o.o. I-TV NO NO NO NO NO NO

Poseidon d.o.o. Čarli TV NO 40,9 NO 44,1 NO 100

Televizijski KTV Dravograd kanal Loška d.o.o. dolina EXC EXC EXC EXC EXC EXC

EN 141 EN

SL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Ajkom d.o.o TV PLUS EXC EXC EXC EXC EXC EXC

JTV d.o.o. TV Šiška EXC EXC EXC EXC EXC EXC

Zavod Neviodunum TV Krško EXC EXC EXC EXC EXC EXC

HI-FI videostudio d.o.o. TV AS EXC EXC EXC EXC EXC EXC

Deželna TV Loka TV d.o.o. Loka EXC EXC EXC EXC EXC EXC

Avdio video signal

Miran Zorc s.p. TV Grosuplje EXC EXC EXC EXC EXC EXC

Skyline d.o.o. Studio signal EXC EXC EXC EXC EXC EXC

AB videoprodukcija Lokalna TV

Berakovič Anton s.p. Trbovlje EXC EXC EXC EXC EXC EXC

TV 3 d.o.o. Prva 8,26 NR 0 NR 0 NR

vTv Vaša VTV Studio d.o.o. televizija 20 EXC 2 EXC 100 EXC

Mini GO d.o.o. Mestni studio NO NO NO NO NO NO

Videoprodukcija Televizija

Martin Ivanuša s.p. Ptuj NO EXC NO EXC NO EXC

ATV Babnik & Co ATV Signal d.n.o. Litija EXC EXC EXC EXC EXC EXC

Domates d.o.o. Sponka TV EXC EXC EXC EXC EXC EXC

Video strani KTRC

KTRC Radeče Radeče EXC EXC EXC EXC EXC EXC SL ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Media team Timotej Pečoler s.p. TV Prometej EXC EXC EXC EXC EXC EXC

Moj TV d.o.o. Moj TV EXC EXC EXC EXC EXC EXC

Občina Miklavž na Dravskem polju TVM Miklavž EXC EXC EXC EXC EXC EXC

Privat d.o.o. TV Paprika EXC EXC EXC EXC EXC EXC

Gorenjska televizija

TELE TV d.o.o. GTV EXC EXC EXC EXC EXC EXC

TV Studio TV Studio Radgona Radgona

Jože Čosič s.p. Kanal 11 EXC EXC EXC EXC EXC EXC

Televideo d.o.o. TV Pika 99,19 26,19 99,13 16,66 99,13 16,66

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

The provision of the Mass Media Law which implements the Directive TVSF programme quotas system defines that the broadcasters which fails to reach the proportion of European audio-visual works should increase the proportion of these works each year in comparison with the proportion of annual transmission time in the previous year, whereby the minimum initial proportion shall be twenty per cent of the annual transmission time. The Mass Media Law entered into force in 2001, the transitional period for the quota system expired with the end of 2002. So we do expect that in short period of time all the broadcasters would be able to fulfil the programme quotas. There are two encouragement mechanisms – public tenders – which are aimed to help the broadcasters to reach this programme quota.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)

See the answer above.

Additional reason could be that the small production capacity of the audiovisual sector, the programmes of independent producers for the broadcasters still represents higher cost than other programmes. Slovenia only in March 2003 entered in community programme Media Plus. We do believe that the results of the objective of this programme – TV broadcasting – could be seen very soon in the TV programmes.

  • B) 
    Measures taken or envisaged by the Member State

There are two public tenders within the Ministry which are aimed for the broadcasters to fulfil the programme quotas. The widest one is a public tender for media content and technical infrastructure. The second public tender, who is also prepared annually from 2002, is the public tender for European audiovisual works with the artistic value. The applicants at this tender are independent producers and television broadcasters. The eligible programmes are TV drama, drama series, documentaries etc.

  • C) 
    Further comments

Despite a fact that there are 52 broadcasters registered (mass media register) in Slovenia only 11 out of this play an important role on the media field. These channels reach 82,6 % of audience share. The rest of the broadcasters target local audience and all together reach 12, 9 %. 4, 5 % goes to Croatian TV stations. So as the report shows only two of the important broadcasters failed to fulfil the programme quotas as defined in Articles 4 and 5 of TWF Directive.

SLOVAKIA

Total number of reported channels Reference period Monitoring method

4 in 2004 01.05.2004 – collection of data from 31.12. 2004 broadcasters

SK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Markiza s.r.o. TV Markíza 58% 34% 100%

Slovak Television STV 71% 23% 100%

MAC-TV s.r.o. TV JOJ 61% 22% 100%

Mestká COM-MÉDIA televízia

s.r.o. Komárno 67 67% 24% 100%

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    European works

In the reference period 01/05/2004 until 31/12/2004 all broadcasters concerned exceeded the majority proportion of transmission time laid down in Article 4 of the Directive.

  • 2. 
    Independent productions

The broadcasters signalised difficulties with investigation which programmes were created by independent european producers.

In the period 01/05/2004 to 31/12/2004 all private broadcasters managed to stable the proportion of works created by independent producers above 10% requested by law.

In the same period the public broadcaster STV managed to stable the proportion of independent works above 20 % requested for publish channels.

  • B) 
    Measures taken or envisaged by the Member State
  • C) 
    Further comments

The act Nr. 308/2000 of Coll. orders to all broadcasters, exept of local ones not broadcasting in the net, duty to reserve in their broadcasting major share to European works. Every broadcaster is obbligated to keep statistics on the broadcast programme of a television

EN 145 EN

programme service. The statistics contains an analysis of the share of the programme types, the share of European productions and the share of the European independent production programmes. The statistics on the programme service for a calendar month are to be delivered by the broadcaster to the Council within 15 days of the end of the appropriate month. A broadcaster with a licence for broadcast operating through satellites, cable networks, a broadcaster of coded and digital broadcasting shall deliver the statistics within 15 days of delivery of the Council's request for this statistics. One of the competences of Council is elaborating statistics on broadcasting programmes with emphasis on the statistic of broadcasting of European works and independent productions on the basis of broadcasters’ documentation. The Office evaluates the data quarterly.

FINLAND

Total number of reported channels Reference period Monitoring method

9 2003 / 2004 Questionnaire

FI MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

Yleisradio TV1 89% 88% 25% 24% 50% 50%

TV2 83% 80% 30% 31% 50% 50%

TV1+TV2 87% 85% 27% 27% 50% 50%

Teema 87% 88% 43% 47% 50% 50%

FST-D 90% 91% 25% 27% 50% 50%

MTV MTV3 51% 49% 29% 28% 99% 98%

Ruutunelonen Nelonen 56% 51% 35% 35% 100% 100%

Subtv Subtv EXC 32% EXC 21% EXC 85%

Yleisradio YLE24 EXC EXC EXC EXC EXC EXC

SportUp Finland Urheilukanava EXC EXC EXC EXC EXC EXC

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)

Finland has not failed to reach this target. Only one of the channels, Subtv, has a proportion lower than what is stated in the directive.

Subtv gives the following reasons for its lower proportion of European works:

“One of the reasons for the low proportion of European works on Subtv, is the remote supply of European works on the market for Subtv’s core target group. Nonetheless, Subtv has succesfully launched a so called British Friday (1,5hs of British programmes). Also the Swedish reality show “The farmers” was broadcasted every single workday during autumn 2004.

A second important reason is that almost all reality-tv series are “competitive entertainment programmes”, and if these were to be included in the European works categorie, then these would make up the largest proportion of broadcasting time also on Subtv.”

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)
  • B) 
    Measures taken or envisaged by the Member State

Relating to answer A1, Subtv has given the following statement on its behalf:

“The proportion of domestic TV programmes will rise in the following years, as the programme budget increases. In the purchasing of foreign programmes, more attention will be given to buying European programmes. More European programmes will be bought, for example, for the Love & Anarchy film series.”

  • C) 
    Further comments

Channels that have been exceptionally exempted are 1) the sports channel “Urheilukanava” and 2) the news channel “Yle24”. In 2003 also Subtv has been exempted due to its locality at that time (art. 9 of the directive).

UNITED KINGDOM

Number of channels Reference period Method(s) of monitoring

233 2003 / 2004 Survey

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster Channel 2003 2004 2003 2004 2003 2004

African Caribbean ACTV 90 90 90 90 100 100 TV

All And All Toniq NC NC NC NC NC NC Entertainment Ltd

Amore TV Ltd The Horror Channel NO 28 NO 0 NO 0

Amplefuture Ltd Soundtrack Channel NO 15 NO 15 NO 100

Amplefuture Ltd Txtme TV 100 100 100 100 100 100

AXN Europe Ltd AXN Germany NO 0 NO 0 NO 0

BBC BBC 1 74 75 21 22 99 99

BBC BBC 2 80 82 16 21 91 88

BBC BBC 3 92 92 31 34 100 99

BBC BBC 4 94 94 22 27 99 98

BBC BBC Food 91 75 69 4 52 82

BBC BBC News 24 100 100 37 26 100 100

BBC BBC Prime 100 100 28 6 46 73

BBC BBC World 95 100 11 19 100 99

BBC CBBC 82 84 13 15 96 97

BBC Cbeebies 95 98 46 50 73 88

BSkyB 18 Plus Movies 6 11 6 11 27 29

BSkyB Artsworld 77 94 63 45 48 43

EN 149 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

BSkyB Flaunt 95 100 3 3 100 100

BSkyB Scuzz 95 100 3 3 100 100

BSkyB Sky Box Office 15 9 7 9 100 99

BSkyB Sky Cinema 1 & 2 12 22 10 13 3 12

BSkyB Sky Mix 37 39 18 22 100 96

BSkyB Sky Movies 11 12 10 6 76 61 1,3,5,7,9

BSkyB Sky Movies 2,4,6,8 4 4 3 2 82 48

BSkyB Sky One 27 27 14 19 94 98

BSkyB Sky Sports 1 85 90 22 23 100 100

BSkyB Sky Sports 2 80 84 64 69 100 100

BSkyB Sky Sports 3 88 88 75 77 100 100

BSkyB Sky Sports Xtra 82 86 78 83 100 100

BSkyB Sky Venue 100 100 0 0 0 0

BSkyB Sky Travel 67 72 5 37 100 72

BSkyB The Amp 95 100 3 3 100 100

BSkyB History Channel 36 31 19 11 95 50

Celestial TV Celestial Action NC NC NC NC NC NC Network Ltd Movies

Cellcast TV Live XXX TV NO 100 NO 100 NO 100

Channel 4 Channel 4 77 71 50 65 83 86 Television Corporation

Channel 4 E4 75 65 19 59 100 99 Television Corporation

Channel 4 FilmFour 31 39 9 10 42 30 Television Corporation

Television

EN 150 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Corporation

Channel 4 FilmFour Weekly 42 31 22 15 60 53 Television Corporation

Channel 4 FilmFour World 62 NO 9 NO 35 NO Television Corporation

Channel 5 Five 51 54 90 92 72 72 Broadcasting

Chart Show B4 NO 88 NO 12 NO 0 Channels Ltd

CCN Europe Ltd Christian NO 31 NO 25 NO 100 Communications

Network

Chart Show The Vault 87 87 13 13 0 0 Channels Ltd

Chartshow Chartshow TV 87 87 14 13 0 0 Channels Ltd

Chartshow TV POP 89 89 11 11 0 0

Chartshow TV Tiny POP 89 89 11 11 0 0

CNI UK Ltd Reality TV 28 25 0 25 0 0

CNBC Europe Ltd CNBC Europe 44 72 44 29 100 100

Discovery Animal Planet 58 52 53 17 67 59 Networks Europe

Discovery Discovery Channel 56 60 46 22 78 92 Networks Europe Europe

Discovery Discovery Channel NO 49 NO 4 NO 83 Networks Europe France

Discovery Discovery 64 50 59 26 48 61 Networks Europe Civilisation

Discovery Discovery NO 43 NO 18 NO 58 Networks Europe Civilisation (Italy)

Discovery Discovery Health 42 53 34 22 94 99 Networks Europe

Networks Europe Leisure

EN 151 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Discovery Discovery Kids 48 49 45 29 69 89 Networks Europe

Discovery Discovery Science NO 65 NO 35 NO 72 Networks Europe Channel (Italy)

Discovery Discovery Sci-Trek 66 52 59 26 48 59 Networks Europe

Discovery Discovery Travel & 71 66 66 38 81 94 Networks Europe Living

Discovery Discovery Travel & NO 64 NO 32 NO 46 Networks Europe Living (Italy)

Discovery Discovery Wings 46 51 40 20 66 84 Networks Europe

Disney abc1 NO 14 NO 0 NO 0

Disney Channel UK Disney Channel 37 37 4 2 94 97

Disney Channel UK Disney Channel 13 90 0 1 0 11 Scandinavia

Disney Channel UK Playhouse Disney 56 47 8 8 91 94

Disney Channel UK Toon Disney 9 9 1 1 100 100

Dovewell KT TV NC NC NC NC NC NC Communications Ltd

Eckoh Technologies L!VE TV 0 0 0 0 0 0 (UK) Ltd

Emap Performance Smash Hits 70 47 57 42 98 100 Ltd

Emap TV The Box 65 60 52 45 99 100

Emap TV Kerrang 36 44 20 36 79 92

Emap TV Kiss 46 47 33 37 89 95

Emap TV Magic 78 65 66 55 62 35

Emap TV Q 47 54 33 50 94 73

Emap TV The Hits 68 47 55 41 99 80

E Entertainment E! 3 13 3 13 92 53

EN 152 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Television Network Inc.

Euro Digital TX1 100 NO 0 NO 0 NO Corporation Ltd

Europe Movieco CineNova 13 9 8 6 84 73 Partners Ltd

Europe Movieco CineNova 2 14 9 10 6 77 74 Partners Ltd

Flextech Television Bravo 46 57 38 49 51 54

Flextech Television Ftn 67 50 56 29 44 99

Fox International f/x Channel NO 10 NO 10 NO 0 Channel (UK) Ltd

Friendly TV Ltd FriendlyTV NO 88 NO 24 NO 100

GMTV GMTV 80 76 35 36 100 100

Granada Sky Granada Plus 58 NO 12 NO 4 NO Broadcasting

Granada Sky Men & 69 NC 45 NC 99 NC Broadcasting Motors/Breeze

Hallmark Channel Hallmark Channel 10 6 0 0 0 0 Ltd (Spain)

Hallmark Channel Hallmark Channel 8 11 1 2 0 0 Ltd (Scandi)

Hallmark Channel Hallmark Channel 7 5 2 2 0 0 Ltd (UK)

Hallmark Channel Hallmark Channel 0 4 0 2 0 0 Ltd (Russia)

Hallmark Channel Hallmark Channel 0 6 0 0 0 0 Ltd (Italy)

Hallmark Channel Hallmark Channel 0 14 0 4 0 0 Ltd (Eastern Europe)

Hallmark Channel Hallmark Channel 0 12 0 3 0 0 Ltd (Czech)

Hallmark Channel Hallmark Channel 0 14 0 4 0 0 Ltd Central Europe)

Hellenic TV Hellenic Television 100 100 83 83 100 100

EN 153 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Hollywood Classic Classic TV NC NC NC NC NC NC Movies Ltd

Ideal Home Ideal Vitality NO 100 NO 0 NO 0 Channel Ltd (formerly House & Garden TV)

ITV ITV2 65 58 18 16 100 99

ITV ITV3 NO 55 NO 13 NO 89

ITV ITV1 81 85 40 42 50 53

Jetix Europe Ltd Jetix Play 55 65 34 22 0 0

Jetix Europe Ltd Jetix Scandinavia 38 37 31 25 45 31 (formerly Fox Kids

Scandinavia.)

Jetix Europe Ltd Jetix UK (formerly 22 16 13 14 100 57 Fox Kids UK)

Kanal 5 Ltd Kanal 5 20 24 19 24 96 85

Kanal 5 Ltd Kanal 5 Denmark 4 3 4 0 100 0 (formerly TV

Danmark 1)

Kanal 5 Ltd The Voice NO 41 NO 41 NO 100 (Denmark)

Kanal 5 Ltd The Voice NO 40 NO 40 NO 100 (Sweden)

Kanal 5 Ltd The Voice NO 40 NO 40 NO 100 (Norway)

Landscape Studios Landscape Channel 74 NO 74 NO 27 NO

Life TV Media Ltd Life TV 46 48 46 48 50 60

Majestic TV Majestic TV NO 1 NO 0 NO 0

MTV Networks MTV2 64 56 51 48 100 100 Europe

MTV Networks MTV Base 50 39 44 35 100 100 Europe

MTV Networks MTV Dance 87 74 73 70 100 100 Europe

Europe

EN 154 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

MTV Networks MTV Europe 57 50 45 44 100 100 Europe

MTV Networks MTV France 58 49 38 43 100 100 Europe

MTV Networks MTV Hits 71 55 68 51 100 100 Europe

MTV Networks MTV Nordic 64 NO 53 NO 100 NO Europe

MTV Networks MTV Nordic NO 50 NO 45 NO 100 Europe (Finland)

MTV Networks MTV Nordic NO 49 NO 44 NO 100 Europe (Sweden)

MTV Networks MTV Portugal 72 47 69 42 100 100 Europe

MTV Networks MTV UK 83 43 75 21 100 100 Europe

MTV Networks TMF 76 53 74 53 100 100 Europe

MTV Networks VH1 Classic 86 38 86 37 100 100 Europe

MTV Networks VH1 Euro Classic NO 67 NO 67 NO 100 Europe

MTV Networks VH1 European 64 38 63 38 100 100 Europe (formerly VH1 Export)

MTV Networks VH1 UK 83 44 78 11 100 100 Europe

MTV Networks VH2 87 66 87 65 100 100 Europe

Music Choice Music Choice 100 100 0 0 0 0 Europe Plc

Geographic Geographic – Benelux

EN 155 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

National National 34 36 26 27 80 83 Geographic Geographic -UK and Ireland

NCG-UK Adventure One 26 27 17 20 82 72 Partnership

Nickelodeon UK Nick Junior 53 48 33 29 81 58

Nickelodeon UK Nick Toons 16 15 13 15 27 59

Nickelodeon UK Nickelodeon 22 17 17 14 97 84

Nickelodeon UK Nickelodeon NO 6 NO 6 NO 67 Europe

OBE TV OBE TV LTD 55 55 48 48 25 25

Open Access Group Classic FM TV 100 100 89 89 100 100 Ltd

Open Access Group Open Access 2 88 75 13 7 100 100 Ltd

Open Access Group Unlimited TV NO 92 NO 92 NO 100 Ltd

Paramount Comedy Paramount Comedy 10 15 8 10 36 28 Channel

Paramount Comedy Paramount Comedy 11 41 5 36 50 30 2

Performance TV Performance-The 84 na 41 na 95 na Arts Channel

Playboy TV The Adult Channel 58 56 54 44 100 100

Playboy TV Spice Extreme 22 49 22 49 100 88

Playboy TV Playboy D NO 8 NO 8 NO 0

Playboy TV Playboy TV 32 40 24 36 100 100

Playboy TV Climax 1 NO 98 NO 77 NO 100

Playboy TV Climax 2 NO 98 NO 77 NO 100

EN 156 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Portland Enterprises Television X 52 NO 22 NO 90 NO Ltd

Rapture TV Rapture TV 25 26 0 0 0 0

Real Estate TV Ltd Real estate TV NO 50 NO 0 NO 0

RTV Ltd Revelation NC NC NC NC NC NC

RHF Productions Red Hot 41 44 41 44 100 100 Ltd

RHF Productions Gay TV NO 98 NO 98 NO 100 Ltd

RHF Productions Television X 41 44 41 44 100 100 Ltd

R-Music Ltd R-Music NC NC NC NC NC NC

Russian Hour TV Russian Hour NO 50 NO 0 NO 0 Ltd

S4C S4C Analogue 99 97 71 72 97 95

S4C S4C Digital 99 97 87 86 93 87

S4C S4C Digital 99 97 81 80 94 90 including simulcast

Sci_fi Channel Sci Fi Channnel 6 5 2 1 86 74

SET Satellite Sony Entertainment 0 0 0 0 0 0 (Singapore) PTE TV Asia Ltd

Sport XXX 40+ NC NC NC NC NC NC Solarnet Media Ltd Wives

Sport XXX NC NC NC NC NC NC Solarnet Media Ltd Amateur

Solarnet Media Ltd Sport XXX Babes NC NC NC NC NC NC

Solarnet Media Ltd Sport XXX clusive NC NC NC NC NC NC

Starstream Ltd Trouble (formerly 26 24 14 5 63 100 TCC)

Channel

EN 157 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

The TV Group Pout/Explicit 100 100 100 100 100 100

Travel Channel Travel Channel 64 62 64 62 91 87 International Ltd

Travel Channel Travel Channel 2 64 62 64 62 91 87 International Ltd

Turner Cartoon Network 38 34 20 18 100 87 UK

Turner Cartoon Network's 20 26 18 17 21 0 Boomerang UK

Turner Cartoon Network 22 23 19 6 5 0 (EMEA)

Turner Cartoon Network 27 22 12 7 50 0 (French Lang)

Turner Cartoon Network 14 23 13 20 0 0 (Boomerang French

Lang)

Turner Cartoon Network 27 7 19 0 32 0 (Italian Lang)

Turner Cartoon Network 22 21 16 21 100 0 (Spanish Lang)

Turner Cartoon Network 25 18 22 16 15 0 (Nordic)

Turner TCM France 40 38 30 38 0 0 Broadcasting

Turner TCM Spain 40 47 30 47 0 0 Broadcasting

Turner TCM UK 40 38 30 38 0 0 Broadcasting

Turner Toonami UK 7 7 7 7 0 0 Broadcasting

UK Living Ltd Living TV 37 36 6 27 100 18

EN 158 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

UKTV UKTV Bright Ideas 100 99 85 89 98 94

UKTV UKTV NO 97 NO 20 NO 46 Documentary

UKTV UKTV Drama 79 93 13 16 73 86 (formerly UK

Arena)

UKTV UKTV Food 99 97 90 80 85 88

UKTV UKTV G2 NO 100 NO 47 NO 86

UKTV UKTV Gold 66 87 12 19 62 42

UKTV UKTV History 92 93 22 24 61 61

UKTV UKTV Horizons 83 74 22 21 76 84

UKTV UKTV People NO 81 NO 9 NO 76

UKTV UKTV Style 96 98 34 33 87 83

UKTV Play UK (formerly 91 NO 35 NO 89 NO UK Play

United Christian UCBTV NO 27 NO 27 NO 0 Broadcasters Ltd

Viasat Broadcasting TV3 Denmark 18 15 11 8 100 100

Viasat Broadcasting TV3 N/Oprway 14 17 6 9 100 100

Viasat Broadcasting TV3 Sweden 23 70 15 21 100 100

Viasat Broadcasting TV8 NO 19 NO 6 NO 100

Viasat Broadcasting Viasat Sport 1 NO 81 NO 7 NO 0

Viasat Broadcasting Viasat Sport 2 NO 33 NO 4 NO 2

EN 159 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Viasat Broadcasting Viasat Sport 80 84 22 18 5 0 Denmark

Viasat Broadcasting Viasat Explorer NO 53 NO 4 NO 100

Viasat Broadcasting Viasat Explorer NO 62 NO 0 NO 0 (East)

Viasat Broadcasting Viasat History NO 94 NO 0 NO 0

Viasat Broadcasting ZTV Norway 53 48 12 4 100 100

Viasat Broadcasting ZTV Sweden 64 57 17 12 100 100

Viasat Broadcasting 3+ Denmark 14 14 9 9 100 100 UK Ltd

Viasat Broadcasting 3+ Baltics NO 40 NO 0 NO 0 UK Ltd

Video Interactive Channel U 60 64 60 64 100 100 Television Ltd

Visit London Ltd London Television NO 100 NO 100 NO 100

Yoo Media 18 Plus XXX 35 35 27 27 100 100

Yoo Media XXX Housewives 35 35 27 27 100 100

Yoo Media Live XXX TV NO 100 NO 100 NO 100

Zone Broadcasting Europa Europa 100 100 100 100 23 23 (EMC) LTd

Zone Broadcasting Maximum Reality 7 8 7 8 0 0 (EMC) LTd

Zone Broadcasting Private Blue 67 62 25 26 100 100 UK Ltd (formerly Midnight Blue)

EN 160 EN

UK ←MS EW (% of TQT) IP (%TQT) RW (%IP)

UK Ltd

Zone Broadcasting Reality TV USA 0 1 0 1 0 0 UK Ltd

Zone Broadcasting Amateur Babes 100 100 100 100 100 99 UK Ltd

Zone Broadcasting Romantica 0 2 0 1 0 10 UK Ltd

  • A) 
    Reasons given by Member State for failure to reach proportions
  • 1. 
    Majority proportion of European works (Article 4)
  • a) 
    subject matter of the channel:-

Biography Channel, Cinenova, Cinenova 2, Film Four, Front Row, History Channel, Kerrang, Kiss, Paramount Comedy Channel, Smash Hits, The Horror Channel, Maximum Reality, National Geographic, Reality TV USA, Sci Fi Channel, Sky Movies 1 &2, Sky Cinema, Sky Box Office, 18+ Movies, XXX TV.

  • b) 
    when the channel commenced broadcasting :-

abc1, f/x Channel, Toonami, Toon Disney, Sky Mix.

  • d) 
    difficulty in finding European programmes or finding European programmes at competitive prices:-

3+ Denmark, Cartoon Network, Disney Channels, Front Row, Jetix CEE, Kanal 5 Living TV, Paramount Comedy Channel, Sci Fi Channel, History Channel, The Horror Channel, Maximum Reality, National Geographic, Nick Toons, Nickelodeon and Nickelodeon Europe, Playboy TV, Playhouse Disney, Sky One, Sky Mix, The Wrestling Channel, Trouble, TV3 Denmark, TV3 Norway, TV3 Sweden, XXX TV.

  • e) 
    subsidiaries of companies based in non-member countries broadcasting programmes mostly from their own stock:-

abc1, Disney, Toon Disney, History Channel, Jetix, Paramount Comedy Channel, Turner Classic Movies.

  • f) 
    Programmes suitable for a niche channel are not available for licence or are already held by other broadcasters:

Trouble

  • g) 
    Some Individual channels fail to reach proportion but average percentages for the group exceed the minima:-

MTVNE

  • h) 
    Other Reasons:-

Jetix is working closely with a number of major EU animation houses to increase the number of EU-produced episodes airing in prime time by between 150 and 200 per year for the next three to four years. In addition the channel is looking to produce and acquire more EU- produced live action programming for its evening hours. This will ensure that the channel achieves the 50% or more target in the medium rather than the long term.

Sky Cinema has acquired a range of foreign language films for broadcast during a 2 hour midweek prime time slot, dedicated to foreign language films including European films.

abc1 will endeavour to look at ways of increasing both European and Independent programming for the future especially given a possible increase in hours.

History Channel Africa is not receivable within the EU.

  • 2. 
    Minimum proportion of European works by independent producers (Article 5)
  • a) 
    when the channel commenced broadcasting:-

abc1, f/x Channel, Flaunt, Toonami, Toon Disney, Sky Mix, Scuzz, The Amp.

  • b) 
    other reasons:

Disney Channel –the broadcaster is taking steps to increase the proportion of independent productions. For example, in January 2005 it launched its biggest piece of original production, the "Raoul Show." All 14 shows (consisting of a number of links) were written and produced by people originating from the EU who are independent producers. In addition, Disney Channel is planning to launch a new morning block in April 2005. The presentation and promotional material for this new block is currently being produced by an independent European production company. New local productions and new programme formats are also being developed.

Disney Channel Scandinavia - has yet to find a suitable programme format which can successfully translate to four different distinct markets (Sweden, Norway, Denmark and Finland) in four different languages whilst remaining within the budget that has been granted at this stage in the development of Disney Channel Scandinavia. Disney continues to consider independent production wherever possible but often finds that the cost of commissioning a third party to produce a programme in four different languages can be prohibitive given the other programming options available to a multi language channel such as Disney Channel Scandinavia.

F/x Channel – will be co-producing and commissioning product in 2005 for transmission in 2006.

Sky Venue – it is not practicable for at least 10% of time to be European independent programming because it is a special interest channel broadcast only in pubs. Suitable programming is available only at prices that could not be justified by a channel of this nature. The channel commenced broadcasting in 2002 and is therefore within the 5 year transitional period.

Scuzz, Flaunt, The Amp – consist of short music video clips scheduled into branded blocks around types of music. It is impracticable for at least 10% of time to be European independent programming because music clips are not a source of independent production but are produced by bands to promote their music and encourage consumers to purchase products featuring their music. It would be impractical and uneconomic for the programming blocks within which the video clips are featured to be produced independently as Sky already has the relevant resources to produce this programming. These channels began transmissions in April 2003 and are therefore within the 5 year transitional period.

Toon Disney – further series of Toon News and more independent commissions are planned.

  • B) 
    Measures taken or envisaged by the Member State

Ofcom is taking license compliance action against the few channels that have failed to submit a return in respect of 2004; it has NO powers to do so in respect of 2003. It is likely that some of the channels will prove to be non-operational.

  • C) 
    Further comments

Exempt channes = 79

Channels Broadcast in a language other than that of a Member State

Al Mustakillah Television, Asia World TV, Bangla Channel, BEN, ComedyMax, Filipino Channel, Iran TV Network, Iranian Christian Television, Iranian Christian Channel, Islam Channel, Lig TV, MBC, MTA International, Phoenix Chinese News & Entertainment Primemax, Primemax 2, Prime Plus, Rouge TV, SAB TV, Sinematurk, South For You, Star News, Star Plus, Sun TV, TVBS-Europe.

Teleshopping Channels

Authentic TV; Create & Craft with Ideal World, Exchange & Mart TV, Gems.tv, Gems.tv Gold, Home TV, Ideal World Home Shopping, JML Direct, Mobile Crazy, The Move Channel.tv/IDMT/We Deliver TV, Myphone.tv, One TV, QVC, Screenshop, Shop On TV, Sky Travel Shop, TV Warehouse, Totally Cruise.com, Thomson TV, Thomas Cook TV, TV Warehouse Select, Yes 661.

News Channels

BBC Parliament, Bloomberg TV France, Bloomberg TV Germany, Bloomberg TV Italy, Bloomberg TV Spain, Bloomberg TV UK/Pan-Euro English, CCTV-9,ITV News Channel, Sky News, Sky Sports News, S4C2.

Channels consisting entirely of sports events

Boating Channel, Celtic TV, ESPN Classic Sport (France), ESPN Classic Sport (Italy) ESPN Classic Sport Europe, ESPN Classic Sport (UK), Golf Channel, Horse Racing Channel, MUTV, NASN, Racing International, Rangers TV, Setanta Soccer, Setanta Sport Commercial, Setanta Sport, Setanta Sport (NI), Setanta Sport (ROI), Setanta Xtra, Wrestling Channel.

Gaming Channels

Avago, Bid-up TV, Challenge TV, Gamein TV2, Get Lucky TV, Playjam, Poker TV, Pricedrop TV, Quiz TV, Sky Vegas Live, TX1.

BACKGROUND DOCUMENT 5 - Summary of the reports from the Member States of the European Free Trade Association participating in the European Economic Area

Part 1 presents a brief analysis on the application in the Articles 4 and 5 in the Member States of the European Free Trade Association (EFTA) participating in the European Economic Area (EEA) over the reference period (2001-2002). Part 2 includes the reports of Iceland and Norway. Liechtenstein submitted a statement, that no channel under its jurisdiction would be covered by Articles 4 and 5. Annex X of the EEA Agreement regulates the application of the Directive –with some adaptations – to the EFTA Member States participating in the EEA.

  • 1. 
    APPLICATION BY THE MEMBER STATES OF THE EUROPEAN FREE TRADE

    ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA

1.1 Iceland

The channels increased their average proportion in the broadcast of European works from 30.33% in 2001 to 35% in 2002 thus achieving. Though the average proportion rose slightly, it stayed well below the majority proportion and over four years it fell by 8.6 percentage points (2001-2004). Only one (Popp TV) out of 5 covered channels was in both years on or slightly above the 50% threshold. All covered channels were below the minimum proportion of 10% laid down by Article 5 with averages of 1.48% and 1.2% in 2001 and 2002 respectively. This is a particularly negative development with regards to the promotion of independent producers. The share of recent European works was on average 12% and 16.45% over the entire reference period.

1.2 Liechtenstein

Liechtenstein did not submit a statistical statement as none of the three licenses, which were given away, has been actually made use of. The only operating television broadcaster under its jurisdiction, X-Media was withdrawn its licence in 2004 because of non-fulfilment of certain requirements.

1.3 Norway

The channels broadcast an average of 68% and 77.33% (57.75%) of European works in 2001 and 2002 respectively, representing an average 9.33 point increase over the reference period.

In comparison to the previous reference period there has been a considerable increase of 19.58 percentage points over a period of four years (2001-2004). Three satellite channels have been exempted.

The channels under Norwegian jurisdiction broadcast an average of 36% and 42.83% of European works by independent producers in 2001 and 2002 respectively, representing a 6.83 point increase over the reference period and a considerable 19.17 point increase compared to the previous period (2001-2004). The situation in this respect appears very satisfactory.

Also in respect of the proportion represented by recent works, the situation was particularly positive. For the channels mentioned in the report, this proportion averaged 89.80% in 2001 and 93.67% in 2002, representing a 4.87 point increase over the reference period.

  • 2. 
    S UMMARY OF THE REPORTS FROM THE MEMBER STATES OF THE EUROPEAN FREE

TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA

ICELAND

Total number of reported channels Reference period Monitoring method

5 2003 / 2004 Sampling

IS ←MS EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

NLC Stöð 2 33% 32% 2% 1% 4% 3%

Syn 50% 49% 5% 4% 10% 11%

Stöð 3 7% 6% 0% 0% 2% 0%

Popp TV 50% 74% 0% 0% 44% 68%

MovieChan nel 12% 14% 0% 1% 0% 0%

  • A) 
    Reasons given by Member State for failure to reach proportions

No observations.

  • B) 
    Measures taken or envisaged by the Member State

None reported.

  • C) 
    Further comments

No observations.

LIECHTENSTEIN

During the reference period 2003-2004 no broadcasters have permanently established under Liechtenstein’s jurisdiction.

NORWAY

Total number of reported channels Reference period Monitoring method

9 2003 / 2004 Annual schedule

NO TM EW (% of TQT) IP (%TQT) RW (%IP)

Broadcaster channel 2003 2004 2003 2004 2003 2004

NRK AS NRK1 82% 84% 29% 26% 89% 92%

NRK2 76% 95% 16% 5% 85% 87%

TV2 AS TV2 53% 53% 23% 23% 85% 93%

TV2 Xtra NO EXC NO EXC NO EXC

TV2 Interaktiv Sonen NO 100% NO 100% NO 100%

TVNorge TVNorge 54% 54% 53% 53% 100% 100%

EXC EXC EXC EXC EXC EXC Norsk Radio og TV Miracle

AS Channel 36% 36% 64% 64 5 15% 15%

Rikstoto EXC EXC EXC EXC EXC EXC Norsk Rikstoto direkte 100% 100% 100% 100% 100% 100%

TV Visjon Vision Bibel Center Norge 75% 78% 59% 50% 90% 90%

  • A) 
    Reasons given by Member State for failure to reach proportions

One broadcaster did not reach the minimum proportion. No reasons submitted.

  • B) 
    Measures taken or envisaged by the Member State:

None.

  • C) 
    Further comments

The channels “Rikstoto direkte”, “TV2 Xtra” and “Miracle Channel” can be exempted according to the Commission`s guidelines section 2.2: “Rikstoto direkte” and “TV2 Xtra” are sports-only channels, while “Miracle Channel” is broadcasting entirely in languages other than those of the EEA Member States.

BACKGROUND DOCUMENT 6 - List of television channels in the European Union Member States which failed to achieve the majority proportion according to Article 4

Type Transmission Mode Conformity

PS Public service TE terrestrial √ √ √ √ Target met

PR commercial SA Satellite X Target not met

PY pay-TV CA Cable NC Data not communicated

IA Interactive IP Internet NO Channel not in operation

NI Niche/special interest D Digital EXC Channel excluded

Other sports/news/teleshopping/near A Analog video-on-demand

Member Channel AS AS Type TM 2003 2004

State

2003 2004

BE

FL Canal+ 16/9 PY x NC

Canal+16/9 PY NO x Nederland

Canal+blauw PY x x

Canal+blauw PY NO x Nederland

Canal+geel PY NO x

Canal+rood PY x x

Canal+rood PY NO x Nederland

Fezztival PY NO x

Kanaal Twee 6,2 5,2 NI CA x x

Vijf Tv 0,3 NI CA NO x

VT4 6,8 6,7 NI CA x x Member Channel AS AS Type TM 2003 2004 State

2003 2004

VTM 23,5 22,9 NI CA X √

FR AB4 1,1 2 PR CA NO x

Canal+ 0,8 0,7 PY CA x √

Canal+bleu PY CA x √

Canal+Jaune PY CA x √

Club RTL 6,1 6,5 PR CA x x

Plug Tv 1,4 NI CA NO x

RTL-TVi 22,6 23,1 PR CA x √

CY CyBC-2 PS TE x

Sigma PR TE x

CZ HBO (broadcaster: < 3 PY CA/SA x

HBO ČR)

HBO2 (broadcaster: < 3 PY CA/SA x HBO ČR)

HBO (Croatia, PY SA x Slovenia)

HBO (broadcaster: x PP)

HBO2 (broadcaster: x PP)

DK TV2 Zulu 2 2 PR/NI SA x x

TV Danmark 5 4 PR SA x x

DE Animal Planet NI CA/SA NO x

Discovery Channel NI CA/SA x x

Disney Channel NI CA/SA x x

Kabel 1 4,2 4 PR CA/SA x x

MTV 0,5 0,4 NI CA/SA x x

N24 0,4 0,4 Other CA/SA/D x x

Premiere 2,6 2,4 PY CA/SA x x Member Channel AS AS Type TM 2003 2004 State

2003 2004

RTL 2 4,7 4,9 PR CA/SA/D x x

Super RTL 2,7 2,7 NI CA/SA x x

Tele 5 0,3 PR CA/SA x √

VIVA 0,4 NI CA/SA x x

VIVA Plus 0,3 NI CA/SA x √

VOX 3,5 3,7 PR CA/SA/D x x

GR Filmnet-Supersport PR CA x x

Foxkids

Nova PR SA x √

ES AXN 0,109 0,227 NI SA/CA/IP x √

Boomerang 0,008 NI SA/CA NO x

Calle 13 0,111 0,282 PR SA/CA/IP x x

Cartoon Network 0,071 0,316 NI SA/CA x x

Canal Cinemania 0,029 0,040 PR SA x x

Clasic 0,030 0,113 NI SA/CA x x

Disney 0,036 0,033 NI SA/CA/IP x x

Disney Channel 0,07 0,064 NI SA/CA/IP x x

Disney Channel+1 0,032 0,044 NI SA/CA/IP x x

Fox 0,070 0,193 PR SA/CA x x

Jetix 0,070 0,102 PR/NI TE/SA/C x √

A/IP

National 0,021 0,026 PR SA/CA NO x Geographic

Playhouse Disney 0,052 0,050 NI SA/CA/IP x x

Telemadrid 2,70 2,30 PS A x √

Television de 0,50 0,40 PS A x √

Canarias Member Channel AS AS Type TM 2003 2004 State

2003 2004

FR C.C Auteur <1 <1 NI CA/SA x √

C.C Classic <1 <1 NI CA/SA x √

C.C Emotion <1 <1 NI CA/SA x √

C.C Famiz <1 <1 NI CA/SA x x

C.C Frisson <1 <1 NI CA/SA x √

C.C Premiere <1 <1 NI CA/SA x x

JIMMY <1 <1 NI CA/SA x √

IE RTÉ Two 12,4 12,5 PS TE x x

TV 3 14 13 PR TE x x

IT A1 PR SA √ x

Canale Viaggi PR SA x NO

Cineclassics PR SA x NO

Conto TV PR SA NO x

Denaro TV PR SA NO x

Duel PR SA x x

Europa TV – PR SA x NO Telepiú 30

Europa TV – PR SA x NO Telepiú Bianco

E’ TV PR SA x x

Fox PR SA x x

Fox Kids PR SA √ x

Foxlife PR SA NO x Member Channel AS AS Type TM 2003 2004 State

2003 2004

The History PR SA x √

Channel

INN PR SA x x

Italia 1 11,9 PR TE x x

Italian Teen PR SA x x Television

Jimmy PR SA x x

La7 2,2 PR TE √ x

MATCH MUSIC PR SA NO x SATELLITE

Napoli Nova PR SA x x

National PR SA x √

Geographic Channel

National PR SA NO x Geographic Channel (2nd version)

National PR SA NO x Geographic Channel (3rd version)

OASI TV PR SA x x

Palco (broadcaster: PR SA x NO Sky Italia Srl.)

Palco (broadcaster: PR SA x NO Omega TV Spa)

Polonia 1 PR SA x √

Prima TV - Telepiú PR SA x NO 16:9

Prima TV - Telepiú PR SA x NO grigio

Retecapri PR TE x x

Rock tv PR SA x x

Romasat PR SA x x

Sicilia Channel PR SA NO x Member Channel AS AS Type TM 2003 2004 State

2003 2004

Sky Cinema 2 (già PR SA x √

Stream Primafila 2)

Sky Cinema 3 (già PR SA x x Stream Cinema Stream)

Sky Cinema 16:9 PR SA x x (già Stream Prima Fila 5)

Sky Cinema Max PR SA x x (già Stream Prima Fila 4)

Stream 1 (già PR SA x NO Stream Strem 1)

Sky Cinema 1 (già PR SA x √

Stream Prima Fila 1)

Primafila Sky (già PR SA x x Stream Prima Fila 6)

Superpippa PR SA x NO

Telegenova PR SA x x

Tele+ 30 PR SA x NO

Tele+ 16:9 PR SA x NO

Tele+ bianco PR SA x NO

Tele+ grigio PR SA x NO

TELELAZIO RETE PR SA x x BLU

Studio Universal PR SA x x

LT LNK 26,2 PR TE x

TV3 27,5 PR TE x

LU Club RTL 7,7 7,9 PR TE/CA √ x

RTL 5 6,10 5,60 PR TE/SA √ x

Member Channel AS AS Type TM 2003 2004 State

2003 2004

RTL 9 3,3 3 PR CA/SA x √

RTL TVi 24,50 24,70 PR TE/CA x √

HU HBO 0,6 Other SA x

Viasat3 3,2 PR SA x

VIVA TV 0,7 PR SA x

NL Arrivo <3,5 <3,5 Other CA x x

Arrivo (Austria) <3,5 <3,5 Other NC x

Arrivo (Germany) <3,5 <3,5 Other NC x

Arrivo (Norway) <3,5 <3,5 Other NC x

Arrivo (Sweden) <3,5 <3,5 Other NC x

A Ti Vi <3,5 <3,5 PR CA x x

The Box 0,20 0,30 PR CA x x

Clear TV <3,5 <3,5 PR CA NO x

Exotica <3,5 <3,5 PR CA NO x

Livesex tv <3,5 <3,5 PR CA NC x

MTV The 0,50 0,60 PR CA x x Netherlands

Net5 4,30 4,30 PR SA/CA x x

Nickelodeon 1,40 2,40 PR SA/CA x x

SBS6 9,60 9,60 PR SA/CA x x

Sexview <3,5 <3,5 PR CA √ x

Te Ve Sur <3,5 <3,5 PR CA NO x

Tilburg-TV <3,5 <3,5 PR CA x x

UPC Club <3,5 <3,5 PR CA x x

UPC Club (CE) <3,5 <3,5 PR NO x

UPC Club (EE) <3,5 <3,5 PR x x

Veronica/Jetix 4,20 4,90 PR SA/CA x √

Member Channel AS AS Type TM 2003 2004 State 2003 2004

Yorin 5 4 PR SA/CA x √

AT ATV+ 1,2 1,9 PR TE/CA/S √ x

A

ORF 1 21,9 21,6 PS TE/CA/S x x A

Premiere Österreich Other SA/CA x x

PL Ale Kino! 0,30 NI SA x

Canal+ Polska 0,10 NI SA x

Canal+ Zolty 0,10 NI SA x

Minimax 0,40 NI SA x

TVN Siedem 2,10 NI SA x

PT SIC PR TE/SA/C x x A

SIC Comédia NI SA/CA NO x

SIC Gold PR SA/CA x x

SIC Mulher PR SA/CA √ x

SIC Radical PR SA/CA x x

SI Čarli TV CA x

NET TV CA x

TV Pika TE/CA x

FI MTV3 38 35 PR TE/SA/C √ x

A

Subtv EXC 3 PR TE/CA EXC x

SE C More Film NO NI SA NO x

Canal+ 1,50 1,40 PR SA x x

Canal+ Film 1 0,90 NI SA x x

Canal+ Film 0,80 0,60 NI SA x x

Cinema 0,70 0,70 NI SA x x

EN 174 EN

Member Channel AS AS Type TM 2003 2004 State

2003 2004

TV4 Film NO NI TE NO x

UK 3+ Baltics NO <1 PR/NI SA/CA NO x

3+ Denmark <1 <1 PR/NI SA/CA x x

18 Plus Movies <1 <1 PR/NI SA/CA x x

18 Plus XXX <1 <1 PR/NI SA/CA x x

abc1 NO <1 PR/NI SA/CA/D NO x

Adventure One <1 <1 PR/NI SA/CA x x

AXN Germany NO <1 PR/NI SA/CA NO x

Biography Channel 0,1 0,1 PR/NI SA/CA x x

Bravo 0,4 0,3 PR/NI SA/CA x √

Cartoon Network <1 <1 PR/NI SA/CA x x (Boomerang French Lang)

Cartoon Network <1 <1 PR/NI SA/CA x x (EMEA)

Cartoon Network <1 <1 PR/NI SA/CA x x (French Lang)

Cartoon Network <1 <1 PR/NI SA/CA x x (Italian Lang)

Cartoon Network <1 <1 PR/NI SA/CA x x (Nordic)

Cartoon Network <1 <1 PR/NI SA/CA x x (Spanish Lang)

Cartoon Network 0,6 0,5 PR/NI SA/CA x x UK

Cartoon Network’s <1 <1 PR/NI SA/CA x x Boomerang UK

Christian NO <1 PR/NI SA/CA NO x Communications Network

Cinenova <1 <1 PR/NI SA/CA x x

Cinenova 2 <1 <1 PR/NI SA/CA x x Member Channel AS AS Type TM 2003 2004 State

2003 2004

CNBC Europe 0,1 0,1 PR/NI SA/CA x √

Discovery Channel NO <1 PR/NI SA/CA NO x France

Disney Civilisation NO <1 PR/NI SA/CA NO x (Italy)

Discovery Health <1 <1 PR/NI SA/CA x √

Discovery Kids 0,1 0,1 PR/NI SA/CA x x

Discovery Wings 0,1 0,1 PR/NI SA/CA x √

Disney Channel 0,4 0,3 PR/NI SA/CA x x

Disney Channel <1 <1 PR/NI SA/CA x √

Scandinavia

E! <1 <1 PR/NI SA/CA x x

EWTN NO <1 PR/NI SA/CA NO x

Film Four 0,1 0,1 PR/NI SA/CA x x

Film Four Weekly <1 <1 PR/NI SA/CA x x

f/x Channel NO 0,1 PR/NI SA/CA NO x

Hallmark Channel <1 <1 PR/NI SA/CA x x (Central Europe)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Czech)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Eastern Europe)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Italy)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Russia)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Scandi)

Hallmark Channel <1 <1 PR/NI SA/CA x x (Spain)

Hallmark Channel 0,8 0,9 PR/NI SA/CA x x (UK)

Member Channel AS AS Type TM 2003 2004 State

2003 2004

The Horror Channel NO <1 PR/NI SA/CA NO x

History Channel <1 <1 PR/NI SA/CA x x

The Hits <1 <1 PR/NI SA/CA √ x

Jetix Scandinavia <1 <1 PR/NI SA/CA x x

Jetix UK (formerly 0,3 0,2 PR/NI SA/CA x x Fox Kids UK)

Kanal 5 <1 <1 PR/NI SA/CA x x

Kanal 5 Denmark <1 <1 PR/NI SA/CA x x (formerly TV Danmark 1)

Kerrang 0,1 0,1 PR/NI SA/CA x x

Kiss 0,1 0,1 PR/NI SA/CA x x

L! VE TV <1 <1 PR/NI SA/CA x x

Life TV <1 <1 PR/NI SA/CA x x

Living TV 0,7 0,9 PR/NI SA/CA x x

Majestic TV NO <1 PR/NI SA/CA NO x

Maximum Reality <1 <1 PR/NI SA/CA x x

MTV Base 0,1 0,1 PR/NI SA/CA √ x

MTV France <1 <1 PR/NI SA/CA √ x

MTV Nordic NO <1 PR/NI SA/CA NO x (Sweden)

MTV Portugal <1 <1 PR/NI SA/CA √ x

MTV UK 0,4 0,3 PR/NI SA/CA √ x

National <1 <1 PR/NI SA/CA x x Geographic-Benelux

National 0,1 0,1 PR/NI SA/CA x x Geographic-UK and Ireland

Nickelodeon 0,5 0,4 PR/NI SA/CA x x

Nickelodeon Europe NO <1 PR/NI SA/CA NO x Member Channel AS AS Type TM 2003 2004 State

2003 2004

Nick Junior 0,4 0,6 PR/NI SA/CA √ x

Nick Toons 0,2 0,3 PR/NI SA/CA x x

Paramount Comedy 0,5 0,3 PR/NI SA/CA x x Channel

Paramount Comedy 0,1 0,1 PR/NI SA/CA x x 2

Playboy D NO <1 PR/NI SA/CA NO x

Playboy TV <1 <1 PR/NI SA/CA x x

Playhouse Disney 0,2 0,1 PR/NI SA/CA √ x

Q 0,1 0,1 PR/NI SA/CA x √

Rapture TV <1 <1 PR/NI SA/CA x x

Reality TV 0,2 0,1 PR/NI SA/CA x x

Reality TV USA <1 <1 PR/NI SA/CA x x

Red Hot <1 <1 PR/NI SA/CA x x

Romantica <1 <1 PR/NI SA/CA x x

Sci-Fi Channel 0,5 0,5 PR/NI SA/CA x x

Sky Box Office <1 <1 PR/NI SA/CA x x

Sky Cinema 1&2 0,2 0,1 PR/NI SA/CA x x

Sky Mix 0,5 0,5 PR/NI SA/CA x x

Sky Movies 0,4 0,3 PR/NI SA/CA x x 1,3,5,7,9

Sky Movies 2,4,6,8 0,3 0,3 PR/NI SA/CA x x

Sky One 2,9 2,4 PR/NI SA/CA x x

Smash Hits 0,2 0,1 PR/NI SA/CA √ x

Sony Entertainment <1 <1 PR/NI SA/CA x x TV Asia

Soundtrack Channel NO <1 PR/NI SA/CA NO x

Spice Extreme <1 <1 PR/NI SA/CA x x

TCM France <1 <1 PR/NI SA/CA x x Member Channel AS AS Type TM 2003 2004 State

2003 2004

TCM Spain <1 <1 PR/NI SA/CA x x

TCM UK 0,4 0,3 PR/NI SA/CA x x

Television X <1 <1 PR/NI SA/CA x x

Toonami UK 0,2 0,2 PR/NI SA/CA x x

Toon Disney 0,2 0,3 PR/NI SA/CA x x

Trouble (formerly 0,4 0,3 PR/NI SA/CA x x TCC)

TV8 NO <1 PR/NI SA/CA NO x

TV3 Denmark <1 <1 PR/NI SA/CA x x

TV3 N/ Oprway <1 <1 PR/NI SA/CA x x

TV3 Sweden <1 <1 PR/NI SA/CA x √

UCBTV NO <1 PR/NI SA/CA NO x

VH1 Classic 0,1 0,1 PR/NI SA/CA √ x

VH1 European <1 <1 PR/NI SA/CA √ x

(formerly VH1 Export)

VH1 UK 0,2 0,2 PR/NI SA/CA √ x

Viasat Sport2 NO <1 PR/NI SA/CA NO x

The Voice NO <1 PR/NI SA/CA NO x (Denmark)

The Voice (Sweden) NO <1 PR/NI SA/CA NO x

The Voice (Norway) NO <1 PR/NI SA/CA NO x

XXX Housewives <1 <1 PR/NI SA/CA x x

ZTV Norway <1 <1 PR/NI SA/CA √ x

EFTA

MSs

IS Stöð 3 PR TE/D x x

MovieChannel PR TE/D x x

BACKGROUND DOCUMENT 7 average transmission time* of European works by primary channels (“de-minimis-criterion”)

Member Channel % audience 2003 % audience 2004 % EW % EW State 2003 2004

BE

BE- Canvas/Ketnet 10 9,4 68 NO FL

Kanaal2 6,2 5,2 38 41

VT4 6,8 6,7 24 25

VTM 23,5 22,9 48 58

Tv1 27,9 28,2 78 77

BE- Club RTL 6,1 6,5 49 32,30 FR

La Une 16,8 15,9 68,76 71,28

La Deux 3 3,8 88,77 91,81

RTL TVI 22,6 23,1 45.76 55,40

AVERAGE 57,82 56,47

CY No information available

CZ No information available

DK DR 1 30 30 82 84

DR 2 4 4 84 85

TV2 32 32 55 54

TV 5 4 36 35 DANMARK

AVERAGE 64,25 64,50

DE ARD 14 13,9 91 91

KABEL 1 4,2 4 23 24

EN 180 EN

Member Channel % audience 2003 % audience 2004 % EW % EW State

2003 2004

RTL 14,9 13,8 75 80

RTL 2 4,7 4,9 34 43

SAT 1 10,2 10,3 78 83

VOX 3,5 3,7 46 44

ZDF 13,2 13,6 87 85

AVERAGE 61,38 64,38

EE Kanal 2 19,4 54

TV3 24,9 51

ETV 18 81

AVERAGE 62,00

GR ALPHA 13,3 13 80 81

ALTER 10,4 11,5 74 69 CHANNEL

ANTENNA TV 22,5 20,8 66 70

ET 1 5,5 5,2 66 85

MEGACHAN 17,3 16,9 82 95 NEL

NET 6,9 8,8 74 76

STAR 12,2 11,5 51 52 CHANNEL

AVERAGE 70,43 75,43

ES Antena 3 TV 19,5 20,8 58,9 63,2

Canal Sur 3,5 3,7 80,6 52

La2 7,2 6,8 62,83 60,95

La Primera 23,4 21,4 69,36 64,01

Telecinco 21,4 22,1 60,94 70,36

TVE3 3,6 3,4 58,69 59,86 Member Channel % audience 2003 % audience 2004 % EW % EW State

2003 2004

AVERAGE 65,22 61,73

FR Canal+ 3,7 3,8 60 60

France 2 20,5 2,5 79 80

France 3 16,1 15,2 78 82

France 5 6,4 6,7 88 88

M6 12,6 12,5 65 66

TF1 31,5 31,8 65 66

AVERAGE 72,50 73,67

IE RTE One 25,4 25,8 57 56

RTE Two 12,4 12,5 41 42

TG4 2,9 3,1 68 63

TV3 14 13 45 48

AVERAGE 52,75 52,25

IT Canale 5 22,9 NC 61,8 73,1

Italia 1 11,9 NC 43,2 39,9

Rai Due 23,5 NC 62,8 67,6

Rai Tre 12,1 NC 70,6 68,6

Rai Uno 9,3 NC 78,1 7,2

Rete 4 9,1 NC 57,7 57,5

AVERAGE 62,37 52,32

LV LNT 22 55

LTV1 14 67,7

LTV7 5 59,6

Pirmais Baltijas 10 51,1 kanāls

EN 182 EN

Member Channel % audience 2003 % audience 2004 % EW % EW State 2003 2004

TV5 3 69

AVERAGE 58,82

LT BTV 8,8 52

LNK 26,2 33

LTV 12,5 81,8

TV3 27,5 47

AVERAGE 53,45

LU Club RTL 7,7 7,9 59 23

RTL4 19,1 18,2 53 59

RTL5 6,1 5,6 54 48

RTL9 3,3 3 48 51

RTL9 3,1 2,8 52 54

RTL Tele 66 70 70 72 Lêtzebuerg

RTL TVi 24,5 24,7 46 55

AVERAGE 54,57 51,71

HU MTV1 15,5 78,4

RTL KLUB 29,5 54,6

TV2 27,3 50,4

AVERAGE 61,13

MT Net TV 17,59 54

Super One TV 28,78 72

TVM 51,44 91

AVERAGE 72,33

NL Nederland 1 11,2 11,1 94 94

EN 183 EN

Member Channel % audience 2003 % audience 2004 % EW % EW State 2003 2004

Nederland 3 7.5 6,6 92 93

NET5 4.3 4,3 33 34

SBS 6 9.6 9,6 45 49

Veronica/Jetix 4,2 4,9 45 52

Yorin 5 4 36 55

AVERAGE 61,14 66,86

AT ORF 1 21,9 21,6 44 45,9

ORF 2 29,8 29,7 82,1 83,2

Sat 1 Österreich 5,4 5,8 100 100

AVERAGE 75,37 76,37

PL Polsat 16,3 52,6

Program 2 20,6 84,2

TVN 14,5 70,5

AVERAGE 69,1

PT No information on AS available

SI Kanal A 11 (in 2003) 55,8

NET TV 5,7 (in 2003) 28,06

POP TV 33,9 (in 2003) 73,1

RTV Slovenija 35,7 (in 2003) 54,9

AVERAGE 52,97

SK No information on AS available

FI MTV 3 38 35 51 49

Nelonen 11 12 56 51

EN 184 EN

Member Channel % audience 2003 % audience 2004 % EW % EW State 2003 2004

TV 2 20 20 83 80

AVERAGE 69,75 67

SE SVT 1 47 47 83 82

SVT 2 36 36 87 86

TV 4 43 43 53 58

AVERAGE 74,33 75,33

UK BBC1 19,5 19,6 74 75

BBC2 7 6,8 80 82

Channel 4 6,9 7,3 77 71

Five 4,7 5 51 54

ITV1 19,2 18,8 81 85

AVERAGE 72,6 73,4

EU- 64,45 63,87 AVERAGE

EFTA-MS

IS 1 42,80 38,20 55 56

1 21 19 25 35

AVERAGE 40 45,5

NOR NRK1 40,2 40,7 82 84

NRK2 3,4 3,4 76 95

TV2 29,5 30 53 53

EN 185 EN

Member Channel % audience 2003 % audience 2004 % EW % EW State

2003 2004

AVERAGE 71,5 76,25

(*) Source: Member States’ national reports for reference period 2003-2004.

BACKGROUND DOCUMENT 8 – List of television channels in the European Union

Member States which failed to achieve the minimum proportion according to article 5

Type Transmission Mode Conformity

PS Public service TE terrestrial √ √ √ √ Target met

PR commercial SA Satellite X Target not met

PY pay-TV CA Cable NC Data not communicated

IA Interactive IP Internet NO Channel not in operation

NI Niche/special interest D Digital EXC Channel excluded

Other Sports/news/teleshopping/near A Analog video on demand

Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

B

FL Canvas PS CA/TE NO x

FR Liberty TV NI CA x √

CZ CT1 0,2093 PS TE x

DK TV2/Bornholm 3 3 PS TE x x

TV2 Lorry 3 3 PS TE x x

TV2 ØST 3 3 PS TE x x

TV2/ Østjylland 3 3 PS TE x x

DE Bloomberg TV NI CA/SA x x

Disney Channel NI CA/SA x √

Phoenix 0,5 0,5 PS SA/CA/D x x

ES AXN 0,109 0,227 PR SA/CA/IP x √

Cartoon Network 0,071 0,316 NI SA/CA √ x

Disney 0,036 0,033 NI SA/CA/IP x √

Fox 0,070 0,193 PR SA/CA √ x

Telemadrid 2,70 2,30 PS A √ x

Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

FR GAME ONE <1 <1 NI CA/SA x √

LIVE1 <1 <1 Other CA/SA x x

Tchatche TV (ex 123 SAT) <1 <1 NI CA/SA NC x

IT Cinemovie PR SA x NO

Duel PR SA x x

Italian Teen Television PR SA x √

Palco (omega) PR SA x NO

Retecapri PR TE x EXC

Sky Cinema 2 (già Stream Prima PR SA √ x

Fila 2)

Sky Cinema 3 (già Stream PR SA √ x

Cinema Stream)

Sky Cinema Max (già Stream PR SA √ x

Prima Fila 4)

Sky Cinema 1 (già Stream Prima PR SA √ x

Fila 1)

Primafila Sky (già Stream Prima PR SA x x Fila 6)

TVL PR SA x NO

LU Nordliicht TV PR CA/SA x x

HU Fix Televízió PS SA x

HírTV Other SA x

MATV 1,6 0,6 PS SA x

Viasat3 2,4 3,2 PR SA x

NL A Ti Vi <3,5 <3,5 PR CA x x

Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

The Box 0,20 0,30 PR CA √ x

DeltaTV <3,5 <3,5 PR CA x NO

Exotica <3,5 <3,5 PR CA NO x

MTV The Netherlands 0,50 0,60 PR CA x √

Private Gold <3,5 <3,5 PR CA x √

RNN7 <3,5 <3,5 PR CA x EXC

ROB TV <3,5 <3,5 PR CA x √

Te Ve Sur <3,5 <3,5 PR CA NO x

Tilburg-TV <3,5 <3,5 PR CA x x

UPC Club (CE) <3,5 <3,5 PR NC NO x

VSM-TV <3,5 <3,5 PR CA EXC x

Wereldomroep <3,5 <3,5 PS SA x x

PL Edusat NI SA x

Hipika TV Other SA x

Pilot NI SA x

Tele5 0,50 PR SA x

TVN24 1 Other SA x

TVN Siedem 2,10 NI SA x

PT RTP Africa PS SA/CA x √

SIC Gold PR SA/CA x x

SIC Mulher PR SA/CA x x

SIC Radical PR SA/CA x √

SIC Noticias Other SA/CA x √

SI Kanal A 11 TE x x

(2003)

POP TV 33,9 TE x x (2003)

Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

Prva 1,7 TE/CA x NC (2003)

Vaš Kanal TE x EXC

vTv Vaš televizija TE x EXC

SE 6 NI SA x NO

Suroyo TV Other SA NO x

Viasat Action NI SA NO x

Viasat Nature NI SA NO x

UK 3+ Denmark <1 <1 PR/NI SA/CA x x

3+ Baltics NO <1 PR/NI SA/CA NO x

18 Plus Movies <1 <1 PR/NI SA/CA x √

abc1 NO <1 PR/NI SA/CA/D NO x

The Amp 0,2 0,2 PR/NI SA/CA x x

AXN Germany NO <1 PR/NI SA/CA NO x

BBC Food <1 <1 PS/PR SA/CA √ x

BBC Prime <1 <1 PS/PR SA/CA √ x

Biography Channel 0,1 0,1 PR/NI SA/CA √ x

Cartoon Network (EMEA) <1 <1 PR/NI SA/CA √ x

Cartoon Network (French Lang) <1 <1 PR/NI SA/CA √ x

Cartoon Network (Italian Lang) <1 <1 PR/NI SA/CA √ x

Cinenova <1 <1 PR/NI SA/CA x x

Cinenova 2 <1 <1 PR/NI SA/CA √ x

Discovery Channel France NO <1 PR/NI SA/CA NO x

Disney Channel 0,4 0,3 PR/NI SA/CA x x

Disney Channel Scandinavia <1 <1 PR/NI SA/CA x x

E! <1 <1 PR/NI SA/CA x √

EWTN NO <1 PR/NI SA/CA NO x Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

Film Four 0,1 0,1 PR/NI SA/CA x √

Film Four World NO <1 PR/NI SA/CA x NO

Flaunt 0,1 0,1 PR/NI SA/CA x x

Hallmark Channel (Central <1 <1 PR/NI SA/CA x x Europe)

Hallmark Channel (Czech) <1 <1 PR/NI SA/CA x x

Hallmark Channel (Eastern <1 <1 PR/NI SA/CA x x Europe)

Hallmark Channel (Italy) <1 <1 PR/NI SA/CA x x

Hallmark Channel (Russia) <1 <1 PR/NI SA/CA x x

Hallmark Channel (Scandi) <1 <1 PR/NI SA/CA x x

Hallmark Channel (Spain) <1 <1 PR/NI SA/CA x x

Hallmark Channel (UK) 0,8 0,9 PR/NI SA/CA x x

The Horror Channel NO <1 PR/NI SA/CA NO x

Ideal Vitality (formerly House & NO <1 PR/NI SA/CA NO x Garden TV)

Kanal 5 Denmark (formerly TV <1 <1 PR/NI SA/CA x x Denmark 1)

L! VE TV <1 <1 PR/NI SA/CA x x

Living TV 0,7 0,9 PR/NI SA/CA x √

Majestic TV <1 <1 PR/NI SA/CA NO x

Maximum Reality <1 <1 PR/NI SA/CA x x

Music Choice <1 <1 PR/NI SA/CA x x

Nickelodeon Europe NO <1 PR/NI SA/CA NO x

Open Access 2 <1 <1 PR/NI SA/CA √ x

Paramount Comedy Channel 0,5 0,3 PR/NI SA/CA x √

Paramount Comedy 2 0,1 0,1 PR/NI SA/CA x √

Playboy D NO <1 PR/NI SA/CA NO x Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

Playhouse Disney 0,2 0,1 PR/NI SA/CA x x

Rapture TV <1 <1 PR/NI SA/CA x x

Real estate TV NO 0,1 PR/NI SA/CA NO x

Reality TV 0,2 0,1 PR/NI SA/CA x √

Reality TV USA <1 <1 PR/NI SA/CA x x

Romantica <1 <1 PR/NI SA/CA x x

Russian Hour NO <1 PR/NI SA/CA NO x

Sci-Fi Channel 0,5 0,5 PR/NI SA/CA x x

Scuzz 0,1 0,2 PR/NI SA/CA x x

Sky Box Office <1 <1 PR/NI SA/CA x x

Sky Movies 1,3,5,7,9 0,4 0,3 PR/NI SA/CA √ x

Sky Movies 2,4,6,8 0,3 0,3 PR/NI SA/CA x x

Sky Travel <1 <1 PR/NI SA/CA x √

Sky Venue 0,1 0,2 PR/NI SA/CA x x

Sony Entertainment TV Asia <1 <1 PR/NI SA/CA x x

Toonami UK 0,2 0,2 PR/NI SA/CA x x

Toon Disney 0,2 0,3 PR/NI SA/CA x x

Trouble (formerly TCC) 0,4 0,3 PR/NI SA/CA √ x

TV8 NO <1 PR/NI SA/CA NO x

TV3 Denmark <1 <1 PR/NI SA/CA √ x

TV3 N/ Oprway <1 <1 PR/NI SA/CA x x

TX1 NO <1 PR/NI SA/CA x NO

UKTV People NO 0,1 PR/NI SA/CA NO x

Viasat Explorer NO <1 PR/NI SA/CA NO x

Viasat Explorer (East) NO <1 PR/NI SA/CA NO x

Viasat History NO <1 PR/NI SA/CA NO x Member Channel AS 2003 AS 2004 Type TM 2003 2004 State

Viasat Sport1 NO <1 PR/NI SA/CA NO x

Viasat Sport2 NO <1 PR/NI SA/CA NO x

Viasat Sport3 NO <1 PR/NI SA/CA NO x

ZTV Norway <1 <1 PR/NI SA/CA √ x

EFTA

MSs

IS 1 21 19 PR TE/CA x x

NO NRK2 3,4 3,4 PS TE √ x

 
 
 

3.

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